Dream Evil

Lords of the Trident – The Offering Review

Lords of the Trident – The Offering Review

“I’ve said this in other reviews, but damn, it is really cool to see the US power metal scene thriving. Not that it matters much for someone like me, who lives in the middle of an un-tourable flyover state. Even so, it’s heartwarming to see people like me, who grew up asking “why doesn’t power metal have a scene in America?,” growing up to actually do something about it. The number of great USPM bands is so large now that it takes something special to stand out, and thus it took four LPs for Lords of the Trident to finally catch my attention in 2018 with Shadows From the Past.” A three-pronged attack.

Flames of Fire – Flames of Fire Review

Flames of Fire – Flames of Fire Review

“If you’re a fan of Narnia or DivineFire, you’ll get a warm, fuzzy feeling when you listen to Flames of Fire. These guys play power metal with chunky guitars and big choruses showcasing the gritty, yet beautiful Dio-esque vocals of Liljegren, and it’s a sound that I fell head-over-heels for on DivineFire‘s 2006 album Into a New Dimension—still one of the heaviest power metal albums I’ve ever heard to this day. But where DivineFire displayed obvious overlap with Stefanović’s extreme metal background, Andersson’s compositions for Flames of Fire stay closer to standard heavy/power metal fare.” Are there other kinds of flames?

Opera Diabolicus – Death on a Pale Horse Review

Opera Diabolicus – Death on a Pale Horse Review

“Along with Shaw and Levén, the band adds some stellar vocals from Madeleine Liljestam (Eleine) and Angelina DelCarmen (Charetta), and guitar solos from King Diamond legends Andy LaRocque and Michael Denner. But the backbone of the album is all the other guests. These lesser-known individuals supply the keys, strings, pianos, and organs that make up the record’s core. It’s an unbelievable lineup with a lot of moving parts. But, somehow, the band keeps this chaotic metal opera about ‘witchcraft, the black death and revenge!’ together.” Panic in the opera horse.

Feanor – Power of the Chosen One Review

Feanor – Power of the Chosen One Review

“Much like the Wizard album I reviewed a couple of months ago, this promo was assigned to me by Lord Protector Steel Druhm himself. Not only that, but the Argentina-based Feanor shares vocalist Sven D’Anna with their Germanic brethren in Wizard. Wizard‘s latest was a fun and empowering romp through beer-soaked heavy metal lands, and given that my mental health has been under some strain lately due to work circumstances, I thought that some cheesy déjà vu might be just what the non-Grier doctor ordered. Let’s see if Feanor can put the metal in my head again.” Irresponsible power.

Wizard – Metal in My Head Review

Wizard – Metal in My Head Review

“I’m not quite sure how this is possible, but I didn’t know that Germany’s Wizard even existed until Steel Druhm mandated that I clear my schedule for this week to review the band’s 12th studio album, Metal in My Head. I mean, they play exactly the kind of ball-busting, artery-clogging cheese metal that originally enticed me to emerge from my primordial metalcore soup and set me on my way to becoming a full-fledged trve metal organism.” Head cheese.

Crystal Viper – The Cult Review

Crystal Viper – The Cult Review

“I’d be lying if I said I wasn’t a little afraid of picking up the new Crystal Viper. Having never let me down, the band’s 2019 release, Tales of Fire and Ice, was truly disappointing. In fact, it’s so disappointing, that after three-to-four spins, I erased it from my computer and threw out the review I was writing. Sadly, its only mention was as a 2019 Disappointment o’ the Year. So, yeah, I was a little worried.” Cult is just another word for family.

Damnation Angels – Fiber of Our Being Review

Damnation Angels – Fiber of Our Being Review

“Will things ever return to normal? And, if they do, what will ‘normal’ look like? Sometimes it takes every fiber in my body not to lash and scream out at this stupid fucking world. Though the homeless are multiplying outside my bedroom window and even the friendliest people I know look broken down, everything’s fine. So fine. If the apocalypse is truly upon us, it’s fitting that the Damnation Angels will guide us to the flames. So, forward march. Let’s enjoy this new hell with every Fiber of Our Being.” Morale fiber.

Firewind – Firewind Review

Firewind – Firewind Review

“While I’m not intimately familiar with the vast majority of Firewind‘s discography, entries like debut Between Heaven and Hell, 2010’s Days of Defiance, and 2017’s Immortals have all impressed me in one way or another. When I first got my guitar, Gus G. was the darling of the guitar magazine world after being selected for the prestigious role of being Ozzy’s solo axeman. But it’s his work on Dream Evil‘s debut Dragonslayer — a record that happens to be one of my favorite heavy/power releases of all time — that cements him upon a nostalgic throne in my metal heart.” Born of Firewind, other fire and steel.

Serious Black – Suite 226 Review

Serious Black – Suite 226 Review

“It’s no secret that Serious Black has fallen out of favor with me since 2016’s Mirrorworld. I mean, how do you fuck up a recipe as simple as As Daylight Breaks? Furthermore, how do you go from a Grier top-ten pick to a disappointment of the year? Well, it happened. Which found me almost missing out on 2017’s Magic and completely missing out on that same year’s acoustic release, First Light. And, when this year’s anticipated new record landed, I almost missed out again. For better or worse, Suite 226 is here with another concept story. This time a deranged lunatic rather than a top-hot magician. All I can say is buckle-up, kiddos. If I have to be here, then so do you.” Why so Serious?