Reviews

Record reviews

Accept – Blind Rage Review

Accept – Blind Rage Review

Accept (and Grave Digger) are Germany’s grand contribution to the Pantheon of Unkillable Cockroaches of Metal. Decade after decade they continue releasing albums brimming with the same traditional metal ideas, slightly rejiggered and reformed, but always recognizable and predictable. Even after the loss of the diminutive but iconic Udo Dirkschneider, the boys from Berlin just kept right on rolling and the two post-Udo platters were their liveliest in forever. Here they come yet again with Blind Rage and it’s comforting as always that nothing much has changed.” With age comes wisdom, and in the case of Accept, surprisingly solid metal.

Empire Auriga – Ascending the Solarthrone Review

Empire Auriga – Ascending the Solarthrone Review

“A curious thing occurred while listening to Ascending the Solarthrone for the first time. I was commuting into the city, a monotonous, cramped experience at the best of times, when we were informed by the disturbingly enthusiastic guard that someone had committed suicide on the tracks. I was already noting the record for its depressive and desolate atmosphere, and in that moment, the feeling it produced was quite extraordinary.” Another double secret probationary writer joins the fray as El Cuervo reviews some bleak black metal. It’s getting like a goddamn frat house around the AMG offices!

King of Asgard – Karg Review

King of Asgard – Karg Review

“Formed from the ashes of the highly underrated and (AMG worshipped) Viking metal act Mithotyn, King of Asgard has more or less continued the mission statement of releasing odes to the northern winds, Viking valor and snowy landscapes, all heavily influenced by latter period Bathory as well as Einherjer, Ensiferum. Karg is their third such endeavor and it observes the traditions of its ancestors with all due reverence, while moving things in a darker, more stripped down direction.” Do you feel the need to plunder and pillage? If so, here’s your liege lord.

Bölzer – Soma Review

Bölzer – Soma Review

Bölzer know that time is precious and quality cheap in today’s oversaturated music climate. Armed with three songs clocking in at about 23 minutes, the Swiss duo more than charmed the metal community and earned themselves a slot right at the forefront of extreme metal hopefuls dwelling in the underground with their 2013 EP, Aura. Bölzer is back and JF Williams is back with them.

Methedras – System Subversion Review

Methedras – System Subversion Review

“Like other hybrid genres, death thrash is inherently diverse. On one hand, you have bands like Deceased and Vader who throw occasional thrashy riffs and old school guitar leads into a classic death metal template; on the other hand, you have bands who take Testament-style thrash as a foundation and stack on harsher vocals and heavier riffing characteristic of death metal. Italy’s Methedras fall into the latter category. The style they play has never really exploded in popularity the way retro-thrash did a few years back, which may explain why Methedras have remained relatively unknown despite forming in 1996 and releasing three full-lengths in the 2000s.” Another new writer dares test his metal at AMG by reviewing some death-thrash. Godspeed, Mark Z.

Belphegor – Conjuring the Dead Review

Belphegor – Conjuring the Dead Review

“Hey look, everybody’s favorite necromantically inclined, goat bondage enthusiasts are back from the latex boutique to unleash another wave of blackened death on the tied and naked masses. Austria’s Belphegor are one of the leading voices in mega-extreme music and 2011s Blood Magick Necromance left quiet an impression on my steely cranium, ending up one of my best albums of the year. While these fetish freaks don’t do anything all that different from contemporaries like Behemoth, their simple, utterly savage blend of Morbid Angel pummeling and Marduk like blitzkrieging blackness really resonates with me in a way even the Polish Demigods do not.” Steel doesn’t always listen to blackened death, but when he does, he prefers Belphegor.

Panopticon – Roads to the North Review

Panopticon – Roads to the North Review

“With 2012’s Kentucky, Panopticon became among the most interesting black metal projects operating in the U.S. Unlike many USBM lynchpins that stubbornly ape the sound and ethos of their Scandinavian influences, Austin Lunn’s one-man black metal project took a full-fledged approach to the genre as tied to his own home and hearth of Kentucky as that of his Scandinavian forefathers. For those out of the loop, the result was an ambitious, politically-charged concept album centered around Kentucky’s blood-soaked history of coal mining, soundtracked by an unprecedented mix of black metal and bluegrass music.” Black metal and bluegrass sounds as good a mix as peanut butter and mayonnaise, but hey, you gotta try it to know!

Entombed A.D. – Back to the Front Review

Entombed A.D. – Back to the Front Review

Entombed is the All-Father of Swedish death metal and their Left Hand Path album stands like a black obelisk at the epicenter on the genre map, guiding all pilgrims onward to the next musical waypoint. Although only their first two albums were true death and they morphed into something like death rock on subsequent outings, the oversized legacy of their formative years looms ever large. Their last full length release was 2007s Serpent Saints and since then they’ve been embroiled in internal strife and various litigations. As a result, the faction of the band led by vocalist L.G. Petrov have adopted the moniker of Entombed A.D.” New name, some of the same guys, but can they recapture their mojo? Pray for mojo.

Cemetery Fog – Towards The Gates EP Review

Cemetery Fog – Towards The Gates EP Review

“When I was a wee little Grymmling, I played bass in a band with my old high school friends. Inspired by the local music at the time, we aimed high with our lofty ambitions and hoped to be on the same hallowed page as our inspirations. To put it bluntly, we weren’t anywhere close. However, we were young and hungry. Finland’s Cemetery Fog are similarly young and equally hungry. After three demos, their debut five-song EP, Towards The Gates, landed upon my grumpy, bitter old lap. Does ambition and an unquenchable inner fire succeed at bleeding upon your ears, causing you to twitch with excitement and anticipation?” Well, if nothing else they have a badass moniker.