Agalloch

Agalloch – The Serpent and the Sphere Review

Agalloch – The Serpent and the Sphere Review

Marrow of the Spirit’s “Black Lake Niðstång” marked the beginning of my journey through American band Agalloch’s sizeable discography. The album delicately, but rather doggedly introduced me to the band’s neat fusion of avant-garde black-ish metal, neo-folk and post-rock, drawing influence and inspiration from the atmosphere of Ulver and the ambient nature of October Falls. It’s John Haughm’s talent for merging this kaleidoscope of textures that gives Agalloch a level of inspiring complexity while still giving the songs an air of accessibility and easy listening.” Madam X tries to wrap her arms around infinity and the cult of great expectations that comes with every Agalloch release. Expect dislocated shoulders.

Yer Metal Is Olde! Ulver – Bergtatt

Yer Metal Is Olde! Ulver – Bergtatt

Yer Metal Is Olde! is a recurring thing that we’re using to fill up space while we scramble around looking for reviews of new material that is worth reviewing. The idea was spurred on by the swath of amazing and classic records that are turning 10, 20, or 30 this year. It’s crazy to think that all the stuff that we worship is really as old as it is. Time moves quickly, but these classics never seem to lose their shine. Still, their enduring quality doesn’t change that your favorite metal is fucking old. Note: our focus today, Ulver’s Bergtatt is actually only 19 years old, but it was recorded in 1994 and for some reason I thought it was released then, too. Once I’d written this retro-review, I discovered that I was wrong. While it makes it less Olde, it’s not so much less. And it certainly deserves recognition.

Morbus Chron – Sweven Review

Morbus Chron – Sweven Review

“The times they are a changing! If you were around for my review of Morbus Chron’s 2011 opus Sleepers in the Rift, you know how impressed I was with their Autopsy-laden salute to early American death metal. That album was a sewage leak of nastiness and I still spin it often. Naturally, I expected more of the same with their follow up, but I didn’t get it. Not even close. That’s because Sweven (yea olde English for “visions”) is an enormous departure in style and approach, veering off into the world of proggy, tripped out weirdness, while somehow still remaining death metal.” Wow, this one really knocked Steel Druhm off his feet, and he’s notoriously difficult to knock over. You best read on.

Kuolemanlaakso – Tulijoutsen Review

Kuolemanlaakso – Tulijoutsen Review

“The majesty and grandeur of the Finnish wilderness has been source material for a veritable fuckload of metal bands over the years, with Amorphis and Korpiklaani, being the better known examples. Those untamed forests and pristine lakes apparently beckoned to the folks in Kuolemanlaakso as well, since their sophomore album is a loose conceptual piece focused on the Finnish countryside and the national folklore that featured it so prominently.” Nature-themed doom death from Finland seems like an easy sell. Are you buying?

Svarttjern – Ultimatum Necrophilia Review

Svarttjern – Ultimatum Necrophilia Review

“Back in 2012 I reviewed Ragnarok’s Malediction and promptly fell hard for the band’s fifth vocalist – HansFyrste. His blend of Hell and damnation hit all the right spots with this AMG spokeswoman for all things “necro,” and naturally prompted me to go scrummaging around into his side projects.” When Madam X scrummages, black metal reviews get written. Read all about her latest bout of stalking and obsession.

Things You Might Have Missed 2013: Vyrion’s Soundcloud Releases

Things You Might Have Missed 2013: Vyrion’s Soundcloud Releases

“AMG loyalists may recall my review of Vyrion’s debut way back in late 2011 and how impressed I was by this unheralded upstart act from Australia. If you missed that review or drank away the memories thereof, Vyrion plays a fairly progressive style of black metal with post-rock, melo-death and traditional metal influences. The material on their eponymous debut effectively blended these disparate styles into some really impactful and memorable moments and left me wanting more.” Steel Druhm is once again singing the praises of largely unsung Aussie black metallers, Vyrion. He’s also demanding you all cease and desist from missing their new material. You have been warned….

Things You Might Have Missed 2013: Vhöl – Vhöl

Things You Might Have Missed 2013: Vhöl – Vhöl

“Being the jaded old fuck that I am, there are very few musicians that I go into straight-up fanboy mode for these days. One of those individuals is guitarist John Cobbett. Who, you ask? Cobbett is a member of prog sextet Hammers of Misfortune, and has done time in both Slough Feg and Ludicra, which puts him at the center of San Francisco’s present-day metal scene. When Ludicra abruptly folded after touring for 2010’s brilliant prog-black-metal opus The Tenant, I was genuinely bummed out. Lucky for me, Cobbett quickly assembled a new outlet for his heavier material, dubbed Vhöl.” Are you worried you might have missed some precious metal this year? We worry too, so we’ll start bombarding you with our selections of quality albums we didn’t get to review, but would hate to see you miss. Here, Mr. Fisting brings you the new project from the ever interesting John Cobbett. You’re welcome!

Gehenna – Unravel Review

Gehenna – Unravel Review

“With a hefty eight years under their bullet belts since the release of WW, Gehenna make their long-awaited return with their latest funeral doom offering… uh no wait, scratch that! It’s most definitely snow-capped, Norwegian, black metal following in the same general direction as say Taake or Urgehal. With a hulking eight year wait, I was holding my breath in expectation of a funereal dirge at the very least…” Madam X thought these cats were long dead and buried and since she loves listening to funeral music, she’s a bit put out that they’ve come back from the Great Beyond. Regardless, she’s a professional so she does her job and gives some grim analysis.

Mael Mórdha – Damned When Dead Review

Mael Mórdha – Damned When Dead Review

“Not only do lesser known Dublin based Mael Mórdha have some serious Primordial-worship going on, but members of the Mael Mórdha horde also act as session musicians for their touring big brothers. At any rate, knowing their close affiliation to Primordial (whom I hold in pretty high regard) and that Mael Mórdha boast a recent signing to Candlelight Records offering them a wider distribution base, I was a tad keen to hear their fourth full-length release. Damned When Dead is an infusion of traditional Irish laments and dirges on a sturdy back-bone of folk metal with some doom and gloom for added good measure, much like that on offer by Primordial and in part by Waylander. ” Join Madam X as she takes you on a guided tour of Irish folklore, piles of bodies stacked high to the sky and her own barbaric bloodlust. Be afraid.