“If you’re like me in more socially acceptable ways, you fvcking love Harakiri for the Sky. Something about those cloying tremolo-picked melodies coupled with J.J.’s soulfelt screams just fucking does it for me in a way that I can’t get enough of, so checking out homeboy’s one-man blackened adventure, Karg, was a no-brainer for me while I waited out February’s Arson. Thank Jørn I did, as it gave me the opportunity to properly anticipate the project’s then-pending 6th full-length release, Dornenvögel, and likewise be that much more satisfied by its utter fucking greatness.” Karg the Exterminator.
Art of Propaganda
Groza – Unified in Void Review
“I picked Groza from the promo bin for one simple reason: Mgla is a great fucking band, and Groza share their name with Mgla’s debut album. That’s not by accident, either. The promo blurb that accompanied Unified in Void was frank in its admission of Mgla influence, leaving me quite excited to hear what this German quartet had to offer.” Choose the form of the Destroyer.
Firtan – Okeanos Review
“Categorization eludes Firtan. Okeanos, the second record by this German four-piece, is an album of vast fluctuations. Ever immutable and indefinable black metal rests at its core, but its proceeding layers are a lot more complex. Okeanos is a swirling cauldron of flavorsome sounds: profusely potent and pungent. Inspired by avant-garde intellectuals like Nietzsche and Lovecraft, Okeanos is a ‘dazzling display of epic black metal grandeur, suffused with autumnal atmosphere and winding-yet-captivating compositions.’ Firtan well and truly blow their own trumpet.” Pretentiousness and the void.
Harakiri for the Sky – Arson Review
“If there’s a more promising band out there than Harakiri for the Sky, I don’t know of them. Formed in 2011, this Austrian duo first came to my attention with 2014’s Aokigahara, whose crisp, riffy take on post-black metal was a welcome change from the Alcesty haziness overflowing the genre. My love affair continued with 2016’s III: Trauma, a terrific album that narrowly missed a spot on my year-end list with its lush, gorgeous melodies. Since then Harakiri’s gifted songwriting and unique style have built a rabid fanbase (including both myself and Master of Muppets), making Arson one of my most anticipated records of the year.” Ooooo… the suspense! So much filthy click-bait. I wonder how this is going to end…
Seer – Vol. III & IV: Cult of the Void Review
“Vancouver’s Seer entered my life at the start of 2016 with their consolidated release of 2 EPs: Vol. 1 & 2. It was a charming, if heavily flawed, release which showed glimmers of talent. Vol. III & IV: Cult of the Void represents the speedily recorded and released sequel, still dominated by stoner riffs and heavy atmosphere. I made some substantial criticisms of the former and as such began my time with the latter intrigued to hear if these had been addressed; I must confess that my expectations weren’t set too high.” Cult bait or cut bait?
Anomalie – Visions Review
‘Your daily dose of self-loathing, self-pity, and existential dread is brought to you by Austrian nihilists Anomalie. Visions, their third full-length, is 51-minutes of lead-heavy post-black depressiveness that’s intensified by stretches of sparse atmospherics and solemn neo-folk.” Ennui for you and me.
Allochiria – Throes Review
“While I’ve enjoyed some Pelican, Isis, and Light Bearer in my day, often the genre’s huge soundscapes and slow-burning buildups are simply too demanding for me to enjoy on a regular basis. On 2014’s debut Omonoia, Greek quintet Allochiria seemed to fit largely in this same mold. Drawing comparisons to the sludgy expanse of Year of No Light, a cursory listen revealed a layered, cerebral album whose dystopian atmosphere was delivered via a measured, methodical pace. Throes, however, is a much different beast — and one I think I’ll be spinning far more often.” Post beast is the new game in town.
Gloson – Grimen Review
“Monotone is modern; when we look at Helenistic sculpture or a Gothic cathedral, we see the beauty of shape set in stone without the competing influence of color. But when these wonders were first sculpted and erected, they were painted as part of the vision of their creators to reflect the heavens and the earth. Only with time did the colors erode, the bare contours scoured of their pigmented cloak, the first piece to yield. Gloson operate in this space, with phrases more suggestive than descriptive, the contours of metal worn but still noticeable.” Even masterpieces turn to gray.
Karg – Weltenasche Review
“Recently, in the course of a discussion I was having regarding another new release set to land in the not too distant future, I was reflecting upon the enormous number of one-man black metal projects turning up in the AMG promo bin at the moment. Well hey, presto, time for another!” Lonely is the word.
Harakiri For The Sky – III: Trauma Review
“As this site’s self-appointed Angry Metal Bottom Feeder, I take it upon myself to devour all the metalcore, post-black metal, and trendy bullshit that I suspect my more evolved brethren often don’t want to touch. I guess part of me still has fond memories of older albums in these genres and continues to hold out hope that new releases will be just as good. While this means filtering through a lot of mediocrity, occasionally I’ll stumble upon a gem that makes it all worth it.” The AMG catfish may have found gold down there in the muck.