JF Williams

Electric Wizard – Time to Die Review

Electric Wizard – Time to Die Review

Electric Wizard suffers from a curse that afflicts any band fortunate to have an album deemed a “classic” in its catalog. These Dorset natives happen to have two: their second and third records Come, My Fanatics… and Dopethrone remain genre-defining records within the doom metal subgenre, spawning more than a couple imitators and rightfully earning them the cheeky title of “The Heaviest Band in the Universe.” I think it’s fair to say that Electric Wizard knocked it far out of the park with those records, and the problem is always rooted in following up.” The lords of dope doom have returned for their dopethrone.

Joy – Under the Spell of Joy Review

Joy – Under the Spell of Joy Review

Joy takes “retro” seriously. I’m sure most of our readers are familiar with the morass of “retro” groups that exclusively write music with a deaf ear to everything recorded after a particular golden time in the history of heavy metal, but this San Diego power trio set back the clock to a time pre-dating the genre entirely, recalling when Black Sabbath was a blues band and “heavy metal” existed only as a Steppenwolf lyric.” Set the machine for 1 B.S.D. (before Steel Druhm).

Bölzer – Soma Review

Bölzer – Soma Review

Bölzer know that time is precious and quality cheap in today’s oversaturated music climate. Armed with three songs clocking in at about 23 minutes, the Swiss duo more than charmed the metal community and earned themselves a slot right at the forefront of extreme metal hopefuls dwelling in the underground with their 2013 EP, Aura. Bölzer is back and JF Williams is back with them.

Panopticon – Roads to the North Review

Panopticon – Roads to the North Review

“With 2012’s Kentucky, Panopticon became among the most interesting black metal projects operating in the U.S. Unlike many USBM lynchpins that stubbornly ape the sound and ethos of their Scandinavian influences, Austin Lunn’s one-man black metal project took a full-fledged approach to the genre as tied to his own home and hearth of Kentucky as that of his Scandinavian forefathers. For those out of the loop, the result was an ambitious, politically-charged concept album centered around Kentucky’s blood-soaked history of coal mining, soundtracked by an unprecedented mix of black metal and bluegrass music.” Black metal and bluegrass sounds as good a mix as peanut butter and mayonnaise, but hey, you gotta try it to know!

Wolves in the Throne Room – Celestite Review

Wolves in the Throne Room – Celestite Review

“It may be somewhat reasonable to assume a skeptical stance in the face of Wolves in the Throne Room’s decision to embark into purely ambient territories. The Cascadian black metal sibling duo found its niche making hypnotically atmospheric black metal that sprinkled soundscape ambiance with its uniquely life-affirming take on the most unholy of metals, and with disgraced black metal pioneer Varg Vikernes continuing to do his very best to sever the few threads remaining of Burzum’s musical legacy with his excruciating “video game loading screen” music, I don’t think anyone was particularly thrilled at the prospect of the brothers Weaver ditching their black metal signature.” Video game loading music…HA!

Mastodon – Once More ‘Round the Sun Review

Mastodon – Once More ‘Round the Sun Review

Mastodon’s 2011 record The Hunter represented a significant, if predictable, turning point in their career. Having earned a respectable degree of mainstream popularity and critical acclaim through heady, yet accessible psychedelic sludge records, Mastodon very deliberately decided to meet their peaking success by transforming into essentially a heavy rock band. The prog had reached critical mass, but Mastodon clearly had one thing left to prove in their ever-shifting sonic palate, and that is their capacity for radio-rock stardom.” So… are they rock stars now? Bigger than GaGa?

Rippikoulu – Ulvaja Review

Rippikoulu – Ulvaja Review

“Two decades ago, a young troupe of bummed-out Finns churned out two primitive death/doom demo tapes, and promptly disappeared following the death of one of their guitar players. Rippikoulu’s latter release, 1993’s primitive doom/death gem Musta seremonia, followed suit with other short-lived doom/death groups from the early 90s by accruing a great deal of kvlt charm cultivated by many years dwelling in obscurity and anonymity.” Back from dead, we get some old timey doom/death right out of Finland.

The Atlas Moth – The Old Believer Review

The Atlas Moth – The Old Believer Review

The Atlas Moth is not your average “genre” band. More than being another entry in the long list of throwaway stoner doom acts, the Chicagoan five-piece’s sophomore LP An Ache for the Distance was a gorgeously rendered amalgam of sinewy sludge, painterly post-metal and heavy-handed psychedelia; a lushly psychedelic heavy metal record impossible to pigeonhole and just as easy to love. It’s the kind of record that screams “classic” in its first couple of seconds and could possibly reaffirm one’s faith in modern metal.” Can this release entrench The Atlas Moth as the savior of modern metal?

Eyehategod – Eyehategod Review

Eyehategod – Eyehategod Review

Eyehategod’s new self-titled record is one born out of tribulation. Pulling it together to pen a new record 14 years after the release of its predecessor Confederacy of Ruined Lives, the incumbent kings of drug-addled sludge metal miserablism have gone through a litany of troubles, including poverty, drug withdrawal, prison time and an apocalyptic natural disaster.” Trials and tribulations can’t keep Eyehategod from returning to sic the gators of despair on you once again.

Teitanblood – Death Review

Teitanblood – Death Review

“It’s hard to know exactly what to say about a record when the band itself provides a more succinct – and honest – characterization of it in their own promo language than I ever could have: “The second Teitanblood album corrects the misconception about death metal being music. Mortui vivos docent.” Well, there you have it. Clearly, intellectualization is completely redundant when writing about a band like the Spanish death/black duo Teitanblood. You either get it, or you don’t.” There you have it indeed.