Steel Druhm

Feel the wengeance
Byfrost – Of Death Review

Byfrost – Of Death Review

One of my favorite albums from 2010 was Black Earth by obscure Norwegian black thrashers Byfrost. Hailing from the very same town as the mighty Immortal, it was hardly surprising they borrowed heavily from their better known neighbors for the musical direction of their debut. Although it was shamelessly derivative of Abbath and Co., it was also highly enjoyable blackened thrash loaded with vicious, razor sharp riffing. Since I had such a good time with that debut, I was obviously expecting good things from their second crusade Of Death. I would even say it was one of the most anticipated releases on my list for this year. Now that I’ve had some time with Of Death, my first reaction is that of disappointment. Perhaps my expectations were too high and while the music here is good indeed, its not up to the standards set by Black Earth. There’s a strange sense of musical ambivalence that overcomes me during some of the material and it feels like they lost their magic touch at times during the writing sessions for this album. Now, before you get the idea this is a bad album, it isn’t at all. There’s a lot of solid, heavy, ugly thrash with a pronounced black metal vibe to be found on Of Death. It’s just not quite as good as I hoped it would be after such a rabble-rousing debut opus. That damn sophomore jinx strikes again!

Angrily Unreviewed: Deceased – Surreal Overdose

Angrily Unreviewed: Deceased – Surreal Overdose

Here’s one that not only got past me but completely flew under my radar, leaving me unaware of its release for over a month (stealth release under the cover of darkness brought to you by PATAC Records) . If I wasn’t already a fan of Deceased I would shrug it off, but since I am, I feel shame, rage, regret and finally, acceptance (of the rage and regret). Deceased have been around a long time and their fusion of death, thrash and classic metal was a big part of my 90’s listening rotation (if you never heard their classic Fearless Undead Machines release, you missed out bigtime). Their last full length was way back in 2005 and I although I clearly missed the secret memo they had a new one ready to go, Surreal Overdose is worth the long wait and its a real winner. Bringing back their berserk, ravenous thrash style, things get crazy quicker than you can say “Gwar mates with Lady Gaga in her giant egg chamber” (which I would pay to see BTW). Songs like “Skin Crawling Process” are raging thrash anthems with a touch of old school death and traditional heavy metal woven in. There are Slayeresque riffs, whammy bar molestation and King Fowley’s unmistakable raspy shouts. “Kindred Assembly” has blast beats and nonstop, throat gnawing aggression that’s bound to get the blood all angered up. “Cloned (Day of the Robot)” has trilling, melodic leads and memorable riffing throughout, sometimes sounding like Iron Maiden, sometimes like Slayer. Every track here blazes away with an insane, manic intensity that will remind older metal fans of how the early thrash albums sounded and felt.

Retro-spective Review: Wargasm – Ugly

Retro-spective Review: Wargasm – Ugly

Welcome to the first ever Retro-spective review! Why is Steel Druhm reviewing old stuff you ask? Well, because I’m old! Old enough to attend shows during the NWOBHM without wearing diapers (though it would have helped in a few cases). Since I’m such a geezer, it only made sense that I start doing reviews of older albums that deserve a look back by new generations of the metal mongering masses. First up on the Angry Metal Chopping Block is Boston’s own Wargasm. A power trio in every sense of the word, these unsung thrashers put out three albums and an EP’s worth of meat and potatoes, tough guy thrash and their sophmore release Ugly was their enduring statement. Originally available via Massacre Records, it didn’t get nearly as much love as it should have which means its out of print and finding it might be a challenge. However, word on the street has it that there may be a live DVD coming soon, so a well deserved re-issue of their back catalog may not be far behind.

FullForce – One Review

FullForce – One Review

Well, here’s a release I can easily see falling through the Angry Metal Cracks. One is the first (and maybe last) release by a supergroup of sorts led by Michael Andersson, vocalist for Swedish melodic metallers Cloudscape and featuring members of such renowned acts as Dream Evil, Hammerfall and Yngwie Malmsteen. Now, we all know supergroups can be very iffy propositions and Fullforce is no different. It seems whenever a group of talented musicians get jammed into a room to write and record, disaster is as likely to result as triumph. So where does this one fall? Pretty much exactly in the middle of the two extremes. There’s some top notch, super melodic metal here and some rather generic, boring duds. What makes this album of particular annoyance to Steel Druhm is how good the good stuff is. With some real winners on display, its a total buzz kill to have roughly half the album fizzle out and fail to keep the momentum going Fullforce (yeah, you knew it was gonna happen at some point). OK, it’s time for your slightly bitter host to examine One in a non-bitter fashion.

Angrily Unreviewed: Split Heaven – Street Law

Angrily Unreviewed: Split Heaven – Street Law

Our first entry in the Angrily Unreviewed sweepstakes is Street Law, the third release by Mexican retro metallers Split Heaven (available on Pure Steel Records). Following in the footsteps of other 80’s style retro rockers like Steelwing, Enforcer and Wolf, Split Heaven serves up old school metal with a patina of hard rock and more than a little cheese (the album cover alone is worth fifty pounds of Velveeta). Now, before you turn up your elitist metal nose, this is some powerful, authentic stuff from a bunch of hungry youngins and it rocks harder than Thor at a Manowar concert. Songs like “Time Warrior,” “Street Law,” “Lonewolf” and especially “Night of the Jaguar” overflow with unrestrained enthusiasm and exuberance and manage to hit that 80’s style dead on. Closest in sound to Enforcer, they actually remind me a lot of Theatre of Fate-era Viper, old Obsession and Attacker, these guys play fast, loud and with real urgency. Great riffs are everywhere and while there’s that typical Maiden style here and there, they do their own thing as well. The vocals by Eligio Valenzuela are high pitched and a bit shrill but go along quite well with the vintage riffing and soloing style.

Castle – In Witch Order Review

Castle – In Witch Order Review

Raucous, aggressive doom metal with female vocals? Sure, why the hell not. Joining such similar female fronted acts as Jex Thoth and Blood Ceremony, San Francisco’s power trio Castle have arrived to carve out their own slice of the retro doom pie (which is pumpkin in case you were wondering). Their debut In Witch Order is a surprisingly refreshing platter that harkins back to the glory days of Witchfinder General and Trouble with just a pinch of Cathedral tossed in like an eye of newt. That last ingredient may be the most important and unlike the others in this niche genre, Castle brings down the witch hammer hard with slashing, bruising riffs and a go-for-the-jugular approach that almost seems untoward for a doom troupe. All I can say is, it works well and makes In Witch Order another happy surprise in a year full of them.

Battle Beast – Steel Review

Battle Beast – Steel Review

So there Steel Druhm was, sitting with a promo entitled Steel by the unknown Finns called Battle Beast. A quick perusal of the song titles made it clear they graduated Summa Cum LOUDLY from the Manowar School of Song Namery, as the numerous mentions of “metal,” “steel” and “iron” attest. The cover features a lion man fighting a robot as drawn by a ten year old at metal summer camp. Despite my renowned power metal geekdom, I felt a sense of dread and apprehension as I pressed play. Well damn it all if this thing isn’t full of surprises. Steel is a raging slab of frenetic, over-the-top 80’s metal worship that ladles out heaping helpings of thick cheese sauce and demands that you take seconds. Raging twin guitars, heroic solos, uber dramatic song structures and the vocals, Dear God the vocals!! The singer has a huge set of lungs and an even bigger set of balls which are frequently stuck in a vice! From gravelly, rasping shouts, air raid siren screams and superior singing, he can do it all and its so damn metal it kills my neighbor’s lawn. Imagine my shock to find out there are no balls to put in the vice because the HE is actually a SHE! That’s right, Nitte Valo is a true metal queen and she’s flat out brilliant on this album. However, unless you love the classic sounds of 80’s metal (think Grim Reaper, old Grave Digger, Accept) mixed with a smattering of power metal, this will leave you running for the door but quick. It revels in all the cliches and idiocy of that era and these folks certainly aren’t trying to be the next Opeth. You still with me? OK, stay with me.

Necrovorous – Funeral for the Sane Review

Necrovorous – Funeral for the Sane Review

Loyal readers of these Angry Metal Pages are doubtlessly aware of my affinity for old school Swedish death metal (SDM) akin to the likes of old Entombed, Grave and Dismember (disloyal readers are to be shunned and publicly shamed). Those same readers will also be aware of my love for the retro movement in the genre spearheaded by the likes of Bloodbath, Entrails and Interment. Because the old school SDM style has such a grim, crusty and powerful vibe, it doesn’t bother me in the least when retro bands utilize the sound without much innovation, as long as its done well. Kindly add Necrovorous to the growing list of bands doing it really fucking well with their debut Funeral for the Sane. Hailing from Greece, these gents take the classic early ’90s sound of SDM and scrape in influences from primitive American acts as well as some grindcore. The results are ugly, scabby and about as nasty as shit on scrambled eggs.

Draconian – A Rose for the Apocalypse Review

Draconian – A Rose for the Apocalypse Review

It’s Angry Metal Confession time kiddies. Steel Druhm has many things he should confess but for now, lets focus on aspects of the metal scene I’ve grown weary of. First up has to be symphonic black metal. Its been done, overdone, redone and ultimately, undone. Another very overused gimmick is beauty and the beast vocals (death metal vox paired with soaring, usually operatic, female vocals). Since Theatre of Tragedy came out with Velvet Darkness They Fear, every gothic metal band under the moon tried their hand at the style and while it can be amazing, it’s been overblown in a major way. Because of the staleness in this approach, only the very best practitioners leave any impression on me. Draconian is one such expert unit and while I liked their early material, I LOVED their 2008 release Turning Seasons Within. That opus managed to balance heavy doom with ethereal gothic sensibilties and they made the beauty and beast approach work magnificently. Now with A Rose for the Apocalypse, these Swedish glumsters have done it yet again and offer a top quality gothic-doom/death album brimming with emotion, intensity and dark atmosphere. Its good enough to make me rethink my position on the entire paradigm and its a real slobberknocker of a metal album.

Steel Druhm’s Best Heavy Metal Songs of All Time 10-1

Steel Druhm’s Best Heavy Metal Songs of All Time 10-1

Wow, what a long, strange journey through time and sub-genres it’s been. Here we finally are at the center of the metalverse. After all the lead ups (50-41, 40-31, 30-21, 20-11 | And here’s Angry Metal Guy’s first 40: 50-41, 40-31, 31-20, 20-11), these my friends are the big enchiladas of metal. The best of the beasts, the cream of the corpse paint. You were all so very patient and now you can finally rest peacefully, having attained full metal enlightenment from the Steel Druhm. If you disagree with any of these final selections, kindly think it over until you agree. Take notes Gibson.