“Metal is like a sponge: capable of sucking up any foreign juices. Classical music? We’ve seen that thousands of times since before In The Nightside Eclipse. Country? Not too common, but there’s a number of stoner and folk metal bands that incorporate its imagery. But flamenco? Sure, Allegaeon has the odd interlude, but it’s hardly integral to their sound, feeling more like a wacky gimmick than a serious crossover. Impureza take offense to the absence of flamenco metal, due to their proud Spanish herita- wait, they’re French?!” No expects the French-Aztec Inquisition. Seriously, nobody does.
3.5
Throne of Heresy – Decameron Review
“Antioch, the last album from Sweden’s Throne of Heresy, proved little more than its own existence. The “I riff therefore I am” approach to music did little to impress, and despite good pacing and a few fun songs, It was brought down by an uninteresting Swedeath sound and even more uninteresting boilerplate lyrics. Having thus consigned Throne of Heresy to the ignominy of the 2.5, I found myself not terribly interested in listening to their latest. Yet in my supreme magnanimity, I decided to give the band another chance with Decameron, and well I should have.” When Kronos plays a game of thrones, things get brvtal.
Blaze of Perdition – Conscious Darkness Review
“Blaze of Perdition is a Polish band, and Poland is a largely Catholic country. Conscious Darkness, their follow-up to the solid Near Death Revelations, is a black metal record, which in the vast majority of cases entails irreligious or fervently anti-religious content. This is black metal fused with death metal, but not blackened death; the Polish, along with the Germans, are particularly good at this!” Poles of blackened fury.
Ram – Rod Review
“Back into the depths of traditional, olde-school, cheesy metal we delve, my friends, and what do we encounter but more Swedish goodness in the form of Ram, and their latest album, Rod. The band haven’t let the fact that their logo is perennially in the running for Worst in All of Metal slow them down: Rod is their fifth album over the last fifteen years, making these guys almost as old as the music they love to play.” If the rod don’t fit, Ram it!
Gutslit – Amputheatre Review
“You don’t have to be a metal genius to make an accurate assumption about the genre affiliation of India’s Gutslit. Although it would make a nice surprise, Gutslit isn’t a group of prog metal hipsters or power metal warrior nerds. No folks, Gutslit, as expected, play brutal death bolstered by a smattering of grind. But unlike many run-of-the-mill bands that favor guttural extremity over actual craftsmanship and decent songwriting, Gutslit rise above the pack with their impressively written and refined second LP, Amputheatre.” Sometimes guts are enough.
Nazghor – Infernal Aphorism Review
“Though initially operating in a callous, misanthropic style, Nazghor embraced a full-blown melodic bent with 2016’s Death’s Withered Chants. This turn of events, coupled with increased attention to production standards, resulted in their strongest material to date. Infernal Aphorism is the logical next step in Nazghor’s evolution: an exploration of their newfound abilities and a test of their endurance.” Black metal marathon.
Iris Divine – The Static and the Noise Review
“It’s prog time, baby. Having only dipped my metal-shod toes in my favorite genre a handful of times this year, I made a concerted effort to get ahead of my coworkers in October and indulge me of some progressive metal.” The early bird gets the noodle.
The Black Dahlia Murder – Nightbringers Review
The Black Dahlia Murder is without a doubt a Top 5 band for me. I honestly don’t know when it happened. When I started listening to them I never considered them to be that special, they were head and shoulders over the melodeath glut that was being puked out in the early 2000s, but a […]
The Great Discord – The Rabbit Hole Review
“A few weeks ago, I described the latest Arch Enemy album as the bad kind of pop metal: too slick, too loud, too focused on choruses and too conscious about image. But there’s a different, less negative definition possible of pop metal: not afraid of loading the songs with easily digestible hooks, catchy melodies, EDM influences, simplistic structure and a focus on vocals. It’s daring, because it seems to aim at a gap between fandoms: too slick and not challenging enough for metalheads, but too heavy for the mainstream.” Pop goes the minstrel.
Cradle of Filth – Cryptoriana – The Seductiveness of Decay Review
“If I were tasked with handing out an award titled “Band That Most Successfully Got Its Shit Together,” England’s black/gothic/extreme metal veterans Cradle of Filth would be on my shortlist.” From Cradle to rave.