Sonata Arctica has an eminently rankable discography of 10 full-length records (without ranking the re-recordings and acoustic records). And motherfucker if we aren’t going to rank the shit out of that discography right here. From Worst to First. You know the drill.
My Silent Wake – Lost in Memories, Lost in Grief Review
“England’s long-running doom act My Silent Wake started slinging old-timey doom tunes since forming in 2005. My Silent Wake boasts an impressively lengthy track record, culminating in their twelfth opus of sadboi gloom, Lost in Memories, Lost in Grief, complete with a side of death and Gothic romanticism.” Wake and mourn.
Riot V – Mean Streets Review
“The seals have hit the beach once again and a new Riot V opus is upon us. New York’s longest-running metal act are back with their third album under the modified Riot V moniker after the death of founding guitarist Mark Reale in 2012. Following 2018s Armor of Light, Mean Streets keeps the same lineup intact and continues more or less in the same classic Riot direction with a sound walking the line between hard rock, heavy and power metal with a decidedly retro charm and sensibility undergirding much of what they do.” The Art of the Seal.
Wheel – Charismatic Leaders Review
“Never one to shy away from political themes, Wheel has taken to a theme rather than a full-blown concept with Charismatic Leaders, decrying populism and the cult of personality across 6 tracks and an interlude. In the band’s own words, this is intended as their metal album, the heavier, angrier version of the predecessors.” The Wheel of idealogy.
Aquilus – Bellum II Review
“Aquilus occupies a place of special importance in my music collection. One or two exceptions aside, 2011’s Griseus and 2021’s Bellum I offer the best fusions of symphonic music and heavy metal that I’ve heard. Now in 2024 Bellum II completes the puzzle started by its predecessor. A gap of just 2.5 years, compared with 10 years, is far more digestible and strikes while the band remains fresh in my mind.” Another night at the symphony.
Flamekeeper – Flamekeeper Review
“We’ve covered Flamekeeper mastermind Marco S. before, under his blackened death metal project Demonomancy. It stands to reason, then, that Marco knows what black metal sounds like, but there is almost no trace of it in Flamekeeper. An occasional dalliance with quicker gallops verifies some measure of power metal heritage as well, but at the core this music is tailor-made for raising swords and pumping chests in the traditional way—think less Morgul Blade and more Manowar.” Epic flames of burnt ciders?
Glassing – From the Other Side of the Mirror Review
“No one does music quite like Austin’s Glassing. Nearly impossible to pigeonhole in its blend of jagged riffs and crystalline melodies, critics have conjured the likes of post-metal, post-black, post-rock, mathcore, shoegaze, sludge, noise rock, screamo, and post-hardcore to describe it – none ever quite sticking the landing.” Square pegs, round holes. FIGHT.
Big|Brave – A Chaos of Flowers Review
“The Montreal trio has always offered what they coin “massive minimalism,” and A Chaos of Flowers represents its most minimalist offering. Big|Brave does away with earthshaking, mountainous compositions of drone riffs in favor of an evocative, simmering, and otherworldly experience.” Stop and kill the flowers.
Unearthly Rites – Ecdysis Review
“Unearthly Rites are a new kid on the block in Finnish death metal, with only an EP to their name prior to the release of debut full-length, Ecdysis. Formed by scene vets with time spent in Sink, Hexhammer, and Fuck-Ushima, they bring plenty of experience to the party. What Unearthly Rites offer is a ghastly amalgamation of raw old school death, grind, and crust, curated and designed to cave in your face with the resulting unnatural sound profile.” Earth as mass grave.
Crawl – Altar of Disgust Review
“Crawl, to put it simply, sounds pissed off. Not one to fuck with, Crawl’s sound hearkens to those HM-2 legends we all know very well (Entombed, Dismember), but filtered through the punky swagger and unlimited ire of acts like Goregäng and Vomitheist. Knowing all three of those things—HM-2 pedals, Goregäng, and Vomitheist—found a warm bed in the death mansion that is the prolific Transcending Obscurity Records, most of our readership automatically know what to expect from Altars of Disgust.” HM-2 and YOU.