Steel Druhm

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Ghost Brigade – Until Fear No Longer Defines Us

Ghost Brigade – Until Fear No Longer Defines Us

Another depressive, bleak band from Finland? What a surprise! Although they don’t seem to a band on everyone’s lips yet, Ghost Brigade have staked out their own little corner in the doom rock genre. Their first two albums were entertaining platters of doomy metal with a notable rock/post-rock edge and nods to death metal. Some lauded 2009’s Isolation Songs as a genre defining classic. I wouldn’t go quite that far but it had some great moments of downcast unhappiness. Along comes Until Fear No Longer Defines Us and they’ve really outdone themselves and reached a whole new level. Featuring a more laid back (but still highly morose) sound, Ghost Brigade drifts away from the heavier aspects of their sound and toward a more moody, rock-based style. Now, these guys were never what I would call knuckle smashing heavy to begin with. Sure they would toss in some deathy snarls and some heavy riffing but the focus was always on sullen, despondent vibes with enough rock sensibility to keep things moving. That hasn’t changed here, just reached a more effective, accessible phase. At times they sound similar to recent Katatonia, Rapture and the less deathy moments of Swallow the Sun. Does it work? Absolutely it does and most of Until is a testament to what quality songwriting will do for a band.

The Living Fields – Running Out of Daylight Review

The Living Fields – Running Out of Daylight Review

Now this was a tough album to review. I had a devil of a time trying to get through the music and honestly couldn’t even figure out what genre, sub-genre or sub-sub-genre these Chicago progressive metallers belonged in. You see, The Living Fields are so all over the place with their sound on their sophomore release Running Out of Daylight, they utterly defy conventional pigeonholing. At various times during the album’s playtime, they touch on ambient, darkwave, post rock, black metal, death metal, doom metal, folk and power metal. Yes, they cover their bases fully. In some ways these chaps could be called a more linear and rational version of Therion. They have all the same orchestration, pomp and variety and sport multiple vocalists of varying styles. However, they lack Therion’s lunatic charm, off the rails approach and overall entertainment factor. Although far more restrained in their songwriting, their compositions have a cold feeling and lack of cohesion that made it very difficult to get into. While I can’t dispute their creativity and musical ability, this is a strangely distant album that has resisted all my efforts to enjoy it in a meaningful way. It’s also a very challenging album to describe so stick with Steel Druhm and he will do his bestest.

Denial Fiend – Horror Holocaust Review

Denial Fiend – Horror Holocaust Review

Like a swift kick to the frank N’ beans, the new release by this death metal “super group” is shocking and very painful. I really loved Denial Fiend’s quirky 2007 debut They Rise. It merged nasty, old school American death metal and punk rock with a party atmosphere and although very tongue in cheek, it rocked and raged convincingly. To this day it remains in regular rotation at stately Steel Druhm manor. That debut featured some grizzled veterans of the old school scene like bassist Terry Butler (Death, Massacre, Six Feet Under, Obituary) and mega Cookie Monster Kam Lee (Death, Massacre) on vocals. What made They Rise work was the strong similarity to the classic Massacre sound (their From Beyond album is one of the all time best American death metal albums). The songs were savage and raw but also catchy and fun. Basically, it was a damn fine treat for death metal fans. When I heard a new Denial Fiend album was pending, I got giddy like a school girl. When I heard Kam Lee had taken his immense vocal talent elsewhere, I was sad but still hopeful. Well, hope is officially dead. Horror Holocaust features the “vocals” of Blaine Cook (The Accused) and he destroys everything as surely as cops destroy fun and work destroys free time. While there are some decent musical moments, he renders the bulk of the album unlistenable and there’s no denying that it sucks, bigtime.

Powerwolf – Blood of the Saints Review

Powerwolf – Blood of the Saints Review

German power metal/freak show act Powerwolf have been perplexing me since their 2005 debut. All corpse painted up and evil looking, they look like a black metal band but actually play sub-par power metal with traditional metal elements and coat the whole thing with cheesy theatrics and goofball pomp. I attempted to get into what they were doing on several occasions due to the buzz they were receiving but aside from a few scattered tracks, it was rough going. To me they always seemed generic and silly, though I appreciated their zest and zeal for entertaining. With this back-history, I naturally chose to approach their fourth album, Blood of the Saints with muted expectations. As usual, Steel Druhm is proven wise indeed. Blood of the Saints is arguably Powerwolf’s best release thus far and packs several amusing and respectable songs, albeit, still laden with cheese and cheap theatrics. However, as a whole, its still the same Powerwolf product and that can’t lead too far down the road to the land of 5.0. For every decent song, there’s an equally painful one and a few are just laughable. While I know they don’t take themselves too seriously, sometimes silly is too silly and that’s the case here more often than not.

Vader – Welcome to the Morbid Reich Review

Vader – Welcome to the Morbid Reich Review

When one thinks of Polish death metal, the names Vader and Behemoth immediately spring to mind as the standard bearers. Both gained enormous exposure and both have been pretty consistent in output over the years. While I admit that not every Vader release has blown me away, more often than not they delivered heavy, satisfying death to the unhinged masses. 2009’s Necropolis was a one of their better albums and found them sounding hungry and hostile. Now, along comes Welcome to the Morbid Reich to steamroll it in short order. Featuring an overhauled, revamped lineup including a new guitarist and bassist, Vader seems to have a large chip on their collective shoulder and aim to prove they’re the one true lord of Pol-death. This is a WAY faster, heavier album than Necropolis, with way more blasting and pummeling. Its almost uniformly played at blistering speeds and aggressive to the point of exhaustion. In fact, its pretty much a companion piece to the new Hate Eternal album with a lot of similarities in style. There’s also some stylistic nods to countrymen Behemoth and even some throwbacks to old Deicide and Malevolent Creation. Its real nasty business from start to finish and its gives out way more of a ferocious beating than I expected.

Angrily Unreviewed: November’s Doom – Aphotic

Angrily Unreviewed: November’s Doom – Aphotic

Yep, this one didn’t get by our formidable musical radars, we just didn’t get around to reviewing it due to questionable time management, manpower issues and the whole “having lives” thing. November’s Doom is hardly a band that needs to be brought to people’s attention. They’re a veritable doom metal institution with seven albums of well done, death-tinged doom behind them. Aphotic, their eighth, is more of the same and its good stuff as usual (available via The End Records). In fact, it’s very much in line with what they have been doing their past few albums. Opener “The Dark Host” has that classic mix of urgent death metal and somber, depressive moments and its quite emotional (I love the chorus in this song). Other standouts include the darkness of “Harvest Scythe” and “Buried Old” and the creepy, angry storytelling in “Six Sides” (there’s a lot going on with the lyrics in this one, very dark). There’s even a cool “Planet Caravan” quality to parts of “Shadow Play.” The highlight is the truly beautiful and gut-wrenchingly poignant “What Could Have Been” where Paul Kuhr is joined by Anneke van Giersbergen (formerly of The Gathering). It’s a ballad in the same mold as “Twilight Innocence” off their The Novella Reservoir album and its very touching and melancholy. Anneka’s voice is filled with emotion and frailty and it works damn well.

Angrily Unreviewed: Decaying – Devastate

Angrily Unreviewed: Decaying – Devastate

Here’s a seriously under the radar piece of nasty, blackened death that seems to have been widely overlooked since its May release (including by us sadly). Devastate is the debut by Finland’s Decaying and it’s a real work of grim badassery. Available through Hellthrasher Productions, it features a scant six songs of brutal death but its not a short album since four of the tracks are over ten minutes long. That’s right, you get some lengthy, epic death metal tuneage with one song over fourteen minutes in length! That’s longer than “Rime of the Ancient Mariner” and brutal and ugly all the way through. Honestly, not many bands can write death metal that remains interesting over so long a period of time. The reason why this album is getting space here is because Decaying can and did just that. Despite the length of the tracks, the writing and energy keeps things engaging until the bitter end.

Manilla Road – Playground of the Damned Review

Manilla Road – Playground of the Damned Review

Manilla Road, thy name is cult! These aged metallers from Kansas have been keeping it “true” since before the 80’s. Over their long existence they released no less than fourteen albums of old school, vintage metal to the acclaim of a small but loyal niche following. Led by guitarist/singer Mark “The Shark” Shelton, they’ve plumbed the depths of 70’s and early 80’s metal, some albums sounding like old Cirith Ungol, some moving closer to Manowar, Doomsword and Slough Feg. They’ve always lived in that realm between classic metal and doom and their discography has its great moments (and a few missteps as well). In some circles these guys have attained legendary status and while they clearly deserve it for dedication, I never thought their material was all that consistent. However, I always find myself rooting for them to succeed. I did so again with their fifteenth album Playground of the Damned, but I’m not too thrilled with the end product. Like some prior albums, there are great moments but some cringy ones as well. Definitely an acquired taste and not for everyone, this is one of those bands you really have to hear for yourself. However, I will endeavor to do my humble best to describe what lies within as only the Lord High Protector Steel Druhm can.

Steel Druhm Reflects on Age and Outgrowing Heavy Metal

Steel Druhm Reflects on Age and Outgrowing Heavy Metal

As an older gent, I am frequently told I should get my recommended daily serving of iron. However, nobody ever stresses getting my daily dose of metal. Largely because heavy metal is considered music for the young, angry and restless. Being older and listening to metal is considered odd by many and in subtle ways, discriminated against. It seems the common expectation is to outgrow our love for all things loud, ugly and aggressive at a certain point in our maturation. Many of my friends did in fact outgrow it by the time they were finishing college, some sooner. Only a few of my life long friends still partake of things metal, although growing up we were all rabid fans. Even my parents expected me outgrow metal and assumed it was a phase. Hell, my mom even thought metal was a fad that would die out like disco. Nope.