Perturbator

Final Light – Final Light Review

By Twelve on June 28, 2022 in Reviews, Post-Metal, Synthwave, 26 comments

“Something different. In two words, that’s how I can best describe Final Light, the eponymous debut full-length from Cult of Luna’s Johannes Persson and James Kent, better known as Perturbator. From the duo’s names alone, there’s expectation—both have been a part of some powerful releases lately, in the form of The Long Road North and Lustful Sacraments respectively, but their respective styles—post-metal and synthwave—don’t exactly lend themselves to being blended together, and, for my part, I’m not a huge fan of either one. But there’s the odd exception to every rule where opinions are concerned, and Final Light is certainly one such album.” Strange deadfellows.

Perturbator – Lustful Sacraments Review

By Emya on May 31, 2021 in Reviews, Synthwave, 141 comments

“It is an interesting phenomenon how French synthwave musician Perturbator became a common household name among today’s metalhead community. Several years ago, I had an opportunity to see Perturbator live at Seattle’s vegan metal bar The Highline, the same venue where I previously saw Alcest, Oathbreaker, and Khemmis. Though it slipped my mind why I ultimately was unable to attend the Perturbator show, the point is that Perturbator has somehow become more aligned with the underground metal scene even though it would make far more sense for the band’s music to circulate most comfortably in synthwave circles.” Synthy lust.

Thief – Map of Lost Keys Review

By Emya on July 23, 2019 in 2019, American Metal, Avante Garde, Black Metal, Electronica Metal, Prophecy Productions, Reviews, Black Metal, Electronica Metal, 31 comments

“Thief is the pet project of Dylan Neal, a dulcimer player (dulcimist?) for the unconventional experimental black metal band Botanist. Thief’s music takes on a different theme entirely, however, from Botanist’s quirky style of environmentally themed “green-metal.” Map of Lost Keys, Thief’s sophomore album, swaps the hammered dulcimer for a myriad of electronics to produce late night music designed for haunted ballrooms and electric churches. While no traditional black metal demon shrieks or vicious tremolo picking can be heard on Map of Lost Keys, Thief remain obstinate in their attempt to appeal to fans of heavier genres.” Mischief managing.

GosT – Possessor Review

By Eldritch Elitist on March 31, 2018 in 2018, American Metal, Blood Music, Reviews, Synthwave, Experimental Metal, Synthwave, 44 comments

“In my adolescence, I loved staying up late to watch whatever horror films cable television deemed unsuitable for daytime consumption. Whether it was an old-school gem like Nightmare on Elm Street or absolute trash like Pinata: Survival Island, it was all thrilling to me, greatly enhanced by the blackness of the silent house, lit solely by the macabre images unfolding on screen. As much as I love horror films, they have long since ceased to be as darkly mystifying. Yet, the atmosphere presented on GosT’s Possessor brought the memories back in waves. A bewildering combination of synthwave, horror soundtracks, and extreme metal, Possessor instantly recalled the captivating schlock of the after-midnight movies from my youth with its similarly commanding presence, even if its spell is somewhat inconsistent.” Don’t look in the basement studio.

Tähtiportti – Tähtiportti Review

By Roquentin on March 1, 2015 in 2015, Avante Garde, Drone, Finnish Metal, Non-Metal Metal Things, Reviews, Svart Records, Drone, Electronica, Non-metal Metal Things, 13 comments

“So, do you know anything about techno? What you’re about to read is a review of an album as far removed from metal as anything that ever appeared on Angry Metal Guy. There are only two, minor and farfetched at that, connections between Finland’s Tähtiportti and metal.” Admit it, you like techno. Bats and ants and bats and ants!