Season of Mist

Misery Index – Rituals of Power Review

Misery Index – Rituals of Power Review

“Originally spawned from the remnants of the classic Dying Fetus line-up from the monumental Destroy the Opposition, Misery Index wasted fuck all time getting their act together and becoming an immediate force in the extreme metal scene in the early aughts, grinding out a powerful and now lengthy history of their own. Their insightful and vicious socio-political tirades and passionate values matched up perfectly with their grind and thrash-infected style of muscular death metal. Misery Index have managed to deftly shift and evolve their sound along the way, crafting a consistent and high-quality body of work, highlighted by 2008’s vicious Traitors album, and arguably their finest hour, 2010’s modern masterwork, Heirs of Thievery. But nearly 20 years into their career, are these modern-day descendants of Napalm Death still able to muster the strength and power to dominate in 2019?” Misery loves power.

Rotting Christ – The Heretics Review

Rotting Christ – The Heretics Review

“I want to start off this review on a different foot. You see, in 2016 I reviewed Rituals by Greek black metal institution Rotting Christ, and I was not kind. As someone who jumped on board the Rotting bandwagon after 2007’s incredible Theogonia, I noticed Sakis Tolis, his brother Themis, and company repeating that grandiose, come-at-me-fucker battle-ready style with diminishing returns on every album after that. I called it out both in the review and its comments section that a change of course, or at least a needed spike of adrenaline, could do wonders for the band. Even more so, exploring different motifs and tempos, not to mention lyrical ideas, would also help. But after listening to The Heretics for a solid week, I realized I was wrong to call Rituals a boring album at the time, and I want to apologize for that…” Heresy is an ugly word.

Mayhem – Grand Declaration of War Remixed and Remastered Review

Mayhem – Grand Declaration of War Remixed and Remastered Review

“It’s odd being given the task of “reviewing” a record that, if it were a person, would be in the age of majority. Mayhem’s Grand Declaration of War has remained a controversial record for arguably black metal’s most controversial band, and this remixed and remastered version is unlikely to change anyone’s mind on the contents. These contents were ably highlighted by Angry Metal Guy himself, and while him and I disagree on a lot, we agree on the merits of this record.” Grand remastering?

Hate Eternal – Upon Desolate Sands Review

Hate Eternal – Upon Desolate Sands Review

“‘This ain’t your father’s death metal!’ Too often do reviewers or promos use this cliché, but in the case of Hate Eternal, I beg to differ. They decidedly are my father’s death metal, but not because he’s ever cared about or even heard a note from them, but rather because the band, particularly Erik Rutan, embody the traits my father values and passed on to me. Rutan’s brutal studio reputation of pushing musicians’ talents to their limits and then a bit further is precisely how my father and I work on any project together. There’s a certain honesty to Hate Eternal’s music, an honesty which can only come from toil.” Hating mediocrity.

Beyond Creation – Algorythm Review

Beyond Creation – Algorythm Review

“After The Aura catapulted them up to the front of the tech death field, Beyond Creation have enjoyed continued success based on a surprisingly small oeuvre and touring with seemingly continuous regularity both as support and as a headliner. They took the success in stride, releasing Earthborn Evolution three years after the debut and capitalizing on the record’s fusion influence to produce an even more dynamic live show. Three records in, Algorythm tweaks the approach once more, producing a brooding and grandiose expanse that’s as honest in its execution as in its pretensions.” Just how pretentious is it?

Horrendous – Idol Review

Horrendous – Idol Review

“So where does Horrendous go from here? And where do I go after recklessly hurling superlatives over their past two albums with the salivating enthusiasm of a heavy set man at a hot dog eating contest. One thing’s certain, expectations from the band’s bloated fan-base will be sky high after the three-year wait following Anareta.” Worship at this Horrendous Idol.

Vreid – Lifehunger Review

Vreid – Lifehunger Review

“It was June 2006 and I was helping a friend move into a downtown apartment. It was hot and we were scrambling up and down two flights of stairs as fast as possible before a cop could ticket us for taking up half-a-lane of traffic with our truck. When it was finally over, we grabbed lunch and went to my favorite record store down the street. This place had the strangest collection of albums I’d ever seen and a surprisingly large metal section for a town full of hippies and reggae fans. The album I selected that day was something I had heard many things about. From a band that rose from the ashes of Windir.” Vreid it and weep.

Crippled Black Phoenix – Great Escape Review

Crippled Black Phoenix – Great Escape Review

“Yes, this album cover needs a unicorn. It’s the first and foremost thing any of us noticed in the AMG World Headquarters break room. I don’t know what’s going on with this horse, but it won’t be good when and if it comes back down to earth. I suppose it’s escaping, although maybe it’s just simply jubilant. At eleven songs and over 74 minutes, is Great Escape going to make me jubilant, or am I going to want to make my escape?” Unicorn in the sky. Making little children cry.

Circles – The Last One Review

Circles – The Last One Review

Circles’ textured approach to prog metal recalls the moodiness and energy of Fates Warning within the context of a post-djent landscape where six-string guitars and straight rhythms are seen as passé. Yet success stirs in their artful and sensitive exploration of space, whether they’re marching through angular hardcore, tip-toeing across delicate electronics, or bobbing in subtle waves. Like many modern, progressive-leaning rock/metal bands, they bring elements of Periphery-worship on their journey but deploy them so intelligently that at times The Last One becomes greater than its individual components.” Always sphere for you.