Gorguts

Things You Might Have Missed 2014: Striker – City of Gold

By Diabolus in Muzaka on January 14, 2015 in Canadian Metal, Heavy Metal, Napalm Records, Things You Might Have Missed 2014, Heavy Metal, Thrash Metal, 17 comments

“I’ll fully admit that I have a soft spot for fun in my metal. After all, a man can only listen to Ulcerate growl about entropy, Triptykon purging Tom G.’s demons, and Kvarforth whining about how long it took him to clean out his bathtub after his fateful promo video (I don’t speak Swedish, so this is conjecture) so much, and even though I greatly enjoy all of those artists and listen to their great work regularly, sometimes a change of pace is needed. Enter Alberta’s Striker, and their excellent third album City of Gold.” For the record, bathtubs are a real pain in the arse to clean.

Things You Might Have Missed 2014: Artificial Brain – Labyrinth Constellation

By Kronos on December 3, 2014 in 2014, American Metal, Death Metal, Profound Lore Records, Reviews, Things You Might Have Missed 2014, Death Metal, 17 comments

“Being quite the Revocation fan, I was pleasantly surprised earlier this year to see that Dave Davidson’s partner in crime, Dan Gargiulo, was involved in a death metal side project. That band, Artificial Brain, released their first full-length, Labyrinth Constellation this February, and we unfortunately didn’t get the chance to review it. As some of our more kvlt readers pointed out, this was a mistake.” We missed it, you bitched about it, now we make recompense.

Baring Teeth – Ghost Chorus Among Old Ruins Review

By Kronos on December 1, 2014 in 2014, American Metal, Avante Garde, Death Metal, Reviews, Willowtip, Death Metal, Technical Death Metal, 14 comments

“Ghost Chorus Among Old Ruins is the last album out this year that I expect to give a shit about, and what a loose, worm-riddled mass that shit is. Baring Teeth’s first offering, Atrophy, is a must for those who want to understand the future of death metal – discordant, abstract, disturbing and forward-thinking as a Rodin sculpture strapped to a freight train. If that intro didn’t get you reading, there’s nothing else we can do.

Pyrrhon – The Mother of Virtues Review

By Kronos on March 27, 2014 in 2014, American Metal, Death Metal, Progressive Death, Relapse, Reviews, Death Metal, 5 comments

““New York City’s PYRRHON emerge with a mind bending album of surrealistic death metal for fans of Gorguts, Ulcerate & Portal!” Brave words, promo guy, brave words. I as much as I admire your confidence, extraordinary claims require extraordinary evidence. When you invoke Ulcerate and Gorguts in order to hawk your wares, you’ve certainly caught my attention, but lying won’t go unpunished. Besmirching the name of my favorite band of Kiwis is a cardinal sin, so either Pyrrhon has their shit really together, or an overzealous Relapse employee is going to find rat feces in his Cheerios tomorrow.” We at AMG disavow any knowledge and/or awareness of food tampering or promo vendor harassment.

Epistasis – Light Through Dead Glass

By Kronos on March 12, 2014 in 2014, American Metal, Avante Garde, Black Metal, Crucial Blast Records, Danish Metal, Reviews, Black Metal, Death Metal, Progressive Metal, 6 comments

“Imagine that you mated Gorguts and Dodecahedron and left their bastard progeny on the doorstep of The Ocean. By the time Light Through Dead Glass flies out the F1’s mouth, nature and nurture have taken their course in shaping their grubby offspring. Passed down from their father are incoherent shrieks and furious black metal riffs, complementing the intricate bass lines and scintillating guitar tone contributed by their mother. Both parents passed on the recessive atonality and strangeness alleles, and somewhere along the line a mutation occurred giving rise to the novel trumpet player feature. Despite Epistasis’ breeding, their adopted parents have taught them some manners, instilling upon the young band a sense of melody and introspection. With such a colorful bouquet of attributes, Epistasis is an impossible specimen to miss in a screen, even for the amateur metal geneticist.” In our ongoing quest to marry ivory tower academia with metal analysis, here’s Kronos discussing insect genetics and their relation to progressive and black metal. Huh?

Soreption – Engineering the Void Review

By Grymm on January 25, 2014 in 2014, Death Metal, Reviews, Swedish Metal, Unique Leader, Death Metal, 6 comments

Technical death metal. You know the images and sounds those three words conjure up: endless sweep arpeggios, slapped bass with only the freshest of strings, fast double-bass drumming, an album cover that utilizes colors on the cooler side of the Color Wheel (mostly hues of purple and blue) and has an alien somewhere in it, the band logo in a sharp, nigh-symmetrical font…. And for the most part, you know what to expect when someone tries to take the throne from the likes of Decapitated, Gorguts, or Necrophagist. We’re all about the Color Wheel here at AMG, but only the cool side. We also appreciate some good tech-death. Does this qualify?

The AMG Staff Picks the Top Ten Records o’ 2013

By Angry Metal Guy on December 29, 2013 in Blog Posts, 43 comments

This year the plebs get a say. While I have fought against this with every fiber of my body, Madam X‘s caring, feeling, and ultimately populistic, womanly touch has poisoned this blog by allowing people who aren’t me (including herself) to have lists. Frankly I’m offended. No one comes to Angry Metal Guy to read these guys’ lists. But hey, you know how it goes. Times, they are achangin’. As I no longer have time to be the site’s lone dictator, and Steel Druhm has proven incapable of keeping the mustache twirling hipsters underfoot despite his enormous gun collection and tough talk, you, dear reader, get extra Top 10 lists.

I hope you’re happy.

Things You May Have Missed 2013: Patrons of the Rotting Gate – The Rose Coil

By Grymm on December 15, 2013 in 2013, Black Metal, Irish Metal, Things You Might Have Missed 2013, 1 comment

“My summer vacations weren’t very… productive. Here’s a quick laundry list of my early Grymmness: blowing on Nintendo cartridges to get that damn pink screen to stop flashing, trying (and failing) to learn how to skateboard, playing guitar in a proto-metalcore band that would make early Converge shake their heads in embarrassment, swimming in a ice-cold pool in New Hampshire, etc. Needless to say, my summers were for lounging and goofing off. So when I ask how was your summer and you say, “Oh, it was okay, I just spent the entire summer writing, recording, screaming, playing, programming drums, producing, mastering, and even doing the artwork for the debut album of my one-band progressive black metal band. Nothing major!”, you are either: a) gleefully full of shit, or b) multi-talented Irish lad Andrew “Manshrew” Millar, sole proprietor of Patrons of the Rotting Gate, and mastermind behind their impressive self-released debut, The Rose Coil.” Grymm sets his review phaser on fanboyish glee and blasts way about something you might have missed.

Angry Metal-Fi: Hearing Is Believing

By Angry Metal Guy on December 7, 2013 in Angry Metal-Fi, Blog Posts, 84 comments

In our first Angry Metal-Fi article, Alex pointed out exactly what’s wrong with Fleshgod Apocalypse’s Labyrinth — it’s compressed to within an inch of its life, ruining the music that the band worked so hard to create. It’s easy for us to sit and point fingers though and tell you how everyone is doing it wrong, (which they are). To really get a sense of what you’ve been missing, you need to hear some examples of bands and engineers that are doing it right. Once you’ve heard how good fully dynamic metal can sound, and how much better your favorite albums could have sounded had they been mastered with full dynamics, we hope that it will make you angry. You might even shed a tear for everything that’s been lost over the last 20 years, so many great albums ruined because of the insanity that is the Loudness War.

Gorguts – Colored Sands Review

By Noctus on October 18, 2013 in 2013, Canadian Metal, Death Metal, Reviews, Season of Mist, Death Metal, 10 comments

“Let me know if you can find a metal band that utilizes dissonance and technicality to a large degree that doesn’t cite Gorgut’s masterful work as an influence. I’ll probably be waiting a long time so I’ll bring a good book – it’s called “The Band That Pioneered Dissonance and Technicality in Death Metal” and it has the word ‘Gorguts’ repeated over and over. But it’s that huge sense of respect for the band and the enormous anticipation for this release that made it such a tricky one for the legendary act. 12 years is not only a long time for hype to build around a record, but it also gives newcomers and pretenders a chance to overtake the legends should they prove unable to live up to their own mammoth legacy. After all, a lot of bands are remembered for their creative peak, even when they can’t maintain that level indefinitely. So perhaps Obscura and From Wisdom to Hate era was their peak and all they’ll really conjure up this time is a solid record, right?” And here is the other neglected gem we wanted to get to, but didn’t until now. You’re welcome!