Behemoth

Wormlight – Nightmother Review

Wormlight – Nightmother Review

Nightmother is a malevolent ode to the “unholy feminine.” The band promises an “opus bereft of the warmth of the womb” and a “sublime and bacchanal celebration of matriarchal sovereignty.” I’m not 100% sure what this all means, but it looks suitably fun and debauched. The sound Wormlight employs is a (relatively) accessible form of melodic black metal.” Happy Nightmother‘s Day!

Akiavel – Væ Victis Review

Akiavel – Væ Victis Review

If you’re about my age, you probably remember being a teenager and being rather surprised by Arch Enemy’s “Nemesis” video. For those unfamiliar, a speedy melo-death riff kicks the song off and we see a girl dressed like a Hot Topic version of Britney Spears in the “Oops, I Did it Again” video. She lets out a scream, and everyone watching goes “whoa, I can’t believe a girl can make those sounds!” The novelty wore off quickly despite my efforts to like the band because I liked Michael Amott’s work in Carcass. The Angela Gossow version Arch Enemy was inoffensively boring, and the band has since deteriorated into being offensively boring in the current Alissa White-Gluz iteration. The takeaway here is that Arch Enemy at their most popular is bland and uninspiring, and I’m lost as to who would take musical inspiration from that sound. Enter French death metal band Akiavel.” Archetypes.

Wolvennest – Temple Review

Wolvennest – Temple Review

“Belgium is a weird place. Maybe it’s the chocolate or waffles, but any country that offers groups like Neptunian Maximalism, Emptiness, or Amenra & Co. needs to have its cholesterol checked. Spewing out bizarre organic atmosphere with haunting repetition, artists like these have strangely minimalist tendencies that end up feeling bigger than the individual parts suggest. While spanning a broad range of metallic subgenres, it comes across as otherworldly, surreal, and fiercely dark. To add their two cents to these Belgian shenanigans is Wolvennest.” Temple of Weird.

Azarath – Saint Desecration Review

Azarath – Saint Desecration Review

“I want to do my best to respect the awe-inspiring Grymm. I inherited Azarath as he was too busy with other things to tackle it. I want to do him justice, to approach the Polish blackened death metal collective with the respect and professionalism due. I would mention that the act began as a side-project of Behemoth drummer Inferno and Armagedon guitarist Bart, currently featuring Embrional vocalist Skullripper and former Lost Soul guitarist Peter on bass. So, given the formidability of the members and the solid catalog ,b>Azarath has amassed, I want to treat 2020’s Saint Desecration with the privilege and honor it is owed.” Honor and desecration.

Horncrowned – Rex Exterminii (The Hand of the Opposer) Review

Horncrowned – Rex Exterminii (The Hand of the Opposer) Review

“To say “brutal black metal” is like being pummeled by razor blades. Black metal is not a internal bleeding type of genre, but one whose sinister tremolo, shrieks, and blastbeats imply scathing and sharp–a death by a thousand cuts. But if brutal is your cup of tea, intensity is the brand, fleshing out the bottom-end and pumping steroids into black metal clichés (if anyone has a picture of absolutely jacked Abbath, I would be much obliged). Basically Horncrowned.” Razor bath.

Hell:on – Scythian Stamm Review

Hell:on – Scythian Stamm Review

“I was initially unimpressed by the band’s name — specifically that tricksy colon — and subsequently passed over the promo during my perusal of the bin. But when I saw this simultaneously exciting and terrifying art while scoping out the competition at another blog, my interest was renewed. After conducting some research, I learned that Hell:on is a stylized — and search engine optimized — version of “Hellion,” and that Hell:on have been peddling their wares since 2005. Their base sound has always been a heavily thrash-infused style of death metal, but over time they’ve incorporated more and more traditional folk instruments, ritualistic textures, and symphonic arrangements to evolve into what feels like a different beast entirely.” Hell: on Earth.

Paradise in Flames – Devil’s Collection Review

Paradise in Flames – Devil’s Collection Review

Paradise in Flames is a Brazilian black metal quartet, having released two albums, two demos, and an EP since their 2003 formation. While their third full-length’s cover poses questions, a glance at their promo confuses further. They cite death metal countrymen Sepultura and Sarcófago as influences, while the Devil’s Collection was mastered by producer Tue Madsen of Meshuggah and Dark Tranquility fame. Such first impressions are baffling, but the looming question is: is Devil’s Collection any good?” Riffing is fundamental.

Proscription – Conduit Review

Proscription – Conduit Review

“Terry “Christbutcher” Clark sports an impressive discography through a number of Finnish groups of all creeds: brutal blackened death explorers Excommunion, deathmongers Dethroned, OSDM purveyors Cryptborn, and most notably to me, black/death teeth-kickers Maveth. His first release since Excommunion‘s 2017 release Thronosis, he’s back in black under a new pharmaceutical-sounding project: Proscription.” Doctor’s command!

Theotoxin – Fragment: Erhabenheit Review

Theotoxin – Fragment: Erhabenheit Review

“There’s no question that the latest Cytotoxin absolutely destroys. Its powerful and vicious approach touches me right in my technical sweet spot, and as the year goes on, Nuklearth‘s bleak, post-apocalyptic world begins to seem more and more familiar as the coronavirus continues its assault upon our very cells. It’s getting easier everyday to believe Freddy’s old maxim, “God is dead.” But what has led to our having to walk alone down the open road of this godless endeavor? The answer escaped me until, during one of my daily swims through the promo sump, I happened upon an empty prescription bottle. “Theotoxin 5mg” the label read, and the patient’s name upon it? “God.” Prescription proscription.