“Amaurot is a four-piece gothic death doom band hailing from Sweden and fronted, and co-founded, by German vocalist Lisa Rieger (also of Hydra). And this review of their full-length debut, … To Tread the Ancient Waters, is woefully late. I make no apologies for that but know that there are Reasons. Valid Reasons. Rieger founded the band in 2019 with guitarist Peter Svensson (ex-Goatess, among others), who also handles keyboards.” Late to the grave.
“All the way back in March 2019, Norwegian black metal quartet Nordjevel impressed Grymm with sophomore effort Necrogensis. Snagging a 3.5 from the Grymmster, Nordjevel brought icy riffs and Norwegian fury to his Floridian home but it was not a record completely free from issues and had a notably stronger second half, suffering also from a little bit of bloat and/or lack of self-editing. With a line-up that has held steady since Necrogenesis and features former members of Dark Funeral, 1349 (drummer, Dominator), Morbid Angel and Zyklon (guitarist Destructhor), can Nordjevel now up their consistency, tighten their songwriting and take things to the next level on third album Gnavhòl?” Beyond the Grymm horizon.
“German stalwarts Battlesword have been out there, waging metal war, since 1999. Despite that lengthy tour of service, new platter Towards the Unknown will be only the band’s fourth full-length, with a yawning 13-year gap between their debut, Falling in Triumph, and the sophomore effort, Banners of Destruction. Battlesword’s last outing, And Death Cometh Upon Us, was released in the twentieth year of the band’s existence and continued to beat a path through the well-trodden , blood-soaked fields of melodic death metal. With more than a little Amon Amarth in the sound.” Unknown blades ov wrath.
“As the title might suggest, Woe is a record packed with bleak soundscapes and drenched in misery. Sprawled across almost an hour of beautiful depression, An Abstract Illusion’s latest work feels like a single flowing composition, rather than the seven tracks it’s presented as. Heavier and channeling a more blackened and atmospheric edge into the progressive death metal of its predecessor, there is a swirling sense of barely controlled chaos that lies just beneath the surface of Woe.” Woe to we.
“Revocation are cool again. To be fair, Revocation were almost always cool. From 2008’s Empire of the Obscene to 2014’s Deathless, the band were unstoppable, almost single-handedly revitalizing death thrash. With the speed and grace of a whipsnake, they gleamed through twisting, treacherous songs, dazzling with every move. Their music was not malicious; it was downright joyous, and bandleader Dave Davidson’s boisterous solo work hearkened back to the crazed fret flights of records like Rust in Peace while taking thrash in new directions.” Be not deaf in Heaven.
