Dying Fetus

Re-Armed – The Era of Precarity Review

Re-Armed – The Era of Precarity Review

“It was noted in the comments that there’s been a lot of negativity around here lately. That’s not false: 2016 has suffered the runs worse than a 3rd grade recorder recital that accidentally hit the brown note. Whether that’s due to an outflow of compelling material, the recent infestation of scrubs (That’s Dr. Scrvb to you), or just something in the water at AMG Inc., the readership can only take so much aspersion. I swore I wouldn’t embrace the misery. If Re-Armed could generate a lick of positivity from their hyphenated frames, I was going to find it.” In every cloud there’s a silver lemming.

Dawn of Demise – The Suffering Review

Dawn of Demise – The Suffering Review

Dawn of Demise, the irrepressible death dealers of Danish chunk, return after a quiet few years with their fourth LP of groove-driven brutality, entitled The Suffering. The boys have obviously been feeding on extra chunky hunks of beef and holding the potatoes, as The Suffering offers up another carnivorous serving of muscular, protein-fueled death in the tradition of the band’s solid previous work, including A Force Unstoppable and Rejoice in Vengeance. If Neanderthal’s had access to audio technology and the wonders of metal, Dawn of Demise would be at the top of their playlist.” Let’s go clubbin’.

Vulvodynia – Psychosadistic Design Review

Vulvodynia – Psychosadistic Design Review

“Back in high school, metal fans, me ashamedly included, compared our chosen genre to classical in its proficiency and complexity, and laughed at the other “dumb” genres for their lack of “intelligent” lyrics and themes. What intolerable pricks were we. I can confidently say that, had I been in that woefully immature mindset currently, I would not have enjoyed anything about Vulvodynia. Their second full-length Psychosadistic Design is everything the intelligent pretentious types love to hate: it’s loud, it’s obnoxious, it’s hilariously over-the-top in its lyrical effrontery, and it chugs more than someone getting perpetually annihilated at beer pong. And honestly, I haven’t had this much fun with slamming brutal death metal in years.” Slam the torpedoes, full chug ahead!

Numenorean – Home Review

Numenorean – Home Review

“Instead of a dull description of the five tracks and 44 minutes of Fen-like black metal on this Canadian quintet’s debut, let’s do something else. Take out a blank sheet of paper, draw a five-by-five square grid, and write one post-black cliche in each square. Ready? Good, because it’s time for POST-BLACK BINGO!” When you play Post-Black Bingo, you win or you…shoegaze.

Verment – Death’s Domain EP Review

Verment – Death’s Domain EP Review

“Despite the general misconception from non-metal folk that our beloved art form is a one-dimensional game, in reality metal in 2016 is as wide-ranging as it’s ever been, offering a bevy of stylistic riches and impressive diversity in both the cultural and genre stakes. Death metal itself has morphed and mutated from its rank beginnings into a myriad of sub-genre offshoots to appease extreme tastes of all kinds.” At the metal buffet, would you find room for Verment on your plate?

Rogash – Malevolence Review

Rogash – Malevolence Review

“It’s been a while since I’ve reached into the Grymm Grab Bag™ to review my next band, and this review doesn’t change that. Y’see, sometimes, like with Tom of… err, TOMB of Finland, the name alone just screams to be reviewed. This case, though, it was AMG himself saying, “Hey, Mr. Dan Swanö produced this.” Dan is a very talented mult-instrumentalist, a gifted songwriter, and the producer of some of my favorite records. So, I like Dan. And Dan produced Malevolence, the second album by German death metal machine, Rogash. When the Boss asks you to check something out, then damnit, you listen!” Grymm is working for the Man.

Milking The Goatmachine – Goatgrind Review

Milking The Goatmachine – Goatgrind Review

“Joke bands have never really been my thing. While I love groups like Cannabis Corpse and find their puns chuckle-worthy, it’s the riffs, not the mildly amusing weed references, that keep me coming back. That said, when an album called Goatgrind by Germany’s Milking the Goatmachine showed up in the AngryMetal promo list, I made a special exception.” Don’t ask him why.

Feared – Synder Review

Feared – Synder Review

“Swedish musician Ola Englund is a busy fellow. Between stints helping rejuvenate The Haunted on their solid return to form platter Exit Wounds and breathing a glimmer of life into the caveman corpse of Six Feet Under on their Unborn album, Englund has also built a solid and prolific output with his main band, Feared.” Sometimes simple death is good death.

Fulgora – Stratagem Review

Fulgora – Stratagem Review

“When sitting down to write this review, I managed to confuse where Fulgora gets their namesake from before looking it up. For reasons that may or may not include an increasingly counterproductive sleep schedule, writer’s block, and somehow still being regularly keelhauled for the Alestorm incidents of 2014 (no, I don’t regret it, and yes, I’m still right) I thought these Missouri misery dealers were named after Killer Instinct’s personification of cyborg murder Fulgore instead of the female Ancient Greek personification of lightning, Fulgora.” The Alestorm shaming will never stop.