Agalloch

Krigsgrav – Fires in the Fall [Things You Might Have Missed Missed 2023]

Krigsgrav – Fires in the Fall [Things You Might Have Missed Missed 2023]

“Sometimes, first time’s a charm. Sometimes, third time. And sometimes, perseverance is rewarded and it’s the seventh. Such is the case with Dallas, Texas-based band, Krigsgrav. Operating quietly in the shadows since 2004, Krigsgrav have been producing atmospheric black metal that has, over time, become more deathly, more potent, more melodic. Now, with Fires in the Fall, they add a sprinkle of doom, and suddenly, everything clicks into place.” Fires of inspiration.

Shylmagoghnar – Convergence Review

Shylmagoghnar – Convergence Review

“Holy shit, Shylmagoghnar doesn’t do itself any favors. Everything about the project seems engineered to scare all but the most committed away. Unpronounceable name that’s a spelling mistake waiting to happen? Check. One-man, home-made black metal? Check. Excessive length and an inability to self-edit on previous albums (both of which clocked in at the 70 minute mark)? Check. And yet, there was something undeniable about the band’s previous output.” Fat Wednesday.

Progenitor – Eldritch Supremacy Review

Progenitor – Eldritch Supremacy Review

“While black metal is not my go-to, I find myself from time to time eager to discover the next blackened diamond in the rough. Enter Washingtonians Progenitor. With an Emperor-inspired logo and hailing from the same gray, Pacific Northwest climes as fellow black metallers Agalloch, it seemed reasonable to assume that the Progenitor gents had, at least on paper, the influences (and rainy weather) needed to produce a solid release.” Wet, moldy, and mossy.

Blackbraid – Blackbraid II Review

Blackbraid – Blackbraid II Review

“Yeah, Blackbraid I wasn’t perfect: it sounded a bit like an EP, relied too heavily on its singles, and felt, at times, a bit undercooked. But there was more than enough there to get most fans hyped for the follow-up. Blackbraid, fortunately, hasn’t made us wait long. Blackbraid II is here…” Braid surgery.

Onkos – Vascular Labyrinth Review

Onkos – Vascular Labyrinth Review

“A project of San Francisco-based musician Robert Woods-LaDue and Bay-area session jazz musicians, Onkos is definitely metal, but like, what? Most akin to Barcelona flute/double bass bastards Inhumankind, Vascular Labyrinth can be best described as a chamber jazz act covering death metal.” In the veins of weirdness.

Unguilty – Gray Review

Unguilty – Gray Review

Unguilty’s legacy of misery dates back to 2018, having released two full-lengths, an EP, and a split with fellow Brazilians, Fentanil. Gray is DSBM, and everything you expect, but amplified with a mammoth doom heft, the emotional devastation reigns supreme. Perhaps an interpretation of Saturnus’ underrated Veronika Decides to Die.” Days of Gray.

Fredlös – Fredlös Review

Fredlös – Fredlös Review

“The medieval hellscape on Fredlös’ cover caught my eye at once. The scene would be peaceful and pastoral, if not for the gruesome executions, the demon, and the burning buildings. Then I noticed the dancing skeletons, the shallow graves, the corpses on the border, the apocalyptic background, and the skull and crossbones; there isn’t a glimmer of hope anywhere. Intrigued, I dug deeper. Fredlös is a side project of Entombed’s Alex Hellid, and the band’s debut attempts to narrate the late Middle Ages with a mix of folk elements and metal. The music matches the cover art to a T.” The dark rages.

Leiþa – Reue Review

Leiþa – Reue Review

“Bamberg, Germany’s Noise is a busy man. By my count, he put out three EPs under his Kanonenfieber moniker—two of which I covered here—and a very good full-length with his Non Est Deus project in 2022. Alongside that, he was, it seems, producing, in all senses of the word, another record as his third alter ego, Leiþa.” The many faces of Noise.

Blackbraid – Blackbraid I [Things You Might Have Missed 2022]

Blackbraid – Blackbraid I [Things You Might Have Missed 2022]

“The story of Blackbraid I is a tale as old as the mountains. Unknown artist bursts onto a scene that is crying out for something new and original. Artist brings fresh perspective and everyone gets excited. This is the next big thing. Hype builds with promising singles. Debut album is released. Initial reaction from fans is rapturous. But some new listeners feel let down; the promise has not materialized. Since nuance is dead, camps double down: this is either AotY or boilerplate black music that’s been massively overhyped. Sound familiar? This is the trajectory Blackbraid’s debut album, Blackbraid I, took earlier this year when it was released.” Hype meets reality.

Ols – Pustkowia Review

Ols – Pustkowia Review

It’s been too long since I’ve happened upon some neofolk. Grabbing those folk albums that aren’t all that cheery and reviewing them is one of the best parts of writing here, and some of my favorite discoveries have been neofolk—including all of my albums of the year to date, for that matter. So I was thrilled to discover Pustkowia, the third full-length release from Poland’s Anna Maria Olchawa, the sole member of the project Ols.” Ols lang syne.