“Sora’s latest solo affair, the black-cum-experimental-metal outing Throane, appears as a clear extension of his earlier works and digital art. Drawing from influences of bands like Bluts Aus Nord, whom he works closely and often with, Throane’s debut Derriere-Nous, La Lumiere takes the atmospheres and minimalist ambience of Sora’s various other projects such as Treha Sektori and pushes them forward by providing a metallic edge.” The black arts on display.
“For better and worse, sludge metal has branched out considerably beyond the abrasive and uncompromising early years of the genre, defined by the likes of The Melvins, Eyehategod, Grief, the underappreciated Iron Monkey and boundary busting legends Acid Bath,. Increased diversity and scene saturation has polluted the genre pool, leading to interesting yet inconsistent results and mixed feelings from yours truly.” Sludge is as sludge does.
“Nothing clings quite so tenaciously to life as a Germanic metal band. Think about it for a moment – all the big names in 80s Kraut thrash are still active, along with nearly all of their 80s power and traditional acts. In essence, Teutonic metal is harder to kill than nail fungus and just as unsightly. Though Iron Savior didn’t come into existence until 97, they’ve proven typically resilient and hard to eradicate.” German metal can’t be stopped, German metal can’t be topped.
“I’m a sucker for HansFyrste’s ghastly vocal style, he could probably read from the phone directory and I’d be very okay with it. The bug in my ear took effect around Ragnarok’s Malediction and it only got worse when I discovered Svarttjern’s
“Before diving into the death metal that obviously flies under a banner like Coffin Lust, let’s briefly talk Cinderella. Whether or not you’ve had the feeling of being utterly awestruck by a woman to the point where you’d be willing to run around like a lunatic with a shoe for an hour and change trying to get her name and number the day after, I’m sure the sentiment is appreciated. With music you can have a corresponding experience, hearing a song that makes a huge impression that forces you to seek it out, along with the record it came from.” If the shoe fits, hammer smash it!
“It’s comforting to know Law and Order will always be in syndication on some channel somwhere and that a Big Mac will taste the same no matter where you buy it. Likewise it’s reassuring to see the big thrash acts of the 80s steadfastly refusing to go quietly into that good night. Under Attack is Destruction’s 14th full-length of Germanic thrash and as someone who was there at their humble beginnings, it’s pretty cool to see the Mad Butchers still alive and thrashing so late into their bullet-belted old age.” Nothing’s quite as infernal as infernal overkill.
“When you see an album adorned with a mighty eagle bearing a sword as drawn by a Venice Beach tattoo artist, you know you’re messin’ with one epic son of a bitch. Though they started life as a traditional doom act, over time Grand Magus transitioned into a kind of trve, Manowar-inspired unit, with said transition most obvious on 2014’s Triumph and Power.” Sword breaker, bird shaker, I’ve been told about you!
“Try as you might, your eyes are inevitably being drawn to the album cover that sits just to the left of these words. As you read, you will involuntarily pause so as to examine in greater detail this genius work of Costin Chioreanu. Depicting what appears to be a bloody tea party between a deer, a wolf, a faceless goat boy, and the crack whores of Lewis Carroll’s Alice’s Adventures in Wonderland, the artwork of Sinnery’s debut album, A Feast of Fools, is about as convoluted and mysterious as the album itself.” Sin Tea is served!
“Man, I really miss Alchemist. Much like Anacrusis, Alchemist were so far ahead of the curve with their heady blend of progressive melodies, Killing Joke-inspired riffs, and the raspy growls and otherworldly banshee shrieks of guitarist Adam Agius. The amount of times I spun Organasm and Spritech can’t even be measured, and when word got out in 2010 that the band dissolved after the sheer heft of 2007’s underrated Tripsis, yours truly was crushed. Wasting no time, Agius formed spiritual successor The Levitation Hex.” Cool name but weighty legacy to live up to.
“With two and a half decades under their belt and a generation of bands aping their sound, one wouldn’t be surprised to see Gorguts rest on their laurels for a while. But Gorguts’ time of rest is over, and Luc Lemay has made it abundantly clear that his pioneering death metal vision didn’t stop with From Wisdom to Hate.” No rest for the gutted.
