Mefisto - 2. 0. 1. 6What do you get when the length of time between a band’s demo and their first full-length debut is longer than the entire life of the guy writing about it? This review, that’s what. Next, what do you name your record when you release it sixteen years after we all drained our bathtubs because Y2K ended up not shutting down the municipal water supply? 2.0.1.6, if you’re kvlt Swedish band Mefisto. Now, what do you get when a band isn’t terribly good at playing death metal so they unconvincingly add prog-jazz to spice things up? Cynic’s Focus. Finally, what does Mefisto’s 2.0.1.6 get on the hallowed AMG rating scale? You’ll have to read on and see.

Apparently existing in another bizarre alternate universe besides Sweden, Mefisto sound like what would happen if Megadeth’s Dave Mustaine and Exodus’s Gary Holt decided to make the …And Justice for All/Rust in Peace equivalent such a union would produce, minus the Melanchollica balladry. Mustaine lost his voice, so because both guitarists clearly enjoyed Rigor Mortis they decided to hire Bruce Corbitt for the gig. In order to make things more groovy, bouncy, and kinetic, a whole lot of Pantera’s vintage chugging segments were also incorporated. With that, just like adding 1.4.9 to 1.8.6.7, we get 2.0.1.6.

Perhaps the best thing about 2.0.1.6 is just how nice of a snapshot it is of that time in history when American thrash bands decided to write longer songs, change the tempo more and step outside the box a bit. Naturally, “Deathrace” can’t help but open the record with a misleading acoustic intro that goes into a smattering of pummeling riffs made all the more catchy by a good vocal performance. The short and to the point “Act Dead” takes a nice detour through Germany with Destruction acting as its guide, and is energetic, catchy, and the token straightforward pummeling tune with zero embellishments. The Megadexodus riffing of “The Puzzle” is combined nicely with a nifty melodic Metallexodus solo section and a chugging Pantera chorus that’s almost annoyingly catchy.

Unicorn astro

With the goodness of an era generally comes the folly as well, and Mefisto is not immune from this. “Hate Consumes Me” uses the annoying Pantera device of speaking in an odd voice over a riff before going into a chorus filled with yelling (think “No Good – Attack the Radical”), and it meanders for a little over four minutes and fails to make a lasting impression.  “Heads in the Sand” can’t figure out whether its chorus is supposed to be anthemic or melancholy and winds up sounding awkward and unsure of itself, surrounded by some of the most nonchalant material 2.0.1.6 has to offer. The problem is that the whole thing comes off as good regardless of how many flashes of greatness may lurk through the songs. The title track is a good example of this, as the ending solo is great and the chugging that precedes it is good and chunky, but the preceding parts sound like a combination of stuff Metallica rejected from “The Call of Cthulhu.”

2.0.1.6 is an okay record and probably worth hearing a few times. The production is pleasingly rough and not too polished, and everything can generally be heard at all times. The vocals sometimes sound a bit overpowering, but that’s neither here nor there really. Perhaps the biggest issue with Mefisto’s debut is that it’s a sorta good record that consistently recalls a moment in time where great and/or seminal records many of us love were being released. If this were released between 1989 and 1993, it would’ve had a limited run where all of the copies got sold, subsequently been buried by time and dust for years, discussed on forums sometimes, and then re-released with a bonus disc of the demos and a book full of interviews and rare photos. There would be fans, and some contrarian types might even claim it to be the best thing that came out in that time because relatively few people know about it.

I’m left feeling alright about 2.0.1.6, but truth be told the narrative of an old Swedish band finally getting around to releasing their first record after thirty years is by and large more interesting than the music that came of it. Divorced from the story, Mefisto have put out a record that’s pretty tolerable but sounds like an also-ran from somewhere between 1989 and 1993. Ultimately it’s fine, but we only have so much time to devote to music that hovers largely around the “okay” mark.


Rating: 2.5/5.0
DR: 7 | Format Reviewed: 192 kbps mp3
Label: Vic Records
Websites: facebook.com/mefisto
Releases Worldwide: February 26th, 2016

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  • Innit Bartender

    In what is not a parallel universe, a swedish band named Temisto just released their debut album.

    • A very good point. Temisto’s debut is simply amazing!

    • Diabolus_in_Muzaka

      This sounds like good stuff from the two tracks up on Bandcamp, thanks for the tip! It reminds me of Karnarium.

  • Dethjesta

    Hypothesis:
    Group of guys have a band as kids, put together a couple of demos but for whatever reason it didn’t go anywhere.
    They cordially go their separate ways and get normal jobs in the community.
    Years later, during a long overdue band reunion, they start reminiscing of the good times and how great it would be to ‘get the band back together’.
    BUT, unlike most drunk 40-50 year olds that discuss such things after too much beer, they actually make it happen.

    Hats off to them – I like the embedded track too, really nice outro.

    • Diabolus_in_Muzaka

      That’s the sort of story I had in mind as well. If life were a movie they would’ve knocked this out of the park and made one of the ten best records of the year. As it is, there’s some good stuff here, but it’ll end up an interesting footnote come year’s end I’d wager.

      • There is a possibility that they’ll record a follow up that really will knock it out of the park. I remain optimistic.

  • AngryMetalBird

    this sounds just plain boring…

    • AngryMetalBird

      uhmmm… I mean the music, NOT the review (the review is actually very good)

    • PanzerFistDominatrix

      Real life AngryMetalBird:

  • beurbs

    I like your use of background info. Some reviewers do it in a way that’s like “can we please talk about the album at some point”, but the way you do it is helpful.

  • groverXIII

    “Now, what do you get when a band isn’t terribly good at playing death metal so they unconvincingly add prog-jazz to spice things up? Cynic’s Focus. ”

    Them’s fightin’ words.

    • Thatguy

      Ha.

      But Diabolus is correct.

    • Let’s face it, Cynic was better when its members were playing in Death. Everything since then has been disappointing in comparison to Human.

      • groverXIII

        I disagree. I’d put Focus up there with Human. And Traced In Air is a difficult album to compare with either album.

        After that, yeah, disappointment city. But Focus is a classic, and you could make the argument that it’s more influential than Human (although that’s mostly just because Death’s influence is spread out over their entire discography).

  • André Snyde Lopes

    Old English Text MT detected!

  • Oscar Albretsen

    Is the moon unicorn picture taken from the album? If it is, I’m ALL OVER THIS BAD BOY!

    • Does mounting a light-saber to a mechanical horse’s forehead even make it a unicorn? Ain’t unicorns supposed to be magical creatures? Call me a skeptic, but I’m not buying it.
      You can duct tape feathers to a horse to, but it won’t make it a pegasus, I tell ya!

      • Oscar Albretsen

        This is power metal, my friend. Mounting a light-saber to a mechanical horse’s head makes it a mystical/whimsical creature with all the power of a unicorn! And it lets humans ride it ON THE MOON! It may not, be called a “unicorn”per se, but I’d worship an “unosabrebot.”

      • The Stormin Mormon

        The characteristics that truly distinguish a unicorn from any other creature is not the horn, but whether or not it weeps whilst lost in the rain. And we may never know based on this picture…

      • PanzerFistDominatrix

        No, but you can get pretty damn close with a pair of scissors and a dedicated equestrian – and yes, hailing from Sweden.

  • sir_c

    Sure sounds like a hoarse Anselmo doing a 90’s-era metal cover evening