Metallica

Diamond Head – Lightning to the Nations 2020 Review

Diamond Head – Lightning to the Nations 2020 Review

“I am not a fan of bands rerecording old classic material. But I make an exception in the case of Lightning to the Nations 2020, the latest offering from NWoBHM elders Diamond Head. Why? Because I can kill two birds with one stone: I write my weekly review as well as a Yer Metal Is Olde article at the same time. Now that’s how you maintain high efficiency! The crux if this review won’t be “how good is this album?” We already know Lightning to the Nations is a super album. It will be “do we need this version?” That’s what enquiring minds want to know.”” Lightning strikes twice?

Psychosomatic – The Invisible Prison Review

Psychosomatic – The Invisible Prison Review

“It feels like only yesterday when you all hated me for giving such high praise to Crisix‘s 2018 release, Against the Odds. I understand that everyone thinks Power Trip is god and everyone is getting tired of the Havok/Warbringer sound, so thrash is getting more and more difficult to get into these days. Thrash, with a modern touch, is even harder as it all seems to sound rehashed and repetitive. I’m not sorry I love the fun and upbeat character of Crisix. I’m not sorry ‘Perseverance’ and ‘Xenomorph Blood’ make me lose my shit. I’m not sorry Against the Odds made my list that year. I’m not sorry for my love of thrash. I’m not sorry for having such an exquisite taste. I’m not sorry for anything. OK… I am sorry you’re so dead inside that you can’t enjoy fun things. I’m also sorry for this: thrash veterans Psychosomatic and their newest release, The Invisible Prison.” No regrats.

Deathstorm – For Dread Shall Reign Review

Deathstorm – For Dread Shall Reign Review

“I’m not sure how many times I’ve referenced Death in my reviews this year — and I’m too lazy to go back and check — but I feel like it’s been more often than would usually be expected. It seems like more and more bands are embracing the unique musical and vocal stylings that Chuck unleashed upon the world during his tragically short life, and I see this growing tribute movement as a double-edged sword. On the one hand, it shows that Schuldiner’s legacy is alive and well, his genius living on as intellectual stardust in the body of work created by his imitators. On the other, it’s hard not to be disappointed when you listen to something that sounds like Death and have it not actually be fucking Death.” Death be not gone.

Valgrind – Condemnation Review

Valgrind – Condemnation Review

“Most of us know someone who doesn’t speak often, but when they do, we listen. Case in point: Not long ago, I received a cryptic message from Ferrous Beuller that simply said, “You should pick up the new Valgrind for review.” And that’s all it took.” Iron commands.

Thunderslave – Unchain the Night Review

Thunderslave – Unchain the Night Review

“I really should know better by now. I thought that I’d learned early in my career as an unpaid music journalist, back when I was known simply as Nameless_n00b_11, that Steel Druhm and his gifts are not to be trusted. Don’t get me wrong. He’s a fair master, to be sure, but he also has a tendency to entertain himself by being overwhelmingly cruel. During one of our recent socially distant AMG staff Zoom chats, he told me that he had a promo picked out just for me, one that “sounds like Skelator if they actually tried.”” Steel gifts are for closers.

Solar Flare – Solar Flare Review

Solar Flare – Solar Flare Review

Solar Flare, a five-man crew, has been a part of the Ohio metal scene for six years now, playing a blend of one part 80’s power metal and one part NWoBHM. Frontman Ethan Jackson, a classically trained vocalist, demonstrates impressive vocal range in the higher registers from the get-go.” Flare ups.

Paradise Lost – Obsidian Review

Paradise Lost – Obsidian Review

“I remember when Paradise Lost was hyped up to be “England’s answer to Metallica” in terms of their burgeoning popularity when Icon and Draconian Times saw the Halifax quintet’s star grow in leaps in bounds. It’s also not a stretch to say they shared the same rollercoaster ride in terms of stylistic shifts and quality.” The wild ride continues.

Havok – V Review

Havok – V Review

“Earlier in Havok‘s career, I would have guided the tour bus past all the sights worth seeing on V. On the left, the Leaning Toutwer of le Monde, on the right, the (wait for it) And Justice for All Department, dead ahead, the famous Roots 66. However, those elements would be noteworthy only because they spiced up a paint-drying-by-the-numbers take on thrash.” Cry Havok.

Sölicitör – Spectral Devastation Review

Sölicitör – Spectral Devastation Review

“2019 was a dream for me when it came to reviews: nearly 20% of the albums I covered were released by bands within 150 miles of my house, and of those several can be found in my own Puget Sound area of Western Washington. Quayde LaHüe and Mortiferum impressed me, and the now infamous “Skelator Incident” induced heretofore unseen levels of arousal and nearly resulted in my actual firing from this site. Naturally, I couldn’t resist the temptation to grab the debut of Seattle’s Sölicitör.” Criminal sölicitatiön.

Warbringer – Weapons of Tomorrow Review

Warbringer – Weapons of Tomorrow Review

Warbringer has been bringing the war to thrash since 2006, breathing life back into the classic 80s sound with a powerhouse blend of Bay Area legends like Exodus, Death Angel and Testament. On 2017’s Woe to the Vanquished they expanded their sound outward, incorporating black metal influences into their thrash template with interesting if not always completely successful results.” Has Weapons of Tomorrow upped the ante once again and armed them for revolution?