“I don’t know what exactly it is that’s Dwelling Below, but if it’s anything like whatever the cover art is depicting then I’m afraid. Beneath the surface, the music of this debut self-titled also lends itself to feelings of unease and apprehension. Formed from members of Acausal Intrusion, Hollowed Idols, and Sermon of Rot, Dwelling Below lurks in the dark and viscous slime of doomy blackened death.” Where the slime REALLY live.
“Elitist’s debut A Mirage of Grandeur incorporates the grind velocity without being called “deathgrind,” with elements of dissonance, noise, and blackened death, for something that is indisputably death metal and unquestionably punishing.” One-percenter death metal.
“A Dialogue with the Eeriest Sublime is pure unadulterated Vertebra Atlantis at its finest. Blending blackened death punishment with the grandiosity of a crashing castle, the doom-laden contemplation of the awe its destruction invokes, the blackened attack that battles ice with fire, and the atmospheric ice that coats every surface, the Italian trio has stepped up everything that gave its predecessor, the great Lustral Purge in Cerulean Bliss, its signature blend of punishing and atmospheric.” Sublime mass destruction.
“No stranger to this trendy, oddball scene of death metal dependent on heavy use of dissonant harmonies, Baring Teeth smiles crooked once again. Gracing these halls not once but twice with commendable offerings, our own Kronos revealed that “Baring Teeth’s greatest strength is their peerlessness” and the Texas trio “shuns accessibility”—these veterans scream the nature of this high-brow form of technical death metal. Alien yet organic, obtuse yet hypnotic, the contradictions and shades of humanity that this boundary-agnostic act continues to find allow enough of a footing in an amorphous sound to drive a crowd from navel-gazing to circle-pitting at will.” TEEF!
When 2 months of Filter crud collects, things get sticky. We got our hands dirty in July and August so you could have nice, fancy fingernails.
“Acausal Intrusion verged on greatness with 2021’s Nulitas, touching the lip of the void but never quite accomplishing the swan dive into the darkness. Uncompromisingly complex, dissonant, and brutal through Nythroth’s unhinged axework, alongside more brutal elements like vocalist Cave Ritual’s subterranean growls and his tasteful pong snare, it was an album loaded with potential – uniquely accomplished through a strangely counterintuitive meditative quality.” Pardon this new Intrusion.
The boys of Summer were stuck ungunking the Filter for months. Salute them with pumpkin spice things as they emerge into a chilly Fall.
“Till the Dirt is comprised of Atheist members Shaefer, guitarist Jerry Witunsky, and bassist Yoav Ruiz-Feingold, as well as Soreption guitarist Ian Waye and Fermentor drummer Dylan Marks. With an Atheist-heavy lineup, what can we expect from Till the Dirt? Well, death metal with nu-metal was not on my Bingo card.” Things that should stay buried.
“There’s something about atmospheric death metal that just gets me. Something about the deep urgency of the guitar tones, the echoing, sinister riffing, the cavernous vocals, the restless dance of the drums, and the metallic chime of the cymbals. It elevates an already hostile and confrontational musical style to a kind of arresting profundity, when done well. Seeing Ulcerate, Gorguts, and Devenial Verdict—among others—name-dropped in the promo material for Ensemble Under the Dark Sun had me yanking it out of the bin faster than you can say “disso-death.” This was no clickbait. Turkey’s Serpent of Old play the kind of dark, ferocious haunting blackened death emblematic of these bands, and their shared conceptual genre, at their most intense.” Snakes in the pain.
“Blindfolded and Led to the Woods is a quartet from Christchurch, New Zealand, having gone through a rebirth with 2021’s excellent Nightmare Withdrawals. Previously a humor-based deathcore band, the act saw new beginnings with their third full-length, embracing a caustic blend of dissonant, technical, and progressive death metal with a much more surreal and punishing palette promising avant-garde realms and scenic vistas alike.” Out to the woodshed.
