Angry Metal Guy mails in his Top 10(ish) of 2012.
Borknagar
Angry Metal Guy’s Top 10(ish) Songs of 2012
In our first of many lists, we will focus on the greatest songs from the year 2012. I started this last year because I thought it was important to point out that just ’cause a whole record isn’t amazing doesn’t mean there aren’t moments of brilliance even on the most banal of records. This year, I’m happy to say many of the best songs are from very good records, but that’s not true across the board. Instead, I’ve compiled songs that have forced me back to them again and again, like some sort of Angry Metal Obsessive Compulsive. Over and over I have listened to these songs and I’ve narrowed it down to the 10(ish) that I think really stand out from the year 2012. I’m assuming no one will agree with me. But hey, who has the eponymous website? Yeah, that’s motherfucking right, bitches.
Things You Might Have Missed 2012: Oceans of Time – Faces
Even the mighty Steel Druhm needs help sometimes and without the help of you, the loyal AMG readers, he would have missed out on this little power-prog gem. Steel Druhm hates being helped!!
Angry Metal Guy’s Best Records o’ the Year 2012 – Halfway Point
We’re now into July! Impressive as it is, this year has been one hell of a year: like the year 2011 was supposed to have been but really, really wasn’t. On a personal note, I can say that I wasn’t expecting 2012 to be good at all. However, there haven’t even really been any major […]
Vintersorg – Orkan Review
Last year when Vintersorg released Jordpuls I wasn’t expecting that 15 months later I’d be writing another review of a new Vintersorg record. But earlier this year, Matte Marklund (the guitar player) showed up on the Internetz and said something surprising: there was a new record on the way, right on the heals of Jordpuls, and it would be called Orkan which means “Hurricane.” And now that record is here…
Borknagar – Urd Review
Borky didn’t bork it this time.
Vintersorg – Jordpuls Review
Vintersorg // Jordpuls Rating: 4.5/5.0 — The Perfect Record for Spring Label: Napalm Records Website: myspace.com/vintersorganic Release Dates: EU: 2011.25-28.03 | US: 04.05.2011 After a wintry silence of 4 years about a new solo record, Vintersorg is finally releasing the long awaited follow-up to Solens Rötter. If you consider the early solo career of Mr. […]
Abigail Williams – In the Absence of Light Review
Symphonic black metal, a genre fraught with many a trap, snare and pitfall awaiting the unwary band that wants to go down this grim and icy road. Overproduction, bloating, too much keyboard, not enough keyboard, all can bring the metallic symphony to a halt faster than a black metal miser can frown. Even if one avoids all these dangers, the music must be interesting and compelling at its core or trouble ensues. It’s that last nagging little issue that drags down In the Absence of Light, the sophomore album by New York’s own Abigail Williams.
Istapp – Blekinge Review
Sweden’s Istapp (translation: icicle) was a big surprise for this Angry Metal Guy. A Swedish melodic black metal from Blekinge Län (which is basically the far south of Sweden) I had never heard of them. They’ve been around in the scene for a while, apparently, having released several demos and then a demo compilation (with practically the same track list as Blekinge). More surprisingly, the band’s vocalist is reported to have been in Spawn of Possession until 2009, which is a strange connection given that the band is at almost the opposite side of the spectrum from the well known and worshiped tech-death band. But while Istapp isn’t going to win any awards with the hardcore fans of black metal with their clean vocals, their pristine production and their melody, they are certainly going to win a lot of fans who like their metal fast, melodic and, more importantly, awesome.
Dark Tranquillity – We Are the Void Review
Dark Tranquillity is a living legend. Don’t kid yourselves: they’re a band that has managed to maintain their credibility in a scene where many of the bands that have stayed around have lost that credibility (see: In Flames). They have consistently put out good records, even into their less progressive era, that excite their fanbase and and attract new fans with their catchy melodies, creative arrangements and the energy of their music. There are, however, two sides to Dark Tranquillity’s music. The first is a fast, heavy melodic style of thrashy death metal that has long been associated with them and the Gothenburg death metal scene. The second, and the part that has long appealed to us personally, is the blackness and dark emotional content that borders on gothic metal. We Are the Void embodies both of these sides and may be the darkest album the band has produced since the much-maligned Projector.
