![Gravehill/Mordbrand – Skullbearer/In Nighted Waters [Split] Review](https://www.angrymetalguy.com/wp-content/uploads/2016/11/Gravehill-Skullbearer-and-In-Nighted-Waters-Split-768x768.jpg)
“Strap on the gauntlets and prepare to get dirty. Two years after their last album, California’s Gravehill are teaming up with Swedish trio Mordbrand to bring you nine tracks of teeth-gnashing, no-apologies death metal to get your head banging and your roommates finding somewhere else to live.” Take your rock tumbler and get out!
“First, we have Fronch fries. And Fronch dressing. And Fronch bread. And Fronch death metal. And to drink, ta-da! Peru! As with most bands with old guys like me in them, I have a long history with Mercyless. I received a cassette promo of 1993’s Coloured Funeral right after losing access to a free copy machine that put a nail in the coffin of the print version of Unchain the Underground. While I never got around to reviewing it, that particular slab of adventurous Fronch death metal stayed in regular rotation and made the cut through upgrades to CD right into the digital age.” Mercyless is about to activate your dental plan.
“Amidst all the inevitable aspects of life and death metal, as we know it, the tried and true sounds of old school Swedish death appears here to stay. Nostalgia is a powerful thing and the rotted riffs and buzzsaw tones of the Stockholm death metal scene that spawned endless imitators of varying quality remains a strong source of inspiration for up and coming death metal bands. And sucker’s like I keep coming back for more.” You can’t have just one bite of Swede-death.
“I like to imagine the absurdly prolific Rogga Johansson’s inner monologue to be similar to Pinky and the Brain’s introductory bit, with him eating whatever the Swedes eat for breakfast, wondering ‘what should I do today?’ and answering, ‘the same thing you do every day, Rogga: write and record a death metal record.’ Our hero would then draw a band name from a hat or make one up depending on his mood, and by lunchtime would have written about seven songs and called up whoever was needed to complete the lineup. Johansson & Speckmann had clearly been drawn from what must be a very large hat by now, and before the traditional Swedish dinner bell rang that day, Edge of the Abyss was born.” Pinky and the Brawn.
“Before diving into the death metal that obviously flies under a banner like Coffin Lust, let’s briefly talk Cinderella. Whether or not you’ve had the feeling of being utterly awestruck by a woman to the point where you’d be willing to run around like a lunatic with a shoe for an hour and change trying to get her name and number the day after, I’m sure the sentiment is appreciated. With music you can have a corresponding experience, hearing a song that makes a huge impression that forces you to seek it out, along with the record it came from.” If the shoe fits, hammer smash it!
“I presume most of you guessed Bastard Grave’s chosen genre without listening to a second of their music, but in case you’re an extreme metal newbie (welcome! Take a seat, have some cake! Don’t mind the skulls, they’re not real. Probably), this extract from their promo sheet will give you a hint: “With the opening blare on the album starting off with the all-too-familiar guitar feedback reminiscent of a vague Entombed-ish trademark, it is easy to tell What Lies Beyond is heavily laced with the murderous HM-2 destruction and with absolutely no mercy.” That’s right, old school Swedish death metal that’s so devoid of new ideas, even the label thinks it’s generic!” Let’s get rote to the point, shall we?
“There are few things more certain in life than ending up in a grave – whether it’s of the watery, earthen or concrete variety, we’ll all end up interred somewhere. In much the same way, you can almost guarantee a new Grave album will offer a quality dose of old timey Swedish death, heavy on the heavy and light on the frills.” Back from dead, chillin at the beach down at Club Med.
“Not many people know Costin Chioreanu musician. Most metalheads know Costin Chioreanu artist. Since the artist appears to have quite the workload, it’s not surprising that the musician is an “ex” member of most his musical endeavors. Lucky for us, the musician is back with a debut full-length filled with unsettling avant-garde black metal.” Sounds suspiciously like another strange case of Dr Jekyll and Mr Hyde!
“The festering stench of classic Swedish death metal is surely one of the most comforting and addictive scents in the metalverse. Try as I might to disregard the bulk of subpar bands pedaling the oversaturated style where bands are so often prone to lazily ripping off their idols with blatant plagiarism, when the words ‘old school Swedish death metal’ are thrown about I generally sit up and take notice.” Fun Fact: you can’t spell Feral without fear.
“The Dutch death squad known as Entrapment named their sophomore release Lamentations of the Flesh presumably because a) that’s the title of a song on the record, and b) Swe-death Riff-fest 2014 is an incredibly unwieldy album title.” Some say this is the best swede-death album of 2014. We hope it isn’t because then this miss is really embarrassing.
