“There will be no encore. The hour is nigh when some lucky few will experience the last gig, the last song, the last moment of the world’s most violent performative force. And the rest will be silence – because after The Dillinger Escape Plan leave the stage, the vacuum left behind won’t fill.” ‘Nuff said.
Progressive Metal
Anciients – Voice of the Void Review
“Canada’s Anciients stormed the scene with their promising Heart of Oak debut in 2013, an intoxicating if at times derivative mix of stoner, sludge, and prog. It was an enjoyable album, though it didn’t quite blow me away like it did many others. Nevertheless, my interest was certainly piqued enough to be excited by the band’s long-awaited return with the all important album number two.” Goats for all!
Meshuggah – The Violent Sleep of Reason Review
“What does a band do when they’ve spent decades revolutionizing the very fabric of metal? A handful of the early century’s most innovative musicians get their say this fall – and in quick succession, as if ready to pass the torch on to the next generation of darkness. But one of those bands in particular has pitched a radical transformation in how and with what metal is played. Meshuggah, the dark and jagged jewel of Umeå.” The paradigm must now align.
The Reticent – On the Eve of a Goodbye Review
“So when I see a promo that comes from The Reticent, a one-man (Chris Hathcock) project hailing from North Carolina, I am a bit leery. Then I read he is a Grammy-nominated individual. Cool! For what? Well, for being a music teacher, and you know what they say: those who can, do, and those who can’t, teach (or review). So I expect a lesson in obscure scales and don’t hold out much hope for awesomeness.” Caution: avoid if happy.
Eschatos – The Grand Noir Review
“It’s been said by some that Moldova sucks, but when it comes to metal, Latvia does not! Hailing from Latvia’s capital city (Riga), Eschatos have been constructing their brand of avant-garde/progressive black metal since 2012.” Better black than red.
Almah – E.V.O. Review
“Concerning geography, I’m the first to admit my complete and total cluelessness. I’m the guy that, until recently, thought the Philippines were off the coast of Central America. My knowledge of European countries is directly linked to the number of metal bands they have produced. When it comes to Brazil, I’m aware of exactly three things; their Olympics were a gong show, they lost 7-1 and they love their power metal. That’s right, Almah is back with E.V.O, another offering of trademark Brazilian power.” From Brazil with love.
Sonata Arctica – The Ninth Hour Review
“The Ninth Hour marks Sonata Arctica’s fourth full length since Unia. In 2016, that means that half the band’s career is post-Unia and since that monumental album Sonata Arctica has gone through a tense relationship with its history and—if the comments on this blog are anything to go by—their fanbase. This has led to these veterans of Europower reintroducing wolf shirt and their old logo. But for me it’s The Days of Grays—an album distinctly lacking in both—that remains the band’s best since 2007.” So after all this time has Sonata Arctica produced a worthy successor to The Days of Grays?
Dysrhythmia – The Veil of Control Review
“Do you like Russian Circles, but wish they added more wank to their post-metalness? Do you adore King Crimson, but wish there was less wankery – er, Frippery – in the recipes? If so, Dysrhythmia might be the bowl of porridge that is just right for you.” Porridge is for proggers.
Inanimate Existence – Calling From a Dream Review
“Advice is a tricky thing, really. I try to give only when asked and take only what’s given freely, but the general advice economy moves much faster than I like to. So instead of giving advice, I prefer to just point out issues and have people come up with their own solutions. This works well when you’re reviewing music since most of the job is explaining why that music isn’t as good as it could be. A case in point would be the last album from Inanimate Existence, A Never-Ending Cycle of Atonement, an album about which I had many complaints.” Is this an atonement?
Barishi – Blood From the Lion’s Mouth Review
“Metal is undeniably a multifaceted wonder. It has many moods and it incorporates many styles from a wide range of genres and mediums. But how much is too much? Is it too late in the evolution of this dark and dangerous genre for us to return to the simple days of booze, drugs, and rock ’n roll?” Yes, yes it is.