Death

Cist – The Frozen Casket Review

Cist – The Frozen Casket Review

“A dear friend of mine winces at the thought of lasagna with mozzarella cheese. Hailing from Northern Italy, this man knows his cooking like I know ill-timed Plato references (ask my girlfriend, who I thought would appreciate it because she’s a few months more ancient than me), but is an utter purist in this regard. Here in North America, people from all over the world take their regional or national cuisine and update it, making it bigger and arguably better. Some experiments fail, but it’s the mastery of your influences and the will to proceed and get it completely wrong in the creative phase that allows for greatness instead of mere imitation.” Create death creatively!

Monotheist – Scourge Review

Monotheist – Scourge Review

“In the past I’ve been guilty of turning my nose up at anything that could even remotely be considered “Christian metal.” The fact is – my own theistic opinions aside – this has left me unavailable to enjoy some fantastic music; a mistake I was not planning on making with Orlando’s Monotheist and their inaugural full-length, Scourge.” Death and the hereafter.

Antichrist – Pax Moriendi Review

Antichrist – Pax Moriendi Review

“I’ve often wondered about the importance of a band’s name. Would Death be as big, or produced the same groundbreaking music, if they’d named themselves Erotic Diarrhea Monster? Would Kreator have become the thrash legends they did if they instead called themselves Pee Wee’s Scrotal Shitstorm? The world may never know, but it certainly seems having a more common and accessible name puts pressure on a band to produce better music. Case in point: Antichrist, a Peruvian quartet originally formed in 2004 and later reactivated in 2012.” The Devil is in the details.

Rapture – Paroxysm of Hatred Review

Rapture – Paroxysm of Hatred Review

“Everyone pictures themselves as the protagonist. Ask one hundred people what they’d do in a zombie apocalypse and they’ll all give you the same answer: survive. And yet, someone has to be that guy who gets mauled right near the beginning of the outbreak, or who foolishly stands near a window and is promptly eaten alive by the horde, squirming helplessly for their last miserable minutes. Nobody thinks they’re cannon fodder; that is something proven and earned by an individual. Paroxysm of Hatred, the sophomore release from Greece’s Rapture, have proven themselves to be just that.” No, not THAT Rapture.

Mistheria – Gemini Review

Mistheria – Gemini Review

“If only it were that simple. Completely instrumental albums are more difficult to write, I think because we are automatically drawn to voices. Without a vocalist, the tracks must be carefully composed to guide the listener’s attention and keep a sense of structural flow and integrity. Gemini is not carefully composed. Gemini doesn’t have flow and barely any structure. Rather, Gemini is a group of very talented musicians wanking onto a biscuit and hoping you’ll eat it.” Don’t eat the buttermilked biscuits.

Bloodhunter – The End of Faith Review

Bloodhunter – The End of Faith Review

“Unlike the more northerly regions of Europe, the Iberian Peninsula is not often thought of when the metal scene is considered as a whole. There are bands, many of them well-known and respected, but the area is not Germany or Finland. Thought of even less is the Galacia region of Spain. But all the same, it’s spat up a lively little melodic death three-piece (after some down-sizing) in Bloodhunter. The name might be a little silly, but the music is not, fusing a traditional Gothenberg sound with hints of mid-period Death for their sophomore album The End of Faith.” The Iberian conspiracy.

Horrified – Allure of the Fallen Review

Horrified – Allure of the Fallen Review

Horrified is in a bit of an odd place. Parallels to Philadelphia death outfit Horrendous are apt, with Horrified’s first two albums delivering exactly the slabs of modernized Swedeath you might expect. Though 2016’s magnificent Of Despair put the band on the map, Horrified mastermind Dan Alderson himself immediately touted their next album as ‘something with an even larger and dynamic range of influences… more original and diverse than the material presented on Of Despair.'” Big words. Big album.

Exoskelett – Collected Bones Review

Exoskelett – Collected Bones Review

“With debut Collected Bones, Exoskelett produced a record that sounds like what would happen if some kids heard Morbid Tales coming from their older brother’s bedroom and then spent the next three weeks trying to recreate that feeling by jamming on busted pawn shop instruments and guzzling Mountain Dew in their parent’s basement.” Bones, Dew and disharmony.

The Lurking Fear – Out of the Voiceless Grave Review

The Lurking Fear – Out of the Voiceless Grave Review

“An interesting anecdote I saw told was a fine–art professor’s first exercise with his Master’s students. He shows them a Jackson Pollock painting, and asks them to write why it is good. After receiving the wonderfully pretentious responses, the professor reveals that the “Pollock painting” was actually his apron from his studio, hopefully teaching the students that there may be more to judging good and bad art than feelings.” Smock-core!

Auditory Armory – Dark Matter Review

Auditory Armory – Dark Matter Review

“I need to get this out of the way immediately: this is not really Kronos‘ kind of record. You see “Progressive Metal” marked on a promo and you never quite know what you’re in for. Usually, it’s Dream Theater worship or worse, djent, but sometimes it’s actually good. In the case of Auditory Armory, it’s an odd mix of mid-paced power/prog/death riffing and sultry female vocals. What’s one to do? Well, review it.” Prog is like a box of chocolates.