Cathedral

Cultes Des Ghoules – Coven, or Evil Ways Instead of Love Review

By Grymm on February 13, 2017 in 2017, Black Metal, Hells Headbangers Records, Polish Metal, Reviews, Under The Sign of Garazel Productions, Black Metal, 13 comments

“When I was a wee little Grymmling, I developed an addiction to peanut butter cups. I know, it’s hard to get addicted to the heavenly concoction of peanut butter wrapped in milk chocolate, but as a kid, the flavor combination blew my mind. So when I was a teenager and worked my first job, I did what any respectable teen would do; I bought a fuck-ton of peanut butter cups and gorged on them. Needless to say, the stomach issues weren’t pleasant. That memory sprung to mind when I snagged Coven, or Evil Ways Instead of Love, the third full-length by Polish black metal weirdos Cultes Des Ghoules.” Bring forth the Comfy Chair!

Lord Vigo – Blackborne Souls Review

By Treble Yell on January 12, 2017 in 2017, Doom Metal, German Metal, No Remorse Records, Reviews, Doom Metal, 26 comments

“I like doom, it’s a genre replete with crushing riffs, evocative themes (doom spelled backward is “mood,” after all) and one of the best examples to turn to when you need something spine-crushingly heavy. What it doesn’t do is respect your time.” Time waits for no band.

The Loom of Time – NihilReich Review

By Eldritch Elitist on December 5, 2016 in 2016, Aeternitas Tenebrarum Musicae Fundamentum, Australian Metal, Doom Metal, Reviews, Black Metal, Doom Metal, 34 comments

“It’s time to come clean. While I (and many of my colleagues) have been blithering on in our writings about how 2016 has been a fantastic year for — insert subgenre here — metal, I must admit that this year has been a bit underwhelming for me. Not in terms of the sheer number of quality releases, mind you, but rather in the notable dearth of legitimate surprises.” Somebody’s getting greedy….

Cardinal Wyrm – Cast Away Souls Review

By Ferrous Beuller on October 13, 2016 in 2016, American Metal, Doom Metal, Reviews, Svart Records, Doom Metal, 23 comments

“It should be fairly apparent by now that I loves me some doom. As of late, I’ve been on an almost exclusively doom-rich diet: death-doom, blackened doom, even “esoteric doom.” I’m beginning to think it might be high time to cut down; after all, a moment on the lips, a lifetime on the hips. But, as always, I’m suckered in by that one last bite… This particular tender morsel comes to me in the form of Americans Cardinal Wyrm and their third release Cast Away Souls, and as it happens, it’s deceptively filling.” Commence the doom shaming.

Wretch – Wretch Review

By Treble Yell on September 15, 2016 in 2016, American Metal, Bad Omen Records, Doom Metal, Reviews, Doom Metal, 23 comments

“Of the wavelengths split from heavy metal’s prism, doom is the color that can most clearly trace its path back to Black Sabbath. Down-tuned riffs, fuzzed-out solos and a bottom end that would make Sir Mix-a-lot dab the sweat from his brow, today’s doom acts unabashedly carry the flame first lit by Messrs Iommi, Ward, Butler and Osborne. The danger in this familiarity is that some bands struggle to escape their progenitor’s orbit and end up as pale imitators rather than carving out a space of their own.” Doom space is tough to come by these days.

The Wounded Kings – Visions in Bone Review

By Roquentin on August 22, 2016 in 2016, Candlelight Records, Doom Metal, English Metal, Progressive Metal, Reviews, Spinefarm, Doom Metal, Progressive Metal, 28 comments

“Rest in hazy, gloomy peace, The Wounded Kings. A picture of a tombstone, a few words on Facebook, and we we’re left robbed of an illustrious specimen of progressive, psychedelic doom metal, condemned to finding solace in the five praiseworthy full-lengths and several smaller releases they recorded.” It’s with heavy hearts and a pocket full of doom that we wish The Wounded Kings farewell…

Cardinals Folly – Holocaust of Ecstasy and Freedom Review

By Jean-Luc Ricard on May 25, 2016 in 2016, Doom Metal, Finnish Metal, Reviews, Shadow Kingdom Records, Doom Metal, 26 comments

“It seems like only yesterday I was writing clichés sitting on a balcony overlooking the idyllic Okinawan sea, sweat streaming down my balls, and Cardinals Folly’s second album blaring from my headphones as I tackled my first Angry Metal Guy review. But of course it wasn’t yesterday, it was nearly two years ago, and since then much has changed.” Not all of it for the better.

The Order of Israfel – Red Robes Review

By Steel Druhm on May 18, 2016 in 2016, Doom Metal, Napalm Records, Reviews, Swedish Metal, Doom Metal, 23 comments

“The Order of Israfel’s 2014 debut Wisdom became a bit of a sleeper for yours truly. I gave it a positive review and saw the potential, but didn’t expect to return to it quite as much as I have. The combination of classic doom with tough biker rock proved hard to ignore and though it missed my year end lists, it’s become a regular part of my “free range” listening time.” Free Steel Druhm!

The Bendal Interlude – Reign of the Unblinking Eye Review

By Grymm on March 31, 2016 in 2016, Black Bow Records, Doom Metal, English Metal, Groove Metal, Reviews, Sludge, Doom Metal, Groove Metal, Sludge Metal, Stoner Metal, 12 comments

“Reign of the Unblinking Eye, the debut full-length from British groovers The Bendal Interlude, couldn’t have come at a better time in my life. Between the stress of watching (and partaking in) the complete clusterfuck that is the American Presidential election where, as a general whole, the candidates proceed to make asses out of themselves.” Everybody sucks 2016.

Flummox – Selcouth Review

By Jean-Luc Ricard on February 6, 2016 in 2016, American Metal, Doom Metal, Reviews, Stoner Rock, Tridroid Records, Doom Metal, Stoner Rock, 19 comments

“I usually try to pick bands to review based on my prior knowledge of them, partly because I’m risk-averse, but mainly because I’m very lazy and I dislike having to make the effort to look up a band’s information. Unfortunately, this same laziness also means I’m often last to check what’s available for review, so end up with the unknowns spurned by the rest of the AMG workforce. Flummox were one such unknown, but I had a good feeling about the band. Distinguishing themselves from the rest of the metal scene with a quirkiness that extends from their artwork to their lyrics to their range of musical influences, on paper Flummox are a fascinating prospect. Though generally not a fan of jam-bands, especially on record, a sneak preview of “The Ghost of Ronnie Dio” suggested Flummox could combine their influences and personality into well-written, entertaining, proper songs. So how does Selcouth fair as a whole?” Guess.