Grave

Funeralopolis – …of Deceit and Utter Madness Review

Funeralopolis – …of Deceit and Utter Madness Review

“Though I used to be a die hard death metal junkie, the past few years have found me sampling of it only sparingly, and mostly limited to the melodeath variant. I’m not sure if it’s current events or the need to stay in prolonged lockdown these past few months, but I’ve been on a major death kick of late, spinning heaps of old Suffocation, Incantation and Immolation albums at odd hours. This in turn led me to fish for noxious promos suited to my current listening predilection, and that’s where Switzerland’s Funeralopolis come in.” Forgotten pass.

Dr. A.N. Grier’s Top Ten(ish) of 2019

Dr. A.N. Grier’s Top Ten(ish) of 2019

“Name another site out there with writers hiding behind silly monikers whom you know better than your best friends. Name a site you dared to lean on, pouring your heart out in the comments, getting positive and uplifting responses when you needed them most. Name a site you’ve spent as much time debating, loving, and sharing music as you have on AMG. You can’t.” Truth telling.

Paganizer – The Tower of the Morbid Review

Paganizer – The Tower of the Morbid Review

“Around twelve years ago, I procured a guitar and amp. I messed around for awhile, learning some Iced Earth riffs and some Sabaton solos, but children life got in the way, my priorities changed, and my skills regressed to nothing. Alas, I’ve still never written the power/thrash/doom masterpiece that I always imagined I would. Contrast my experience with Mr. Rogga Johansson, whose unquenchable need to make music has led to his name being credited on approximately 100 different works on Metal Archives, with three full-lengths and two EPs already released this year alone, and he’s back with the latest from his oldest active project, Paganizer.” Morbid tales of time management.

Coffin Rot – A Monument to the Dead Review

Coffin Rot – A Monument to the Dead Review

“This is death metal from Portland, Oregon. I could probably stop there and you would still know whether or not you’ll love this album. That city is absolutely dominating the genre this year, and we should probably just add a “Portland Metal” tag to Wordpress as that domination extends beyond the bounds of death metal. You’re probably getting tired of me blabbing about how great the Weird City’s output has been this year, but I could comfortably fill half of my year end list if forced to choose only from records released by Portland bands. And so, I will continue to drink from the fountain until it runs dry.” The weird travel on.

Gatecreeper – Deserted Review

Gatecreeper – Deserted Review

“Well, the dog days of summer are upon us. Except they’re not. It’s 5 am and 68 degrees outside and I’m freezing my ass off. Come on, sun. Get the fuck up and shower me in your relentless rays of sunshine. Cook the desert sand once more and soften the asphalt so it’ll nestle my broken body when I fall dead from heatstroke. Anything to keep me from shivering under my pelt blankie as I settle down to Gatecreeper‘s new record, Deserted. My only hope is that this new release will warm my blood like the band’s 2016 debut did before.” Fire and Ricin.

Bastard Grave – Diorama of Human Suffering Review

Bastard Grave – Diorama of Human Suffering Review

“For one, Bastard Grave hails from Sweden, which is the home of some of my favorite death metal releases. Classics like Entombed‘s Left Hand Path and Dismember‘s Like an Everflowing Stream, as well as Grave‘s entire catalog, warm my sad, little heart. The riffs, the vocals, and the pace—which feels like treading through knee-deep mud—grip me like quicksand. Second, Bastard Grave have a female bassist. Hmmm… like Bolt Thrower, you ask? Are Bastard Grave a Swedish Bolt Thrower?! Because that would be sick.” Grave reviews.

Inisans – Transition Review

Inisans – Transition Review

“They say good things comes to those who wait. I’m not sure who “they” are in this situation – You? The silent cabal of shadow and influence puppeting our every step? The burger people? – but “they” are certainly shooting too low. If my band devoted nine years of blood, spit, and shit to a debut release, good wouldn’t be good enough. Thusly, we enter Transition. Dissatisfaction courses through the ranks of AMG’s death metal connoisseurs; a recent dearth of quality old school death metal offers Inisans a chance to catch their eye. It’s up to the Swedes to snatch the brass ring.” The mob demands death.

Mammoth Grinder – Cosmic Crypt Review

Mammoth Grinder – Cosmic Crypt Review

The first time I saw Mammoth Grinder live, I was wasted at a bar in Portland and had to laugh as the band announced every song as a Deep Purple track to see if anyone would notice. The second time I saw Mammoth Grinder live, I was shithoused in Brooklyn and had a Warriors-style adventure trying to find my way home on the New York subway system after the show. Point is, apparently being drunk and seeing Mammoth Grinder live is the best way to get hooked on them, because I’ve been anticipating Cosmic Crypt since before I started writing for AMG.” Fat, drunk and at a Mammoth Grinder show is no way to go through life, Z.

Subservience – Forest of the Impaled Review

Subservience – Forest of the Impaled Review

Subservience‘s Forest of the Impaled, on the other hand, is a violent war waged through the militaristic practices of Grave, Vader, Dismember, and Hypocrisy. I know what you’re thinking: not more Swe/Poland–death. Legitimate complaint. But, while Forest of the Impaled isn’t the most engaging or original of releases, it has just enough going on for it to avoid being the discharged aftermath of their predecessors’ lustful ways.” You picked the wrong forest…again.