Alex Franquelli

Steven Wilson – The Raven that Refused to Sing (and Other Stories) Review

Steven Wilson – The Raven that Refused to Sing (and Other Stories) Review

By Alex Franquelli on February 18, 2013 in 2013, 4.0, Kscope, Not Metal, Reviews, Progressive Rock, 33 comments

“Steven Wilson coming up with a new album in 2013; it’s pretty much a progressive affair. As simple as that. There is nothing here that manages to stretch itself out of the canons of such a well-defined genre. On the contrary, the music on The Raven that Refused to Sing (and Other Stories) revolves around what has made prog rock what it is today: complex dynamics, a wide range of styles harmoniously compressed to form a variegated compound and digressions; lots of them.” Alex Franquelli wanders through the maze that is the new Steven Wilson release and tries not to take too many digressions himself.

Kongh – Sole Creation Review

Kongh – Sole Creation Review

By Alex Franquelli on February 5, 2013 in 2013, 3.5, Agonia Records, Doom Metal, Reviews, Sludge, Swedish Metal, Doom Metal, Sludge Metal, 2 comments

Quite an epic album. The fuzz is there in all its imperfect majesty, while the pace is as slow as ever, bringing back the doom where it belongs: in the realm of repetitions, through think layers of narcotic sounds. Overall, the final result is a solid evolution from the psychedelic throes of Shadows of the Shapeless, but whoever (well, everyone) says that Kongh sound like Yob is right. And yet they’re wrong at the same time [Oh God! Which is it!? — AMG], since the sound these three lost souls from Nässjö and Småland (that’s southern Sweden, for the most curious nerds amongst yourselves) seem to enjoy touching on the likes of Alice in Chains (“Skymning”), Mastodon (“Sole Creation”) and Brooklyn’s own Tombs.

Tomahawk – Oddfellows Review

Tomahawk – Oddfellows Review

By Alex Franquelli on January 25, 2013 in 2013, 3.5, American Metal, Ipecac Records, Progressive Metal, Reviews, Progressive Metal, 5 comments

Of all Mike Patton’s project, Tomahawk is the one I appreciate the least. Let’s be unprofessionally honest from the start: I can’t be impartial when it comes to judging the work of the genius from Eureka, CA because, yes, I am one of those pedantic nerds who can talk about him for hours at bus stops and grocery stores. Pranzo Oltranzista is in my opinion: “a postmodern monument to deconstructivism and a wordless essay on the very meaning of semiotics from a non-Kojevian perspective”. Or “it fucking rules”: you decide. And don’t get me started on the tragedy behind Fantomas or Mr Bungle’s sardonic stance on the morals of our times because I may end up comparing Patton’s vocal chromaticism to the continuous dichotomy between techne and episteme. Or “both bands fucking rule”: you’re an agent with free will, so you can decide for yourself.

Cult of Luna – Vertikal Review

Cult of Luna – Vertikal Review

By Alex Franquelli on January 19, 2013 in 2013, 4.5, Hardcore, Indie Recordings, Reviews, Sludge, Swedish Metal, 10 comments

I started listening to Cult of Luna with The Beyond. The year was 2003, the city was quiet and the light had been swallowed by the sound of an unspecified frequency – an electric wall of sound that made everything glow. And it burned so bright that I remained silent for the following, painful 67 minutes. I stopped listening to Cult Of Luna a year later. It was 2004, the album was Salvation and I couldn’t help but think that everything that had to be told had already been told. I resumed listening to Cult of Luna in 2013. Resistance became futile. And, yes, giving in was the right thing to do.