“Just in case there was any ambiguity following the above band name and album title, yes: Aum are kvlt as fvck. Social media is unworthy of their presence. The supplied photo does that stupid intentional enigma thing. I cannot locate any information about the band besides their French nationality. Their exploration of Buddhism through the medium of blackened death metal seems confused.” Putting the K in kvlt.
“The heart of the black magic cast over Pyrrhic is its sound. Now I know this appears a redundant observation but this goes beyond melody, instrumentation or structure. Or maybe it precedes these. What I mean is that it sounds evil. Oppressive. Monstrous. A cloying sense of darkness bleeds from its every orifice and it’s quite unlike anything I’ve heard before, despite compositionally not falling far from Chthe’ilist or Blood Incantation.” Into the heart of darkness.
“The first thing that struck me about Uada is that although they are categorically black metal, drawing influence from numerous sources, they’re so bright and energetic. There’s a vibrancy here which is missed entirely by so many of their blackened peers. The musicianship is enthusiastic, agile and infectious as neat ideas are incorporated throughout – I’m not supposed to be feel happy when listening to black metal but I invariably am with Devoid of Light.” We laughed, now we must applaud.
“There’s something about Vrtra that screams ‘the trve vndergrovnd.’ Maybe it’s the wholly capitalized stylization. Maybe it’s the ambiguous ‘V.’ Maybe it’s the dark artwork with wispy flecks of gray. Maybe it’s their sub-400 followers on Facebook. Maybe it’s that they play one of the least common fusions of metal genres. It’s definitely not their hometown(s) however, as they partly hail from the Bay Area, a home rooted in metal history. Yet thrash they reject: instead, My Bones Hold a Stillness is their debut attempt at encapsulating the towering stature of doom with blackened ferocity.” Maybe it’s that snazzy and indecipherable logo….
“I do still ponder how it is certain bands get big and others don’t. A world where iwrestledabearonce is hot shit and Wilderun isn’t is cruel and unjust but much of that seems to be down to lucky exposure to label scouts. At the luckier end, take Motorowl. A tiny band from Eastern Germany with scarcely 500 followers on Facebook and no outstanding reason to have garnered the attention of a large label.”It’s better to be lucky AND good.
“When first listening to Terminus by While Sun Ends I was on the train. In lieu of much exciting to say about the record itself, I will begin with this. It was on a Euro-trip where I visited a number of central European cities. I had the pleasure of making the journey between Munich (Germany) and Salzburg (Austria), a route which takes you through the beautiful Bavarian Alps. These travel days were substantially stop-gaps but this ride was a highlight of my trip, as we sped through a plethora of emerald hills, past azure lakes, observed grand mountains and stopped at quaint villages with lots of men whose names I presume to be Klaus. All of them. I paint this picture as that part of the world is extraordinary. The same cannot be said for Terminus. It is, indeed, extra-ordinary.” The home of trains is plain.
“Of thousands of metal bands, there are few that have changed as drastically as Anathema. First blazing trails as a death-doom band and party to the so-called ‘Peaceville Three,’ they underwent a softening into what can be described as doom or goth rock. Their deathy innards stripped away, this mid-era is what some regard as their strongest output given they retained their darkness and evocative atmosphere but with subtler music. Since the turn of the millennium they’ve mellowed yet further into an unusual but compelling amalgamation of alternative rock, airy prog and dreamy pop. I’m here today to discuss my favorite Anathema album, one from the mid-period: Eternity.” The evolution of sadness.
“So the comment I made on Grymm’s piece on losing your metal virginity may have been intentionally provocative. I resented the proposition that everyone distinctly remembers their first exposure to heavy metal as I do not: I’ve always been exposed to it so can’t recall a precise occasion. While this is true, and as I later conceded, the story is quite different with regard to extreme metal. The first death metal that I heard and loved which was itself derived from metal was The Jester Race by In Flames.” I remember now, I remember everything….
“There is a hole in North American metal. The Great Cold Death of Agalloch was abrupt though not unwarranted given the air of similarity by the release of Marrow of the Spirit and the questionable success of the experimentation in The Serpent and the Sphere. It’s preferable to leave your audience wanting more than ultimately tiring them. But such was their influence that there are many bands, particularly from the Cascadian scene, which bear clear lines of affinity to them.” The mourning has not broken.
“No, Kronos hasn’t died. But yes, this is a Unique Leader record which he isn’t reviewing. Rather than his cold, dead hands, I obtained it via the surprisingly bureaucratic AMG promo distribution system instituted this year by our Weberian overlords. A quick glance at the Unique Leader roster will leave you entirely unsurprised by the record in question: Suffer by Lord of War, a US-based death metal troupe.” Enter the Iron Cage of rational thought!
