Hell:on – Shaman Review

Hell:on – Shaman Review

“The band hails from Ukraine, and when Russia invaded their homeland, I decided I’d throw a tiny bit of support their way by ordering said CD. I received a response from the band, telling me that all of their merch was trapped in an office in Kyiv, which, at the time, was under direct Russian attack. When I told them they could keep my money regardless of whether or not they’d ever be able to fulfill the order, they wrote back, “Thank you! It will be shipped if we and/or our merch will survive! We believe in our country as never before, and Ukraine will stay!” I eventually received that CD, and its back story makes it one of the most precious in my collection. Years later, the war for Ukraine still rages on, and fortunately, so does Hell:on.” War, merch, and peace.

SYK – eartHFlesh Review

SYK – eartHFlesh Review

“Bereft of a lyric sheet or any promotional explanation, I’m unsure why SYK chose to spell the title of their fourth album like they have. eartHFlesh draws attention with more than its unusual spelling though, with a dark, provocative cover, and the fact that it marks the band’s signing with Season of Mist. The Italian collective have been steadily building on a groovy, quirky brand of progressive death metal, distinguished largely by the cleans of now ex-vocalist Dalila Kayros. With her gone, and the group pivoting to primarily unclean growls, and a further turn, if slight, towards the more extreme corners of the genre, a new form of SYK emerges for the first time. eartHFlesh is a critical turning point.” New flesh, new friends?

Unleash the Archers – Phantoma Review

Unleash the Archers – Phantoma Review

“After a two-part series where we saw Immortal converge through trials and tribulations, this year’s Phantoma tosses us into the future (12089, specifically) where AI rules supreme. Presumably inspired by the new wave of AI technologies out there, Unleash the Archers taps into those influences to create a hypersonic sci-fi soundtrack filled with a smattering of synthesized guitar leads and heavy keyboard action to deliver the power metal version of Skynet.” Archers in the machine.

Naxen – Descending Into a Deeper Darkness Review

Naxen – Descending Into a Deeper Darkness Review

“Last we met Germany’s Naxen, we were deep in the swills of the pandemic lockdown here in the States. Released in June of 2020, debut full-length Towards the Tomb of Times was a solid black metal affair that I gleefully awarded a 3.5 but just never listened to again. Not that it was bad by any means, but it did not have the staying power I expected. The trio exists in the cross-section of black metal, adhering to hints of melodic black and death metal, but is pure unadulterated black metal.” Naxen, Naxoff.

Six Feet Under – Killing For Revenge Review

Six Feet Under – Killing For Revenge Review

“Oh my, look what has fallen into my deceptively large, crystalline lap. A brand new slab of knuckle-dragging caveman death metal from USDA-certified veterans, Six Feet Under. They’ve blazed a bloody trail of resentment and glass-eating rage through these hallowed halls, rarely resting long before moving on to the next hapless victim reviewer. Said reviewer happens to be me, resident master of the masochistic arts and winner of the highly attended AMG lottery for Six Feet Under reviewing rights.” No hole too deep.

From Dying Suns – Calamity Review

From Dying Suns – Calamity Review

“Before I even laid eyes once on the glorious pixel art that adorns Calamity, From Dying Suns had sold me on their debut promise of progressive death metal. Hailing from the great French north of Quebec, and pulling performers whose live credentials include heavyweights like First Fragment, Augury, and Obliveon, this side-scrolling informed album, this full-length offering stood before itself with veteran swagger.” Storming the tech-death castle.

Warlord – Free Spirit Soar Review

Warlord – Free Spirit Soar Review

“And the cannons of destruction have begun… anew! Long ago in a very different time, guitarist Bill Tsamis and drummer Mark Zonder (later to become a member of Fates Warning) joined forces tro create a new heavy metal project. Warlord was a little band with a huge potential, and their early demos quickly caught the attention of Metal Blade Records. Their 1983 Deliver Us EP made an impression on the scene, offering regal, semi-progressive American power metal with hooks, pomp, and polish. Despite the promising start, lineup issues and the odd decision to use a live performance recorded and filmed in an empty theater as their full-length debut hurt their momentum. And though And the Cannons of Destruction Have Begun… was a solid piece of 80s metal with some major high points, it gained limited traction and left a confused public wondering what to make of it. Further lineup issues quickly undermined the band’s resolve and Warlord came to an ignoble end all too soon. The band’s cult mystique endured however.” Return of the Warlord!