Ingested

Vulvodynia – Mob Justice Review

Vulvodynia – Mob Justice Review

Vulvodynia’s 2016 monstrosity Psychosadistic Design joined Ingested’s Surpassing the Boundaries of Human Suffering at the top of the relatively accessible slamming deathcore pile. Upon its release, it sold a boatload of copies due to its mixture of self-aware ridiculousness and a charmingly cavalier attitude towards everything but riffs. Both records were great ‘gateway slam’ records — their production was friendly to ‘core ears and the riffs were unfairly catchy. Structurally, both took the general deathcore idea and replaced breakdowns with slams and both were a lot of fun for it. Both toed the line between excess and parody expertly, which made them easy to like and laugh along with. Three years later, Vulvodynia have returned.” Flash slam.

Mental Cruelty – Inferis Review

Mental Cruelty – Inferis Review

“Well, I guess the Pope is a zombie now. Admit it, you all saw that coming. A religious leader, let alone one that wields as much influence as the head of the Catholic Church? Come on. Whatever, that’s a tangent for another time. For now, let’s talk about the second full-length album by Mental Cruelty, named Inferis.” Popecore.

Osiah – Kingdom of Lies Review

Osiah – Kingdom of Lies Review

“Summer is fast approaching—for those who have four seasons, anyway. That means all of the deathcore in the whole world is about to flood the markets and beat down the public just as the blazing Southern sun beats down pasty nerds such as I. English quintet Osiah opted to join the front lines of that inevitable invasion of breakdowns and br00tality with their sophomore album, Kingdom of Lies. This will also be their first outing signed onto Unique Leader. Most of you could guess what to expect from that fact alone, but let’s break it down anyway, shall we?” Break like the wind.

Ingested – The Level Above Human Review

Ingested – The Level Above Human Review

“Slow year for death metal though it has been, things are speeding up — metaphorically, that is. Manchester’s finest slamongers are back with their fourth full-length insult, The Level Above Human, and as always they’re peddling their trademark combination of deathcore and brutal slam. It’s an influential mix and one that plenty of today’s slam-purveyors like Vulvodynia and Abominable Putridity owe their success to. Yet as fun, as the beatdown combo can be, quality control has never been a hallmark of either genre. Ingested navigate the bloodied, goopy waters of brutal deathcore as well as any crew of veteran slam sailors, and though The Level Above Human won’t change your world, it will change the position of your head in relation to that world with great regularity.” Level up or die.

Thy Art Is Murder – Dear Desolation Review

Thy Art Is Murder – Dear Desolation Review

“Deathcore, in its peak popularity, was essentially the dubstep of metal. Structured around a massive breakdown in the same way dubstep is structured around its 808 drop, the prototypical deathcore song was a kinetic experience designed to ratchet up the tension until a cathartic release blasts forth. This compositional style is extremely limiting, which is why both sub-genres will (and arguably already are) seen as flashes in the pan.” Pan’s Labyrinth.

Vulvodynia – Psychosadistic Design Review

Vulvodynia – Psychosadistic Design Review

“Back in high school, metal fans, me ashamedly included, compared our chosen genre to classical in its proficiency and complexity, and laughed at the other “dumb” genres for their lack of “intelligent” lyrics and themes. What intolerable pricks were we. I can confidently say that, had I been in that woefully immature mindset currently, I would not have enjoyed anything about Vulvodynia. Their second full-length Psychosadistic Design is everything the intelligent pretentious types love to hate: it’s loud, it’s obnoxious, it’s hilariously over-the-top in its lyrical effrontery, and it chugs more than someone getting perpetually annihilated at beer pong. And honestly, I haven’t had this much fun with slamming brutal death metal in years.” Slam the torpedoes, full chug ahead!

Interview with Trevor from The Black Dahlia Murder (2009)

Trevor from The Black Dahlia Murder is the first person I’ve ever interviewed more than once.  Unfortunately, he doesn’t remember that.  When I talked to him, the guys were a start up band from Detroit that was soon going into the studio to record Miasma a record that went over, well, remarkably well.  So well, […]