Psycroptic

Enblood – Cast to Exile [Things You Might Have Missed 2018]

Enblood – Cast to Exile [Things You Might Have Missed 2018]

“I’ve always thought that tech death and melodeath are more similar than most people realize. Both mainly use riffs comprised of individual notes played in succession, the difference is that tech death is faster, more complex, and typically has better T-shirts. I used to be quite interested in music which fused the two styles, namely early Arsis, early Revocation, and Vornagar’s sole album. These days I typically veer toward the blacker and thrashier realms, which is why I found it so surprising that Enblood’s Cast to Exile appealed to me as much as it did.” Tentacles in your face.

Record(s) o’ the Month – November 2018

Record(s) o’ the Month – November 2018

“By almost any measure, 2018 has been a pretty solid year for music. November has once again left us with a list of excellent candidates for the best of the month. But while this month, we had some pretty big names put out some pretty big albums that, frankly, lived up to their reputations, I think we need to go a different direction. So damn the plebs and the lowest common denominators, here’s your Record o’ the Month!” Trench feet.

Psycroptic – As the Kingdom Drowns

Psycroptic – As the Kingdom Drowns

“In retrospect, Psycroptic’s self-titled album looks bland; safe, dependable, unexciting, the 9-to-5 desk job or upscale barista gig that kills time and pays bills until your creative career takes off again, you know? The danger in complacence loomed, and it became all too reasonable to predict that Psycroptic had donned their monkey suits and aprons, never to take them off again. Before we knew it, the band would have a fucking crossover SUV and a mortgage. And who could blame them if As the Kingdom Drowns turned out to be phoned-in?” Growing up technical.

Foul Body Autopsy – This Machine Kills Zombies Review

Foul Body Autopsy – This Machine Kills Zombies Review

“Let’s get this out of the way up front: despite being named after Onset of Putrefaction’s opening track, Foul Body Autopsy doesn’t really sound much like Necrophagist. If you came hoping for a whirlwind of brutal neoclassical tech death, you’re better off reading one of Kronos’ reviews; for the rest of us, slightly techy melodic death metal is what’s on the operating table today.” Bone Saw is ready!

Pestilence – Hadeon Review

Pestilence – Hadeon Review

“Kill to survive; metal in 2018 is facing a similar conundrum, and has been for years. As the scene gets busier, it bleeds and struggles, much like extreme metal did in the mid-late nineties. Albert Mudrian’s Choosing Death showcases the problem ably: extreme bands simply had nowhere left to go. The glut of boring material is exhausting, and it gives the impression of an enervated scene. Pestilence, releasing their eighth studio record Hadeon this year, seems to feel this climate and have wisely decided to sound like a death metal band who loves making death metal.” A plague of death.

Interview with Sven de Caluwé of Aborted

Interview with Sven de Caluwé of Aborted

“During the four days of maritime metal mayhem that was 70,000 Tons of Metal earlier this month, I was lucky enough to snag an interview with Sven de Caluwé, vocalist and founding member of famed Belgian death metal band Aborted. As the mastermind behind songs about serial killers, medical deviance, and (strangely enough) even poop, Sven has led his minions through albums like 2003’s iconic Goremageddon and, most recently, 2016’s warmly received Retrogore. Jittery with fanboyism (and more than a few Fosters) Sven was kind enough to overlook my obvious amateurism to talk about the band’s past, their upcoming Devastation on the Nation tour, and even some juicy details on the new album. Strap on that cadaver apron and read on!” We said strap it on!

Redemptor – Arthaneum [Things You Might Have Missed 2017]

Redemptor – Arthaneum [Things You Might Have Missed 2017]

“By technical death metal standards, Arthaneum is an odd but compelling beast that stands-out by operating outside the box, while holding all the trademarks avid listeners of the style have come to expect. The intricate and complex musicianship impresses in all departments, but there’s a more measured, controlled approach, rather than purely focusing on unrelenting barrages of speed and cramming as many notes and ideas into each song as humanly possible.” There’s no place like tech-death for the holidays.

Lacerta – Lacerta Review

Lacerta – Lacerta Review

“Since Psycroptic helped put the Australian metal scene on the map, several acts like Ne Obliviscaris and Ulcerate have become darlings of the metal scene worldwide, experimenting with their own unique sound. But whatever happened to the rabid, thrashy tech-death that first emerged from Tasmania?” Aussie shock and awe.