“I try to be a very fair, objective reviewer. Note the italicized “try” there, because certain bands and styles will have me drooling more than Pavlov’s dog after ringing the goddamn bell. French black metal has that effect on me. Whether it’s the “what’s to the left of left-field?” stylings of Blut Aus Nord, or the angular headfuckery of Deathspell Omega, the French know what’s up when it comes to the black arts.” The French cannot be stopped, except by whatever army happens to be nearby.
“To pilfer a phrase from the revered postmodern philosopher Christopher B. Bridges, “there’s something wrong if you can’t stand still.” If his words are to be taken at face value, Germany’s Thornesbreed must have sensed a problem in their sound. Consisting of competent but unexciting death metal, their 2003 debut The Splendour of the Repellent was followed up eight years later in 2011 by the 273.15 Degrees Below Freezing EP, which can, for the sake of expediency, be described as “Profanatica but not as good.” 2015 sees the band releasing their second full-length in the form of the enigmatically titled GTRD, marking another step in the band’s perpetual musical wanderings.” Wandering, meandering and change for change’s sake. Is that a recipe for success?
“Metal addresses death regularly, running the gamut from cartoonish violence to sobering reflection, but ultimately we do our best to avoid reflecting on the most pressing death in our lives: our own. The fragility of life and our ever-present drift toward death is sometimes thrust into one’s immediate vision, forcing them to confront the terrifying final frontier for every human being. Such was the case for Polish black metal band Blaze of Perdition, who were involved in a terrible road accident in 2013 which tragically took the life of bassist Ikaroz and left vocalist S. and drummer Vizun seriously injured, with the former temporarily in a coma. Near Death Revelations, the band’s third studio album, sees men who witnessed the death of a friend and faced their own put this harrowing experience to music.” Music from the tunnel of light sounds pretty interesting.
“2015 has been the Year of Black Metal, hasn’t it? Coincidentally, it’s also the Year of the Goat in the Chinese Zodiac, so it would make sense.” A high tide raises all goats.
“The French black metal scene has given us some truly great bands and releases through the years, especially of the avant-garde kind. The likes of Deathspell Omega, Blut Aus Nord, Peste Noire, and even Alcest are still pushing out some of the most interesting and innovative metal music. This time around, it’s the French avant-garde black metal one-man project Antagoniste that introduces a début whose mission is to reach and eclipse the sonic standards set by his countrymen.” Trying to out weird the weird is a tough task.
“Three years ago I found a little piece of time-travel magic when I stumbled upon A Forest of Stars and their third release, a whimsical offering that envelopes you like an opium haze, transporting you back to 1891, re-opening the imposing wooden doors to the gentleman’s club and recruiting you into their English Victorian brotherhood.” Metal’s version of the League of Extraordinary Gentlemen is back to save the day. Are you worthy of admission to their club?
“New York City is the new home of French black metal. No, I’m not entirely fucking with you. Hear me out… back in 2013, Madam X reviewed Goliath, Imperial Triumphant’s two-song EP, and it impressed quite a number of us here at the offices of Angry Metal Guy. All of that is a moot point, for as promising as Goliath was, nobody was prepared for the ingenuity, the murkiness, and the sheer WTF Factor that their sophomore full-length, Abyssal Gods, would bestow onto our jaded ears.” New York City always had a significant WTF Factor.
“Paris is shit. Above all else, that is what the Paris-based Cowards wants to leave with the listener. Having missed this the first time round in 2012, Shooting Blanks & Pills has earned a well-deserved re-issue.” You might have missed this in 2012, and you may have missed the 2014 re-issue. Don’t be a two-time misser!
“Execration appears to be quite the popular name for death metal bands, so I’ll begin with a clarification: this review concerns the Norwegian death metal band Execration – not the Italian death metal band Execration or the Colorado death metal band Execration (who themselves are not to be confused with defunct Michigan death metal band Execration, nor with disbanded Arizona death metal band Execration).” Eh, what’s in a name anyway?
“Black metal has become so diverse that the tag has practically lost all meaning. What does it refer to these days? The post-black style first whisked from Cascadia in 2007 with Wolves in the Throne Room’s seminal Two Hunters? Or the stomach-churning dissonance of Deathspell Omega? Or maybe legacy acts like Mayhem, still trudging on and attempting to rekindle the fires that burned so fiercely in the early 90s?” Black metal has been seriously wounded, but the fire still burns.
