Grave

Fustilarian – All This Promiscuous Decadence Review

Fustilarian – All This Promiscuous Decadence Review

“While many a reviewer despises grabbing black metal promos stuck in the ’90s, I love it. For nothing else, it gives me an itch for my favorites. Sometimes I won’t even finish the new promo before I abandon it for the road down memory lane. I always start with Darkthrone—sometimes Transylvanian Hunger, other times it’s Hate Them. Then it’s Mayhem‘s De Mysterii Dom Sathanas and Wolf’s Lair Abyss. From there, it’s Gorgoroth, Immortal, Funeral Mist, and Horna. Before I know it, the review is past due and the album is already on the shelves.” Lateness and decadence.

Tardus Mortem – Armageddon Review

Tardus Mortem – Armageddon Review

“When the mighty ape (He who reigns forever, Amen) says “I’d like to see a review of Tardus Mortem,” after a few well-deserved tantrums I raced to stuff my earholes with as much of Armageddon as I could. My feet are stamping, but is it because of the tantrum it causes or the groove that it evokes?” Dane death demons.

Nocturnal Hollow – Triumphantly Evil Review

Nocturnal Hollow – Triumphantly Evil Review

“The classic Swedeath sound, as pioneered by Entombed and Dismember, has drawn way more flies than honey with its buzzing, hacksaw style over the last 30-plus years. In that time the genre has been well and fully beaten into the very core of the Earth, with countless bands trying their hand at the greasy till. For all the oversaturation this niche has endured, it still remains a highly engaging style when done well, as recent releases by LIK and Helslave can attest. Venezuela’s Nocturnal Hollow have been in this game since 2011 and Triumphantly Evil is their sixth full-length of unabashed Swedeath worship, though I concede I’d never heard of them until we got this promo.” Evil and proud.

Helslave – From the Sulphur Depths Review

Helslave – From the Sulphur Depths Review

“When life is kicking you in the arse, death is a comforting antidote. Death metal of course, I’m not that fucking morbid. My prior experience with Italy’s Helslave is minimal, however, I’ve caught up on the Italian worshippers of Swedish death in whetting my appetite for their latest platter of old school splatter. After compiling an impressive slab of ’90s inspired melodic death on debut LP, An Endless Path, Helslave channeled some old timey Stockholm goodness on 2017’s Divination EP. Returning after an extended recording gap, Helslave continue channeling the classic, buzzsawing Swedeath brand on From the Sulphur Depths.” Tastes like burning.

Celestial Sanctuary – Soul Diminished Review

Celestial Sanctuary – Soul Diminished Review

“There’s little I enjoy more than boastful, vain-glorious chest thumping in a young band’s promo package, and the U.K.’s Celestial Sanctuary delivered just that, proudly proclaiming themselves the forerunner of a New Wave of British Death Metal. Strong words for such a young act with nary but a demo and single to their name, but can they back it up on their full-length debut, Soul Diminished?” Diminishing soul returns?

Altered Dead – Returned to Life Review

Altered Dead – Returned to Life Review

“After the overwhelmingly putrid scent of sweet death delighted the senses of genre enthusiasts in 2020, can death metal in 2021 piggyback off the momentum of a banner year for the genre and keep the brutality rolling in 2021 with similar levels of quality? Canada’s Altered Dead throw their bones in the ring of death on the follow-up to their self-titled debut from back in 2016.” Reanimatdead.

Funeralopolis – …of Deceit and Utter Madness Review

Funeralopolis – …of Deceit and Utter Madness Review

“Though I used to be a die hard death metal junkie, the past few years have found me sampling of it only sparingly, and mostly limited to the melodeath variant. I’m not sure if it’s current events or the need to stay in prolonged lockdown these past few months, but I’ve been on a major death kick of late, spinning heaps of old Suffocation, Incantation and Immolation albums at odd hours. This in turn led me to fish for noxious promos suited to my current listening predilection, and that’s where Switzerland’s Funeralopolis come in.” Forgotten pass.

Dr. A.N. Grier’s Top Ten(ish) of 2019

Dr. A.N. Grier’s Top Ten(ish) of 2019

“Name another site out there with writers hiding behind silly monikers whom you know better than your best friends. Name a site you dared to lean on, pouring your heart out in the comments, getting positive and uplifting responses when you needed them most. Name a site you’ve spent as much time debating, loving, and sharing music as you have on AMG. You can’t.” Truth telling.

Paganizer – The Tower of the Morbid Review

Paganizer – The Tower of the Morbid Review

“Around twelve years ago, I procured a guitar and amp. I messed around for awhile, learning some Iced Earth riffs and some Sabaton solos, but children life got in the way, my priorities changed, and my skills regressed to nothing. Alas, I’ve still never written the power/thrash/doom masterpiece that I always imagined I would. Contrast my experience with Mr. Rogga Johansson, whose unquenchable need to make music has led to his name being credited on approximately 100 different works on Metal Archives, with three full-lengths and two EPs already released this year alone, and he’s back with the latest from his oldest active project, Paganizer.” Morbid tales of time management.

Coffin Rot – A Monument to the Dead Review

Coffin Rot – A Monument to the Dead Review

“This is death metal from Portland, Oregon. I could probably stop there and you would still know whether or not you’ll love this album. That city is absolutely dominating the genre this year, and we should probably just add a “Portland Metal” tag to Wordpress as that domination extends beyond the bounds of death metal. You’re probably getting tired of me blabbing about how great the Weird City’s output has been this year, but I could comfortably fill half of my year end list if forced to choose only from records released by Portland bands. And so, I will continue to drink from the fountain until it runs dry.” The weird travel on.