Season of Mist

Ghost Brigade – Until Fear No Longer Defines Us

Ghost Brigade – Until Fear No Longer Defines Us

Another depressive, bleak band from Finland? What a surprise! Although they don’t seem to a band on everyone’s lips yet, Ghost Brigade have staked out their own little corner in the doom rock genre. Their first two albums were entertaining platters of doomy metal with a notable rock/post-rock edge and nods to death metal. Some lauded 2009’s Isolation Songs as a genre defining classic. I wouldn’t go quite that far but it had some great moments of downcast unhappiness. Along comes Until Fear No Longer Defines Us and they’ve really outdone themselves and reached a whole new level. Featuring a more laid back (but still highly morose) sound, Ghost Brigade drifts away from the heavier aspects of their sound and toward a more moody, rock-based style. Now, these guys were never what I would call knuckle smashing heavy to begin with. Sure they would toss in some deathy snarls and some heavy riffing but the focus was always on sullen, despondent vibes with enough rock sensibility to keep things moving. That hasn’t changed here, just reached a more effective, accessible phase. At times they sound similar to recent Katatonia, Rapture and the less deathy moments of Swallow the Sun. Does it work? Absolutely it does and most of Until is a testament to what quality songwriting will do for a band.

Septic Flesh – The Great Mass Review

Septic Flesh – The Great Mass Review

Yet another highly anticipated 2011 release is upon us! This is the eighth crusade by the Greek masters of blackened death Septic Flesh and they brought a few new tricks with them as they refine their crazed classical music meets brutality approach. 2008’s Communion was hailed as a highly creative accomplishment and The Great Mass is a continuation and enlargement of that sound and concept. Taking their basic blackened death style and merging it with performances from the Prague Philharmonic Orchestra and a full choir, Septic Flesh have now become a full blown orchestral/symphonic death metal juggernaut. With a full orchestra involved, this is obviously going to be a bigger, more bombastic album and its hardly easy listening. While they traffic in the same over-the-top, dramatic theatrics as Therion, they manage to keep things much more linear (and therefore much more listenable). While bands like Cradle of Filth and Dimmu Borgir have long employed symphonic orchestration to accent their sound, Septic Flesh have now embedded it into their core and made it an integral part of their make up and identity.

The Project Hate MCMXCIX – Bleeding the New Apocalypse (Cum Victriciis in Manibus Armis) Review

The Project Hate MCMXCIX – Bleeding the New Apocalypse (Cum Victriciis in Manibus Armis) Review

A few months back I posted something which amounted to me shilling for money for The Project Hate’s new record. What you, as a reader here, probably didn’t know is that at the time I’d never even heard The Project Hate. I was not a fan at all, actually, I just thought the idea was cool and I believe in supporting underground bands doing cool shit and I think that what Lord K Philipson was doing was, in fact, cool as hell. Things, of course, ended up getting worked out and I now have a copy of The Project Hate’s new disc in my possession and it has possibly the longest title ever: Bleeding the New Apocalypse (Cum Victriciis in Manibus Armis). I will not write that again.

Defiled – In Crisis Review

Defiled – In Crisis Review

I’ll admit it, I’m a biased motherfucker. When I think of Japan, I think of anime and J Pop and bands like over-the-top shit like X Japan and the crazy clown lookin’ girls, not brutal death metal bands like Defiled. I guess I should have learned this lesson already from bands like Gore Beyond Necropsy and Sigh and others who break against this stereotype in their own way, but no, my bias remains. Though I guess you can really say that Defiled is over-the-top, as they are an excellent, but also very brutal and pretty technical death metal band that is releasing their fourth full length. However, I can say that I was right surprised to get this record since I had no idea it was coming out and it has been 8 years since their Season of Mist debut Divination. But whether or not I had warning, Defiled has put out another ball breaking slab of death metal crushingness.

Silent Stream of Godless Elegy – Návaz Review

Silent Stream of Godless Elegy – Návaz Review

The world of music is so big and this Angry Metal Guy is really so very, very small. This is my excuse for having never listened to Silent Stream of Godless Elegy before receiving this record from Season of Mist. And really, I think I probably should have at least checked them out before. Having formed in 1995 they’ve been playing a variety of folky, doomy metal that, to be honst, I’m surprised wasn’t picked up by Napalm Records back in the day when they were on their kick of picking up every female fronted band ever. But I digress [What? Me digress? – AMG].

Severe Torture – Slaughtered Review

Severe Torture – Slaughtered Review

I have to admit right up front that I wasn’t overly familiar with Severe Torture and their cadaver of work prior to getting tasked with this review. I had heard bits and pieces of previous albums but nothing about them ever really grabbed my attention or made me feel the need to track down their material. So as I got familiar with Slaughtered, this Dutch death metal band’s fifth platter (or should I say splatter), I was pretty shocked by the quality of the material on display. Maybe I simply missed the boat on their earlier stuff but this is a solid enough release that I plan to go back to investigate much more carefully in the near future.

Watain – Lawless Darkness Review

Watain – Lawless Darkness Review

This Angry Metal Guy rips on black metal a lot. One of the most overdone and ill-performed genres in the history of metal has to be black metal. The problem is that when black metal is performed poorly by individuals who are not invested in it, then black metal is boring, simplistic and uninteresting. But when black metal is performed with the force and fanaticism of Sweden’s very own Watain, then it is a force to be reckoned with. And finally Lawless Darkness the new full-length from this Uppsala/Stockholm, Sweden-based black metal act is here and it is a force be reckoned with. It harkens back to the days of yore, when black metal was new, vile and most importantly, dangerous and excellent.

Rotting Christ – Aealo Review

Rotting Christ – Aealo Review

There aren’t many bands that can claim something that Rotting Christ can claim: they have more buzz around the band now than they have ever had, and this is their 10th album. Now the hardcore, or the old school fans, will claim that they’re not nearly as good as they were “back in the day,” but I think the band has done a lot of development since the “old days” and really planted themselves firmly on the border of modern, mainstream metal. I mean, even their label is calling them just “dark metal” now, though I think there are some things that still hold them in the black metal category. Aealo is the follow up to the band’s 2007 masterpiece Theogonia, a record which lit their fanbase aflame and which saw the band broadening their appeal to new fans all over the world. It is fair to say that Rotting Christ has continued on the heels of Theogonia with Aealo, because the majority of the stylistic themes which ran through the previous album and made it great remain.