Agalloch

The Ruins of Beverast – Blood Vaults Review

The Ruins of Beverast – Blood Vaults Review

“Here’s something I was really looking forward to! The Ruins of Beverast is a one man solo project from Alexander von Meilenwald, the former drummer of Nagelfar and sometimes drummer in Verdunkeln. Since the Unlock the Shrine debut, Meilenwald has taken his core blackened doom/death sound and increasingly melded it with grim atmospherics, odd, creepy-as-fuck ritual chanting and eerie church music to attain a type of epic horror movie music intended to unsettle and disturb the listener. Each subsequent release dug itself deeper into this construct or terror and unleashed longer, more drawn-out examples of the style, and while the music is the very height of “acquired taste”, it has a terribly compelling power that draws one back.” Do you like really long, creepy blackened doom with tons of occult elements? Who doesn’t, right? Join Steel Druhm as he discusses witches, witch burning, women’s rights and song length.

Front Beast – Demon Ways of Sorcery Review

Front Beast – Demon Ways of Sorcery Review

“When a band intimates that their album has the charm and atmosphere of a dark, damp dungeon and that it’s packed with bone-dry, ardent, miserable vocals reminiscent of Aske era Burzum it’s begging to get picked off the promo pile. German band Front Beast, signed to Hells Headbangers and led by sole member Evil Avenger, whetted my appetite with just such an oath on their second full length release Demon Ways of Sorcery. It looks like the Evil Avenger has been stumbling along spreading misery and Satan’s message over 24 split releases, EPs and demos, 1 compilation and 1 previous album released back in 2006 and judging by this back-history he’s not giving up on his mission any time soon…” Madam X takes on the supposedly dungeon-ready black metal rattle of Front Beast. Remember, a beast in the front is better than two behind. No…wait.

Obsidian Tongue – A Nest of Ravens in the Throat of Time Review

Obsidian Tongue – A Nest of Ravens in the Throat of Time Review

“Say what you like about the U.S. black metal scene, they know how to make so much out of so little. The number of American bands taking black metal in its arguably most minimalistic form and taking it in much more ambitious directions with long and winding song structures is quite staggering. But when you consider the roots of the black metal scene in the US, and the opus that made arguably the biggest impact on it, it doesn’t seem so surprising that so many bands follow almost directly in the footsteps of Weakling’s widely acclaimed album, Dead as Dreams. Noctus traces the family tree of USBM and gives a little insight on how it influences the new opus from Obsidian Tongue. BTW, that name sounds like a fruity tropical drink that comes with a tiny umbrella.

Angry Metal Guy’s Unsigned Band Rodeo: Forlorn Path – Man’s Last Portrait

Angry Metal Guy’s Unsigned Band Rodeo: Forlorn Path – Man’s Last Portrait

In our new monthly feature, which will show up here on the 15th of every month and run over the next few days, I (Angry Metal Guy) will select 5 bands at random (usually those who have followed my directions and have bandcamp accounts) to get blurbed by every member of the AMG staff. The idea is to do at least a bit of our part to point out that the metal underground is still an important part of the world of metal. While we simply don’t have the manpower to produce regular reviews of unsigned bands, this is my attempt at a minor mea culpa if nothing else. So enjoy Angry Metal Guy’s Unsigned Band Rodeo and our third entry for April 2013: Forlorn Path!

A Transylvanian Funeral – Gorgos Goetia Review

A Transylvanian Funeral – Gorgos Goetia Review

“When I think old-school, ’80s or early ’90s style black metal my mind naturally spirals through the rabbit hole landing squarely in the frozen planes of Norway to bands like Darkthrone and the rawness of Transylvanian Hunger or Mayhem’s De Mysteriis Dom Sathanas, my mind certainly doesn’t go bounding off like Alice into the dusty, critter infested, heat of Tucson Arizona. Nor, to be more precise, towards Sleepwalker and his one-man homage to Satan – A Transylvanian Funeral.” Madam X sat through 72 minutes of old school black metal and came out on the other side to tell you about it… Poor lady.

October Falls – The Plague of a Coming Age Review

October Falls – The Plague of a Coming Age Review

Back in ’10—when I was wearing an onion on my belt ’cause that was the fashion in those days—I reviewed a record from Finnish atmospheric black metallers October Falls called A Collapse of Faith. At 40+ minutes of a single song, my Angry Attention Deficit Disorder hindered me from loving this record. While it was good, had great melodies, interesting ideas and an old school production that added a fuzzy atmosphere to the whole thing, I was never able to really bring myself to come back to it. It might have been perfect for some of the depressing, snowy days that we get here in Sweden, but I’ve got a quite bit of go-to music for that. Still, I was curious was when I received the promo for The Plague of a Coming Age. With its fantastic cover art, and its 9 easily distinguishable songs, I thought this might be a step in a direction I could enjoy.

The Fall of Every Season – Amends Review

The Fall of Every Season – Amends Review

“It’s probably best you let go of every possible expectation of this record that you may have had, because this album simply won’t meet them. Stylistically, anyway. The Fall of Every Season,, the moniker of Marius Strand, has decided to change the idea behind the music so far beyond recognition of his dreary, depression-filled beginnings, that Amends sounds like a completely different band, thank goodness.” Noctus would like to explain this album to you in loving detail, but first he requires you to clear your mind. That means stop thinking of food and sex too!

Crest of Darkness – In the Presence of Death Review

Crest of Darkness – In the Presence of Death Review

“Anton Szandor LaVey could have been writing about In the Presence of Death when he wrote this line “Each verse is an inferno. Each word is a tongue of fire. The flames of Hell burn fierce” – he wasn’t writing about this album of course, but after spending the week with Crest of Darkness, that’s a damn(ed) fitting description ov their Norwegian melodic black metal style that bears strong music, lyric and vocal similarities to the likes of Naglfar, some vocal similarities to Illnath (Narrenschiff days), has some of the same cvlt blackness of 1349 (pre their directional change) and dare I even say it… a hint or two of Cradle of Filth lurking around.” According to Madam X, you can’t judge this black metal beast by the cheesy album cover. I hear what she’s saying…but DAMN! Is that cheesy or what??