Exhumed

BRUCEXCAMPBELL – South to No Life Review

BRUCEXCAMPBELL – South to No Life Review

BRUCEXCAMPBELL is a deathgrind band named after an actor known for one thing: Evil Dead. Sam Raimi’s series contains the favorite movie of many old-school extreme metallers (normally the first or second film) and a plethora of thematic content for a metal record, either in the Exhumed or Fulci mold. What’s to hope for from a deathgrind band named after the man legend who plays Ash?” Good. Bad. I’m the guy with the grind.

Exhumed – Horror Review

Exhumed – Horror Review

“I fucking love Exhumed. The veteran death metal collective have been kicking out their deathly gore metal jams for over 20 years and time has not slowed them down. Quite the opposite in fact, as Exhumed have arguably improved with age, becoming increasingly refined, melodic and technical without sacrificing the raw edge and blood soaked brutality of their early days. And the band has been on quite the hot streak, with their previous offering, 2017’s Death Revenge, continuing the momentum from 2011s potent All Guts, No Glory and 2013’s exceptional Necrocracy albums. On their latest platter of splatter, Exhumed hearken back to their earlier death metal roots, spattered with grind elements.” The horror.

Nasty Surgeons – Infectious Stench Review

Nasty Surgeons – Infectious Stench Review

“I hate to start off by being a Negative Nancy, but past the halfway point of 2018, I can’t squash the feeling that the year has been somewhat of a disappointment thus far when considering the plethora of metal releases that have dropped. Sure there’s been standouts and some genuinely very good to great albums, but these have been in short supply when stacked up against the sheer weight of albums that have filtered through the Angry Metal Promo pit. Of course, there’s plenty of time for the year to take an upward turn and blow us all away, and I for one am hoping the quality of death metal albums gets cranked up as the year progresses.” Less is gore.

DeathgraVe – So Real, It’s Now Review

DeathgraVe – So Real, It’s Now Review

“The question of why we listen to this stuff is asked so frequently as to become quite meaningless. Sam Dunn’s Metal: A Headbanger’s Journey documentary concluded that you either “get it” or you don’t, and that’s fine. Find a seventeen-year-old who’s just heard Nile or Behemoth and they’ll inform you that metal is for the musically elite, wrapping words about history and antitheism in swathes of dizzyingly technical instrumentation (especially the drums). I disagree with both to some degree, and the question being posed by a great friend I have tremendous respect for led me to think more about it than normal.” Why do we metal?

Gruesome – Twisted Prayers Review

Gruesome – Twisted Prayers Review

“From Dio holograms to reunion albums to retro-fucking-everything, the last decade or so has been all about pandering to nostalgia, and Gruesome are a prime example. A few years ago, the ‘Death to All’ tours were begun to bring live renditions of the late Chuck Schuldiner’s music to a generation that never got to experience it the first time around. Following this time spent touring with former Death members, Exhumed’s Matt Harvey and Malevolent Creation’s Gus Rios took things a step further, forming Gruesome with the intent of creating new music in the vein of classic Death.” I am become Death.

Gravehill – The Unchaste, the Profane, & the Wicked Review

Gravehill – The Unchaste, the Profane, & the Wicked Review

“Formed in 2001, this California quintet have made a career out of scorching assholes and taking names, with works like 2011’s When All Roads Lead to Hell and 2014’s Death Curse being particularly hard-hitting. Gravehill occupy that perfect niche between black, death, and thrash metal, that general “extreme metal” breed which is more about delivering killer riffs than being grimmer than thou.” Evil art, foul censorship.

Interview with Sven de Caluwé of Aborted

Interview with Sven de Caluwé of Aborted

“During the four days of maritime metal mayhem that was 70,000 Tons of Metal earlier this month, I was lucky enough to snag an interview with Sven de Caluwé, vocalist and founding member of famed Belgian death metal band Aborted. As the mastermind behind songs about serial killers, medical deviance, and (strangely enough) even poop, Sven has led his minions through albums like 2003’s iconic Goremageddon and, most recently,  2016’s warmly received Retrogore. Jittery with fanboyism (and more than a few Fosters) Sven was kind enough to overlook my obvious amateurism to talk about the band’s past, their upcoming Devastation on the Nation tour, and even some juicy details on the new album. Strap on that cadaver apron and read on!” We said strap it on!

Mark Z’s and L. Saunder’s Top Ten(ish of 2017

Mark Z’s and L. Saunder’s Top Ten(ish of 2017

“Well, there it went. Another year, another… blah blah blah. Let’s be honest: you’re not here to listen to me drone on about how 2017 was, you’re here to scour my list for stuff you might not have heard, confirm your own good taste by seeing how many of your favorites match up with my own, and chime in with your own take on my admittedly questionable choices.” Valid.

Exhumed – Death Revenge Review

Exhumed – Death Revenge Review

“Like a fine wine, the mighty Exhumed keep getting better with age. The career parallels with their idols Carcass are obvious but not debilitating, manipulating their worship into their own finely honed death metal machine. From the grimy days of their fun and gruesome 1998 debut Gore Metal, through to 2013’s excellent Necrocracy, Exhumed’s career has been on a constant upward trajectory of consistency, refinement and dependable quality. With the focus of Matt Harvey and co on various other projects in recent years, the band finally dusted themselves off and returned to the studio to record a goddamn concept album!” Feeling offal? Try more gore!