“The extreme genres of metal are utterly obsessed with war, death, and violence, suggesting the view that the human experience is one of cruelty largely restrained, with all of us united by the cold embrace of death. Extreme metal seems to explore these ideas intently, attempting to find a certain beauty or, at the very least, excitement in the worst impulses of man. Art, at its core, seems to try and explore and express a particular facet of the human experience and imbue it with some sort of message or worldview. We’re naturally repulsed by death and destruction, but, like the story of Leonitus looking at corpses in Plato’s Republic, we’re also fascinated by it: ‘Look for yourselves, you evil wretches! Take your fill of the beautiful sight!'” Man Unkind.
Memento Mori Records
Ruin – Drown in Blood Review
“Hailing from Who-the-hell-knows-where, USA, the generically named Ruin originally formed in 1991, only to have its membership swallowed by time in the slammer and/or sanitarium. Reformed in 2015, they’ve sluiced out a swampy sort of old-school death metal their label promises will be reminiscent of early Abhorrence and Bolt Thrower.” Out of the penal league, into the venal league.
Infamovs – Under The Seals of Death Review
“Introducing Chile’s very own Infamovs, champions of that perennially classic style of exhumed, grave dusted death metal, which we all love to love. And, yes, I did spell the band name correctly; you’re going to have to be extra kvlt to read this one.” There is no “v” in old school.