Death

Contrarian – Only Time Will Tell Review

Contrarian – Only Time Will Tell Review

“My first exposure to American progressive death outfit Contrarian was on their third LP, 2019’s Their Worm Never Dies. Despite impressing with their technical skills and old school soul, the material never quite hit loftier heights, resulting in an enjoyable, talent-laden album of the solid variety. Only Time Will Tell is a relatively speedy turnaround and comes with some line-up changes in tow.” Prog after Death.

AMG Goes Ranking – Death

AMG Goes Ranking – Death

“The life of the unpaid, overworked metal reviewer is not an easy one. The reviewing collective at AMG lurches from one new release to the next, errors and n00bs strewn in our wake. But what if, once in a while, the collective paused to take stock and consider the discography of one of those bands that shaped many a taste? What if three aspects of the AMG collective personality shared with the slathering masses their personal rankings of that discography and what if the rest of the personality used a Google sheet some kind of dark magic to produce an official and all-round definitive aggregated ranking of that band’s entire discography? Well, if that happened, we imagine it would like something like this …” Death to all!

Madrost – Charring the Rotting Earth Review

Madrost – Charring the Rotting Earth Review

“California’s Madrost have cultivated a solid track record of high octane thrash, spiced with deathly impulses and technical flair. The band’s last couple of efforts have made for solidly entertaining platters, packed with energy, riffs and lofty ambition. Kicking round the traps for some time now, Madrost is an underrated and confident band, continuing to improve.” Prog-rot.

Carnation – Where Death Lies Review

Carnation – Where Death Lies Review

“This Belgian troupe make nothing original. They make nothing challenging. They make nothing to push their chosen genre to the next stage of evolution. Yet, they are an inspiring testimonial to the effectiveness of a tried-and-true formula perfected. The formula for Carnation comes from old school death metal, with the same vitriol and verve first put forth by early EntombedCannibal Corpse, and to some extent, the less progressive half of Death.” Instant deathfest.

Bedsore – Hypnagogic Hallucinations Review

Bedsore – Hypnagogic Hallucinations Review

“What’s in a name? Everything and nothing. Death metal has always flirted with the ridiculous in an effort to conjure distasteful imagery. However, Rome’s Bedsore seem to be walking a fine line between punishment and parody. But at a glance, the legendary Gorguts hardly suggests unnatural excellence. Now, their name simply reminds us of humble beginnings. Similarly, if you glanced at Bedsore‘s moniker, rolled your eyes and moved on, then, to quote the immortal Ronnie James Dio: fool, fool.” Don’t fear the seeper.

Bear Mace – Charred Field of Slaughter Review

Bear Mace – Charred Field of Slaughter Review

“Yet, the success of a musician is only measured by one’s support and their growth in the field. Green Carnation‘s Tchort has proved his worth and Bear Mace‘s Sugar has done the same. Bear Mace‘s newest release, Charred Field of Slaughter, is that proof. You want to know what a man can do with a guitar, with killer bass and solo partners, with one of the genre’s nastiest vocalists, and nearly forty years of death metal boiling through one’s head? Witness.” Bears, beets, burly death metal.

Faceless Burial – Speciation Review

Faceless Burial – Speciation Review

“Sometimes you know within seconds that an album is going to absolutely rule. I knew it when I heard the chimes in Desolate Endscape. I knew it when I heard the first riff of “Cognitive Sedation Butchery.” This time I knew it when I heard three notes – guitar, bass, and snare – and fell into a tetanic stupor, fists clenched in ecstasy, tongue projected out to the state line. Faceless Burial just made a modern classic in old school death metal.” Endangering species.

Deathstorm – For Dread Shall Reign Review

Deathstorm – For Dread Shall Reign Review

“I’m not sure how many times I’ve referenced Death in my reviews this year — and I’m too lazy to go back and check — but I feel like it’s been more often than would usually be expected. It seems like more and more bands are embracing the unique musical and vocal stylings that Chuck unleashed upon the world during his tragically short life, and I see this growing tribute movement as a double-edged sword. On the one hand, it shows that Schuldiner’s legacy is alive and well, his genius living on as intellectual stardust in the body of work created by his imitators. On the other, it’s hard not to be disappointed when you listen to something that sounds like Death and have it not actually be fucking Death.” Death be not gone.

Temple of Dread – World Sacrifice Review

Temple of Dread – World Sacrifice Review

Temple of Dread play a style of death metal that is fervently faithful to the old school version of the genre. Worshiping at the throne of Pestilence and early Death, the band wastes little effort on trivialities like atmosphere or innovation, but instead takes pleasure in beating you across the face over and over with their thrashy riffs.” The world had it coming.

Skeletal – Bitterness and Burning Hatred Review

Skeletal – Bitterness and Burning Hatred Review

“I have mixed feelings towards modern death metal. On one hand, you have a lot of bands doing pretty cool stuff, like the warped songwriting of Blood Incantation or the hardcore underpinnings of Xibalba. On the other hand, few of these modern bands are anywhere near as good as the classics. That certainly doesn’t stop them from trying, however, and Finland’s Skeletal are the latest looking to leave their mark on the scene.” Tastes like burning.