The Gathering

Angrily Unreviewed: November’s Doom – Aphotic

Angrily Unreviewed: November’s Doom – Aphotic

Yep, this one didn’t get by our formidable musical radars, we just didn’t get around to reviewing it due to questionable time management, manpower issues and the whole “having lives” thing. November’s Doom is hardly a band that needs to be brought to people’s attention. They’re a veritable doom metal institution with seven albums of well done, death-tinged doom behind them. Aphotic, their eighth, is more of the same and its good stuff as usual (available via The End Records). In fact, it’s very much in line with what they have been doing their past few albums. Opener “The Dark Host” has that classic mix of urgent death metal and somber, depressive moments and its quite emotional (I love the chorus in this song). Other standouts include the darkness of “Harvest Scythe” and “Buried Old” and the creepy, angry storytelling in “Six Sides” (there’s a lot going on with the lyrics in this one, very dark). There’s even a cool “Planet Caravan” quality to parts of “Shadow Play.” The highlight is the truly beautiful and gut-wrenchingly poignant “What Could Have Been” where Paul Kuhr is joined by Anneke van Giersbergen (formerly of The Gathering). It’s a ballad in the same mold as “Twilight Innocence” off their The Novella Reservoir album and its very touching and melancholy. Anneka’s voice is filled with emotion and frailty and it works damn well.

Draconian – A Rose for the Apocalypse Review

Draconian – A Rose for the Apocalypse Review

It’s Angry Metal Confession time kiddies. Steel Druhm has many things he should confess but for now, lets focus on aspects of the metal scene I’ve grown weary of. First up has to be symphonic black metal. Its been done, overdone, redone and ultimately, undone. Another very overused gimmick is beauty and the beast vocals (death metal vox paired with soaring, usually operatic, female vocals). Since Theatre of Tragedy came out with Velvet Darkness They Fear, every gothic metal band under the moon tried their hand at the style and while it can be amazing, it’s been overblown in a major way. Because of the staleness in this approach, only the very best practitioners leave any impression on me. Draconian is one such expert unit and while I liked their early material, I LOVED their 2008 release Turning Seasons Within. That opus managed to balance heavy doom with ethereal gothic sensibilties and they made the beauty and beast approach work magnificently. Now with A Rose for the Apocalypse, these Swedish glumsters have done it yet again and offer a top quality gothic-doom/death album brimming with emotion, intensity and dark atmosphere. Its good enough to make me rethink my position on the entire paradigm and its a real slobberknocker of a metal album.

Interview with Mary Zimmer from Luna Mortis

Interview with Mary Zimmer from Luna Mortis

One of the most promising bands that I’ve ever encountered in my time in the underground has been Luna Mortis. Within the scene that they were surrounded by, it was basically taken for granted that if someone from the scene was going to take off it would be them (at the time called The Ottoman Empire). To no one’s surprise they got bigger, got better management, got a better band together and continued developing. To no one’s surprise they started getting good press and good reviews and making contacts. To, I think, a lot of people’s surprise they ended up getting signed by Century Media. Not that they didn’t deserve it, but just to think that a group of local kids were getting picked up by the label that had shepherded so many of us into the extreme metal scene was pretty astounding.