Fawn Limbs

Knoll – As Spoken Review

Knoll – As Spoken Review

“I got a chance to see Knoll live in 2022 shortly after the manic Metempiric dropped. All in all, only twenty people scattered about my favorite hometown venue—a homely bar with a solid stage attached to a bowling alley. This ragtag group of kids who looked to be no older than high school graduates gave the performance of a lifetime—gut-churning rhythms, sudden breakaways from ripping guitar phrases to crying trumpet blares, a vocalist whose life depended on the successful bleeding of the audience’s ears. Knoll represents the ideal of youthful ambition. As Spoken is the result.” Young horrors.

Luminous Vault – Animate the Emptiness Review

Luminous Vault – Animate the Emptiness Review

“Electronic elements and black metal is often met with disdain. Atonal EDM beats over blackened shenanigans make acts like Psyclon Nine and Mora Prokaza questionable, while the guitar-less synth overload of Golden Ashes and Wreche are often met with mixed reception. Perhaps more successfully, acts like Blut aus Nord and Dkharmakhaoz incorporate cold industrial flourishes to the raw guitar tone, creating an uncompromisingly obsidian sound. Electronic is divisive, but Luminous Vault does it right.” Electro-violence.

Estuarine – Nyarlathotep Review

Estuarine – Nyarlathotep Review

“I’m not sure why we have a general rule against EP’s, but I imagine that it has something to do with the brevity of the content. We don’t get a good representation of the artist if we’re only given a few songs to work with, while full-lengths are intended as cohesive works and can showcase the effectiveness of an artist to create them. Grind, however, throws a big ol’ middle finger at this in favor of beatdown explosions that sneer in the face of subtlety with the dumbest grin possible. A grind full-length can be anywhere between fifteen and thirty minutes, and even then, Estuarine’s ten minutes is challenging brevity.” One-man grind to kick some behind.