Ihsahn

Video Premiere and Interviews with Stevie Boiser and Trevor Portz of Ashen Horde

Video Premiere and Interviews with Stevie Boiser and Trevor Portz of Ashen Horde

“Back in March, I reviewed Ashen Horde‘s latest opus of black metal fury, Fallen Cathedrals. I heaped an unhealthy amount of praise its way back then, and I’m still spinning it a ton now. In fact, I would be very surprised if it were to fall outside of my top 5 albums come year’s end. My review may have been riddled with factual errors, but founder, songwriter, instrumentalist, and clean vocalist Trevor Portz showed up in the comments and revealed himself to be a gracious and enormously cool guy. So, when the opportunity to do an interview presented itself, I couldn’t resist.” We’re already off to a better start than last time.

Ashen Horde – Fallen Cathedrals Review

Ashen Horde – Fallen Cathedrals Review

“2018 saw my tastes begin to shift. The power metal that brought me to the dance — while still producing some gems for the year — had to watch as blackened death metal swept me off my feet and took me home once the music had stopped. A full half of my top ten for the year — and all of my top four — could have been tagged (arguably) with both “black” and “death.” While I enjoy albums of each genre on their own, there’s something about the two being combined in interesting ways that really gets my juices flowing (this is your cue to don eye protection). Hence, my interest in Los Angeles’ Ashen Horde, the proggy black/death project of multi-instrumentalist Trevor Portz and Inferi / Equipoise vocalist Steve Boiser.” Ash Hoarders unite!

The Konsortium – Rogaland Review

The Konsortium – Rogaland Review

“If you’re into the Norwegian black metal scene, you may know bassist/guitarist/songwriter Teloch. For those that don’t know, he’s the man behind Nidingr and responsible for guitars and songwriting on Mayhem‘s Esoteric Warfare. If you do know the man, you already knew that and also know he’s a member of the once mysterious—but now not-so-mysterious—black/thrash outfit The Konsortium, where he writes and plays bass alongside the legendary black metal drummer Dirge Rep, and, together, they rip, shred, and tear shit apart.” At the Roga, Roga Cabana.

Ihsahn – Àmr Review

Ihsahn – Àmr Review

“Whether we care to admit it or not, we are all subject to re-invention at some point or another. Ihsahn, a man made legend for his contributions to the legacy of black metal, has never shied away from re-calibrating his musical character, and his discography is the hard proof. Having blazed a trail with the mighty Emperor, his solo career has been no exception, never afraid to reflect its creator’s inherently eclectic tastes.” Seize the Throne of Eccentricity.

Jarun – Sporysz Review

Jarun – Sporysz Review

“It appears we have another victim of the dreaded ‘December Release.’ A period of the year that shows black in a reviewer’s vision. But lists need making and TYMHM articles need writing. No one has time to squat down and pinch out another review before the year comes to an end. But, this isn’t any ordinary release. It isn’t run-of-the-mill or disappointing, it isn’t pathetic or a waste of time. Hell, it isn’t even good. It’s fucking great.” Last minute stocking buster.

Patria – Magna Adversia Review

Patria – Magna Adversia Review

“We know that art is often wrought in the forge of circumstance but beyond the personal biases, trials and tribulations of everyday life can the very climate we live in serve as a catalytic muse? Louisiana’s turgid humidity spawned swampy sludge metal and the pallid, frozen wastes of Scandinavia formed the backdrop against which black metal performs its danse macabre. It’s the latter’s frigid fingers that grip Magna Adversia, the latest release by Patria. But rather than hailing from Norway or Sweden, the band inhabits the mountainous south of Brazil.” Brazil is not a frostbitten kingdom.

Angry Metal Guy’s Top 10(ish) Records o’ 2016

Angry Metal Guy’s Top 10(ish) Records o’ 2016

Twenty-sixteen was a year that started so well. I’d recently performed a counter coup, reorganized things, appointed Steel Druhm to my Internet Banana Republic Enforcer for Life and I was reviewing a lot of stuff. The Record(s) o’ the Month were landing on time, and the trains were on schedule. Then tragedy struck… Alas, the good that was the beginning of the year turned into a fucking bullshit slog where I became progressively overcome by life. Longtime readers will know that I have been much less involved on the back half of this year than at any point in our long history. And I’ll just be honest, I’ve been considering even setting aside the mantle of Angry Metal Guy altogether. This year has been a year of endings, in a way. The end of my faith in humanity. The end of Agalloch‘s post-Ulver reign of terror. The end of a lot of famous lives.

Dr. Fisting’s Top Ten(ish) of 2016

Dr. Fisting’s Top Ten(ish) of 2016

“Scientists all agree that 2016 is the worst year of anyone’s life who has ever lived, including mine. We lost a lot of musical heroes this year (both metal and otherwise), and the current political climate has brought unprecedented levels of stupidity to my doorstep. Worse yet, I am often surrounded by terrible music made by dickheads.” Read this and don’t be a dickhead.