Epic Metal

Manilla Road – The Blessed Curse/After the Muse Review

By Steel Druhm on February 16, 2015 in 2015, American Metal, Epic Metal, GoldenCore Records, Heavy Metal, Reviews, Epic Metal, Heavy Metal, 14 comments

“You can’t accuse Manilla Road of jumping on many bandwagons. Since forming in the late 70s, they’ve lingered in a perpetually kvlt phantom zone, honing their uniquely clunky proto-metal sound. While doing so, they’ve steadfastly remained oblivious to how the metal world evolved around them, and practiced willful ignorance toward modern production technology and recording advances. Because of this admirable history of stubborn stick-to-it-ness, I can’t accuse them of joining the double album trend we see developing of late, though a double album they doth deliver.” Another double album in 2015? This may become the Year of Too Much Metal!

Visigoth – The Revenant King Review

By Steel Druhm on January 28, 2015 in 2015, American Metal, Epic Metal, Heavy Metal, Metal Blade, Reviews, Epic Metal, Heavy Metal, 47 comments

“I wasn’t aware how much I needed my ass kicked by some epic, trve metal of the olden style until said ass kicking was delivered by Utah’s Visigoth and their debut, The Revenant King. Their mega hefty, uber manly metal owes a lot to ancestors like Grand Magus, Argus, Sinister Realm and of course, Manila Road, and naturally, they specialize in long, bulky odes to swords, battle and honor (“Oathcore” for short).” The barbarians were at the gates and they left a giant wooden beer. Let’s go get it!

Dreamgrave – Presentiment Review

By Angry Metal Guy on November 22, 2014 in 2014, Death Metal, Epic Metal, Hungarian Metal, Melodic Death Metal, Progressive Metal, Reviews, Death Metal, Progressive Metal, 26 comments

“Metal has been extremely retro in the last 5 years. From rethrash to retro death metal, the whole scene has crawled into its proverbial ass in order to wallow in the digested remnants of metal music that is just plain better. Rethrash celebrates the 2.5 years when thrash was the heaviest and most exciting music on the planet. Retro death celebrates a time when bands would scrape together their last Swedish kronor to put a record together that would still sound like total shit. All the bands who wish they were Black Sabbath celebrate a time when amplifiers didn’t actually have overdrive. But all of these celebrated sounds appeal to us because they were authentic: times when newness and creativity gave the world something exciting and special. One such scene for me is the melodic death and black metal scenes of the Scandinavian 1990s. It’s an era when metal was heavy, engaging, abstract, and yet melodic—it felt exciting and new. While not all of the best ideas from this era were executed perfectly at the time, it laid the groundwork for the late ’90s and the early aughts when great metal bands produced great music.” What the hell does this have to do with anything? Click and find out!

While Heaven Wept – Suspended at Aphelion Review

By Steel Druhm on October 22, 2014 in 2014, American Metal, Doom Metal, Epic Metal, Nuclear Blast, Reviews, Doom Metal, Epic Metal, 18 comments

“While Heaven Wept is a band I expect excellence from and actively root for them to achieve it, almost as if I was in the damn band myself. Their Of Empires Forlorn album is one of the best doom releases ever and one I return to religiously whenever I need a good soul drubbing. Follow ups Vast Oceans Lachrymose and Fear of Infinity were very good, sometimes great doses of highly polished melodic doom, though neither could replicate that special something Of Empires possessed. With all the hype surrounding the writing and recording of Suspended at Aphelion, and the fact it’s a conceptual piece composed of one song with eleven movements, a fanboy could dream this would be their magnum opus rex.” Ah, the dreams of a fanboy…so fragile, so precarious.

Solitary Sabred – Redemption Through Force Review

By Jean-Luc Ricard on September 30, 2014 in 2014, Epic Metal, Heavy Metal, Power Metal, Reviews, Epic Metal, Heavy Metal, Power Metal, 27 comments

“I made the error of listening to Solitary Sabred’s new album at work. Half-way through opener “Disciples of the Sword” I was being restrained by security: apparently it’s “against office policy” to strip to your underwear, lather yourself in baby oil, adopt the power stance and wave a poster-tube around your head pretending it’s a sword (why I keep baby oil at the office is my business, OK?).” Most HR departments frown on such trve metal shenanigans because HR is not trve! Death to false human resources!

Darkest Era – Severance Review

By Steel Druhm on May 27, 2014 in 2014, Cruz Del Sur, Doom Metal, English Metal, Epic Metal, Heavy Metal, Reviews, Doom Metal, Epic Metal, Heavy Metal, 27 comments

“Sometimes an album hits you just right and the only words that really seem to fit are “convincing, authentic and WOW.” That’s exactly what happened to me upon spinning Darkest Era’s latest opus Severance. Though this Irish epic metal act was hitherto unknown to me, their cunning mixture of Primordial, doom and black metal instantly knocked me for a loop and now I’m a loyal convert to the cause (read as fanboy). ” Looks like the normally cranky Steel Druhm is over the Gaelic moon for this one.

Castle – Under Siege Review

By Steel Druhm on May 7, 2014 in 2014, American Metal, Doom Metal, Epic Metal, Prosthetic Records, Reviews, Doom Metal, Epic Metal, 13 comments

“At the crossroads of retro/occult metal, doom and throwback vest metal, sits Castle like some sort of big…castle. These San Francisco rockers exploded onto the doom scene with their punchy In Witch Order début and immediately carved a niche for themselves among contemporaries like Jex Thoth and Occultation. Blacklands took things to the next level by incorporating strains of epic metal and black metal riffery and the result was quite heady, unpredictable and fun. Now we get Under Siege, which once again rejiggers the Castle sound as the band evolves and matures with grace and dignity.” Have you heard these guys yet? If not, Steel Druhm thinks less of you.

Winterstorm – Cathyron Review

By Natalie Zed on March 2, 2014 in 2014, Epic Metal, German Metal, NoiseArt Records, Power Metal, Reviews, Epic Metal, Power Metal, 6 comments

“So here’s my thing with a lot of power metal, the key part of the genre that sits at the crux of my relationship to it: the success of any particular album relies so heavily on the listener’s ability to completely invest in it. Like the suspended disbelief that allows film audiences to sink unquestioningly into the universe a particular movie occupies, so each power metal album must create its own mini-universe, of fucking epicness, and convince the listener that it is worth abandoning reason for the duration of the album.” I don’t know about you, but I love me some fucking epicness! If you feel the same, read on!

Argus – Beyond the Martyrs Review

By Steel Druhm on September 10, 2013 in 2013, American Metal, Cruz Del Sur, Doom Metal, Epic Metal, Heavy Metal, Reviews, Epic Metal, Heavy Metal, 6 comments

“Argus is one of the leaders in the “trve,” “cvlt” metal wave ov late. They specialize in the kind of muscular battle metal that makes you long for the days of swords, sandals and institutionally approved beer wenching and you can almost feel the hair on your back growing as you spin their odes to brotherhood and bravado. Long have they toiled to perfect their blend of Iron Maiden riffs, the doom-based power of Candlemass, Grand Magus and Doomsword and the oiled pectoral charm of Manowar.” Ready for some no nonsense, old school metal from the days of High Adventure? You better be because Argus is back to kick ass and chew bubble gum and they’re ALL outta bubble gum.

Turisas – Turisas2013 Review

By Angry Metal Guy on August 23, 2013 in 2013, 4.0, Century Media, Epic Metal, Finnish Metal, Folk Metal, Heavy Metal, Progressive Metal, Reviews, Folk Metal, Viking Metal, 19 comments

We all knew Turisas2013 was going to be a controversial record when the title was released. Turisas2013 doesn’t read like a particularly inspiring name for this Finnish ‘folk metal’ band’s latest record. One commenter quipped that it sounds like what they called the folder where you store the .wav files, not the title of the record itself. On top of that was the remarkably short turnaround time. Turisas isn’t a band known for its quick work, and they were coming off a remarkable and fascinating record from 2011 that I flat out loved. Recent history teaches us that ‘fucking with the formula‘ is generally a bad thing; if a band needs 5 years, give it to them! But just as Orphaned Land faced label pressure, it wouldn’t be a surprise at all if Turisas2013 was produced under pressure from a label that doesn’t want the world to forget that Turisas exists[1. Note: this is entirely speculation. No one told me shit.]. Whatever the reason for looking at a Turisas record in 2013 with the half-baked name of Turisas2013, it’s here… Is it everything you feared?