Crust Punk

Axegrinder – Satori Review

Axegrinder – Satori Review

“We’ve seen this scenario before. Bands split up, go on indefinite hiatus or just drop off the face of the Earth, only to re-emerge years and years later with new material and a fresh load of crow’s feet. Axegrinder manage to take this to the next level, however. Their first album, The Rise of the Serpent Men, dropped in 1989, the year the Berlin Wall came down. Satori, released in the summer of the Year of Our Jørn 2018, is the follow-up, if you can still call it that. Twenty-nine years between releases makes the next Tool album feel rushed and might inspire G.R.R. Martin to take it a little easier on releasing the next A Song of Ice and Fire novel.” New olde beginnings.

Unborn Generation – Vøid Review

Unborn Generation – Vøid Review

“The hallowed Angry Metal Spreadsheet Ov Promos was the first time I’d heard of Unborn, and thus I decided to leave my reservations at the door, enter the Vøid, and find out just what these Finns were all about. Does this sixth full-length grind n’ roll, bump n’ grind, or just stand around looking ominous in a hooded sweatshirt?” Roll out the grinder!

Marginal – Total Destruction Review

Marginal – Total Destruction Review

“Just in time to ruin your holiday cheer, Belgian quintet Marginal come storming into the party like your drunk Uncle Randy after one too many glasses of rum and eggnog. Formed in 2013 by veterans of other Belgian acts Aguardente, Bark, and Aborted, this unkempt troupe seeks to combine grindcore and crust whilst paying homage to the early days of Napalm Death, Extreme Noise Terror, and Discharge.” Crust in the wind.

Wolfbrigade – Run With the Hunted Review

Wolfbrigade – Run With the Hunted Review

“Crust punk is an interesting beast. Stylistically speaking, its bludgeoning, relentless nature is closer to metal than perhaps any other style of punk, but only a handful of metal acts have dabbled in the genre. Vhol and modern Darkthrone have made admirable attempts at bringing crust to the metal masses, but ultimately the genre has flown under the radar of most fans.” Run with the crust pack.

Martyrdöd – List

Martyrdöd – List

“While Gothenburg’s melodeath bands dilly-dallied with their harmonic guitar lines and playful melodies the less harmonious and filth-ridden beasts of punky D-beat slimed their way around the city’s sewers. In the 80s and 90s Swedish bands like Anti Cimex and Totalitär funnelled the crusted hardcore-punk sound of Discharge and their British counterparts through even dirtier Swedish backwaters.” D…beat.

Cara Neir/Wildspeaker – Guilt and His Reflection [Split] Review

Cara Neir/Wildspeaker – Guilt and His Reflection [Split] Review

“Crack a beer and grab a seat. Today’s entertainment is a double feature from two Texas-based bands with a proclivity for taking black metal and turning it on its ugly, corpse-painted head. First up is Cara Neir, an idiosyncratic, punky duo whose hardcore-tinged blackness often lends itself to wild stylistic forays, as heard on 2013’s Portals to a Better, Dead World. On the flip side is Wildspeaker, a crustier, sludgier outfit who formed in 2013 and released debut Survey the Wreckage last year. They’re here to deliver Guilt and His Reflection, 13 tracks depicting ‘humanity crumbling into itself’ through ‘the story of post-civilization sins committed when desperation overwhelms.'” That certainly sounds cheery.

Parasit – A Proud Tradition of Stupidity Review

Parasit – A Proud Tradition of Stupidity Review

“Ah, April. The air is crisp, the baby animals are frolicking – and apparently, the Swedish Crust Machine has gone into overdrive. For those who didn’t get enough of a D-beating from Victims’ latest album, Parasit is here to belch a layer of grime and bathroom scum all over your precious springtime paradise with sophomore LP A Proud Tradition of Stupidity.” Where did all this shaving flotsam come from?!