“The Order of Israfel’s 2014 debut Wisdom became a bit of a sleeper for yours truly. I gave it a positive review and saw the potential, but didn’t expect to return to it quite as much as I have. The combination of classic doom with tough biker rock proved hard to ignore and though it missed my year end lists, it’s become a regular part of my “free range” listening time.” Free Steel Druhm!
“Remember when Tom Cruise got cast as The Last Samurai in 2003? Some people on the Internet really do, and take time out of what must be a rich and fulfilling life to vomit up prose so salty it gives Dutch licorice a run for its money. Naturally it’s made into a sociopolitical issue, but I’m going to leave that alone because I’m not a fifth-rate hack who feels compelled to use the metal blog I write for as a soapbox to spew typo-laden opinions on contemporary politics and the like. Anyway, Mr. Cruise remained The Last Samurai for about a year, because in 2004 Finnish Samurai metal band Whispered came into existence.” Eat it, Tommy!
Blaze Bayley’s solo records have become a perpetual state of promise and terror. Turns out Infinite Entanglement is more promise than terror, if you’re keeping track at home.
“As soon as I heard note one of this thing I knew I was in for it. I’d end up falling in my 80s nostalgia hole preaching to the very small choir of 45-plus geezers who grew up on this kind of raw, simplistic proto-metal. Praising this would inevitably lead to abuse from my youthful AMG peers and readers while further cementing my rep as a metallic fossil, but what can a middle-aged Steel Druhm do?” My name is Steel and I have a metal problem.
“One of the complications of writing about and conceptualizing metal in the past – well, almost a decade – has been the music’s incredible diversity and availability. With bands able to record and distribute music so easily, scenes and trends have become less important and less centralized. Sure, there’s been a huge interest in nostalgia-core – occult rock and retro-thrash albums arrive in AMG’s inbox monthly – but it’s doubtful that in 2026 we’ll think of the first half of the ‘teens as being dominated by musical throwbacks. Metal as a whole lacks a zeitgeist, and in some ways that’s frustrating, because it’s hard to keep up with such a decentralized and broad genre – but death metal, as a smaller and more manageable entity, does indeed seem to have direction.” And that direction is interesting indeed.
“I have to get something off my chest here, folks. I’m getting sick and tired of bands hopping on the Retro Wagon of Regurgitated Ideas. There is more to doom metal than following the dragged robes of Ghost everywhere. Likewise, death metal has a beautifully disgusting range outside of the classic Sunlight Studios sound. And there’s more to France than fucked-up angular weirdness. So what’s a new band like France’s Cadaveric Fumes to do when trying to capture a unique sound? Take all three overplayed, over-saturated ideas, and combine them on their first three-song EP, Dimensions Obscure, that’s what! Surely, this is a recipe for disaster?” Let my people retro!
“When it came time to hand out songwriting chops, Satan smiled on Abnormality. The Massachusetts quintet’s debut, Contaminating the Hive Mind, was a throat-crushing extravaganza of pure death metal that capitalized on the group’s seven years together previous to its release. Contaminating is an exemplar death metal record, fusing tight and energetic performance with succinct writing and an ear for brutality that few bands can match. It’s the undead embodiment of kickassery, and expectations are high for Mechanisms of Omniscience, especially after a four-year wait.” Fours years of anticipation makes Kronos an edgy guy.
“So far this year, I’ve been tasked with reviewing—or simply listening to—a handful of shoegazing, post-black promos from a variety of little-known bands. Some of them are worth their weight in gold, while others are worth their weight in horseshit. For many, this genre petered out in the last decade or so when many o’ band jumped on the WitTR bandwagon, over-weighing the vehicle and driving its wheels axle-deep in the mud.” That navel isn’t going to contemplate itself, you know.
“Call me Diabolus. Some years ago – never mind how long precisely – I granted the privateers in Alestorm a Letter of Marque and they went on to capture The Good Ship TYMHM and raise the Jolly Roger high over the AMG Staff’s Top Ten Lists. It is a way I have of driving off the spleen and regulating circulation. Whenever it is a damp, drizzly November in my soul, I simply drink away the accursed rain. Alas, my initial deed could not go unaddressed forever; I was ordered to write about The Dread Crew of Oddwood’s Lawful Evil.” Keel haul em’ all.
“It’s always fun to pick up a promo from a band that you’ve never heard before. Especially one hailing from a country you know diddly shit about. Perhaps the most enjoyable part of researching bands like this is reading about the rich heritage that surrounds the music. And on today’s exotic expedition into the unknown, we will explore Darkestrah, a black-metal outfit from Kyrgyzstan.” Turan the money!
