“Internal Bleeding helped to pioneer the much maligned (but somewhat loved) ‘slam’ death metal genre over 20 years ago, and are by most accounts the first band to use the term. As the premiere slam band alongside Suffocation, they’ve been divisive since day one.” Love em or hate em, they’re back to get all Strong Island on your ass.
“It’s been around a month since I panned Fallujah’s incredibly ambitious The Flesh Prevails on account of a gratuitously loud mastering job, and now that the storm that battered the review’s comments section has passed, the staff at Angry Metal Guy have all agreed that it’s time to take another look at the album. But this time it’s not quite the same album. How so? We have an alternate master, provided for us with consent from Fallujah by Zack Ohren, the man behind the knobs for The Flesh Prevails.” Does a more dynamic mastering make that much of a difference? You may be surprised.
Technical death metal. You know the images and sounds those three words conjure up: endless sweep arpeggios, slapped bass with only the freshest of strings, fast double-bass drumming, an album cover that utilizes colors on the cooler side of the Color Wheel (mostly hues of purple and blue) and has an alien somewhere in it, the band logo in a sharp, nigh-symmetrical font…. And for the most part, you know what to expect when someone tries to take the throne from the likes of Decapitated, Gorguts, or Necrophagist. We’re all about the Color Wheel here at AMG, but only the cool side. We also appreciate some good tech-death. Does this qualify?
“For every Voivod album that teaches us not to judge a book by its (horrendously poorly made) cover, there are dozens of other albums with laughably bad artwork that also contain laughably bad music. This was somewhat the case with The Kennedy Veil’s debut disc, which hid uninteresting death metal behind a photoshop abomination. They can’t be faulted for this, seeing as the it was self-released, but it’s nice to know this time around they’ve put forth a properly constructed, though again clichéd face for themselves.” Sometimes we make note of album artwork, but Kronos really takes that to a new level of visual obsession. Fortunately, he also reviews the music… eventually.
Tech death is a fickle mistress. Madam X is our less fickle mistress of evil, debasement and death. Join her as she examines the techy, deathy strew cooked up by Kamikabe. It doesn’t sound all that appetizing, does it?
Who would have thought that an icy wasteland would be good for the music community, it seems ice inspires insane speeds and death metal! A few weeks back, in my review of Kontinuum’s Earth Blood Magic, I commented on the metal kick-assery that’s making its way out of Iceland (and in particular Reykjavík), and at the time of their review another band aggressively caught my attention, doggedly refusing to let my mind rest! In true shit-happens style I ended up missing their release date and now you have a retrospective review of Beneath’s Enslaved by Fear [I feel shame at my tardiness].
