“1990’s alt-rockers Failure tend to rank high on headbangers’ lists of non-metal pleasures, due in no small part to dark, dissonant songwriting and sonic girth that could rival any doom band. Those qualities produced two excellent records, Magnified (1994) and Fantastic Planet (1996), followed by an opiate-fueled breakup in ’97.” And now we get their hopefully opiate-free return!
“It’s exciting when you discover that a member of one of your favorite bands has a side project. It gets weird though when you realise the project’s been around and producing for going on twenty years. Between considering the merits of becoming an Agalloch roadie/fangirl back when Steel Druhm reviewed Marrow of the Spirit and later writing up my own reviews of Agalloch’s The Serpent and the Sphere and Nothing’s Guilty of Everything, I can’t help thinking I should have come across some utterance of Agalloch bassist, Jason W. Walton’s side-project, also branded Nothing.” Prepare for nightmares made audible.
“Way back in 2012, the a little band called Night Flight Orchestra issued an under-the-radar gem called Internal Affairs. Despite having members from two past-their-prime metal bands (Soilwork & Arch Enemy), the music recalled the golden age of ’70s radio rock with passion and quality. Fast forward three years, we get word that NFO has released their follow-up, Skyline Whispers…a few days ago. We missed them twice!” We feel shame.
“Doom fans among you will likely know about New York’s Grey Skies Fallen, a vintage doom/death act that has been steadily improving their My Dying Bride/Anathema-influenced paeans to pain since the late nineties. Grind fans among you will likely know about New York’s Buckshot Facelift, a slightly less vintage hardcore/grind band that has been vomiting up vitriolic violence since the mid naughties.” But did you know they had a shared project? You didn’t, so don’t pretend you did.
“Since the dawn of man, humans have tried to prove or disprove the existence of a higher power. Believers have cited the beauty of nature and the intricacy of the human body as evidence, while the skeptics can point to tragedies like cancer-stricken children and the Holocaust to make their case. My personal moment of truth hits a little closer to home: Coal Chamber have reunited, and I am reviewing their new album Rivals. There is definitely no god.” Read along as a crisis of faith afflicts the AMG staff.
“The Grymm Grab Bag© can be quite the two-sided beast of a backpack when utilized. For every moment when I pull out a gem by a promising band, I get two or three that end up closer to this. Forever undaunted (or just plain stupid), I once again reach into the bag of unknown-to-me goodies hoping to not get struck like that poor sap in Flash Gordon, and I am presented with The Comfort of Loss & Dust, the third album by London’s Cold in Berlin.” Reach into the bag of mystery and squeeze!
“The Kontinuum… continues! Not to be confused with the tech death band Continuum reviewed here by Dr. A.N. Grier earlier in the week, Kontinuum are an Icelandic band that plays a multifarious blend of dreamwave and post-rock/metal with some inviting and interesting gothic undertones.” Is Iceland becoming the next Finland?
“Talk about discombobulating! Have you ever wondered what would happen if Spiritual Beggers (specifically the Christian “Spice” Sjöstrand era) came across a Magic 8 Ball, a Time-Out Machine (T.O.M) and a little vial of liquid black rock, and after much consultation with the 8 Ball decided to don their headbands and flared jeans and jump back to the 70s to hang out and jam with Led Zep?” Hot Tub Time Out Machine?
“Unlike many of my friends and colleagues, I’ve rarely been moved by Steven Wilson’s music. With notable exceptions, Porcupine Tree’s studio work put me to sleep. Nor, I must admit, was I a fan of Insurgentes or Grace for Drowning at release. Despite having long been harangued for being an Opeth fanboy, I could not get into Storm Corrosion. In fact, if you’d asked me 5 years ago, I would have said that Steven Wilson’s genius is the ways in which he makes other bands sound incredible. That changed for me, however, with The Raven Who Refused to Sing from 2012. So when I heard that Wilson had a new record coming, I was intrigued: would it keep up the momentum and style of The Raven?” Well, can it?
“As loyal AMG readers might have noticed by now, I am a sucker for awesome song and album titles. This weakness occasionally factors into which bands I choose to review. As far as band names go, Bad Guys is pretty fucking weak (and definitely not to be confused with Bad Dudes). However, if that is the name your band is stuck with, you can’t possibly top Bad Guynecology as an album title. It’s brilliant. Sign me up.” Mr. Fisting signs up for a lot of things on impulse. Remember that “make your own pruno” class? That should have learned him.
