Napalm Death

Those Who Bring the Torture – Piling Up Review

Those Who Bring the Torture – Piling Up Review

“In a world where Rogga Johansson bounces between innumerous death metal projects like he’s caught in a psychotic game of musical chairs, you have to tip your cap and give the man his proper respect. Juggling Paganizer, Just Before Dawn, Demiurg, Megascavenger and 50 other bands is something few could pull off, let alone as successfully as he does. Now add to the workload Those Who Bring the Torture and it’s clear the man won’t be taking his vacation days anytime soon.” By the time you read this review, Rogga will have recorded three albums. Fact.

Origin – Omnipresent Review

Origin – Omnipresent Review

“It’s entirely reasonable to say that Origin are the most important thing in the entire state of Kansas, but for anyone who has been to Kansas, the declaration isn’t all that that impressive. Their work, however, speaks for itself. Three years ago, Entity absolutely wiped the floor with some of the most abrasive, technical, and impressive music the group has ever produced, and expectations for Omnipresent are naturally quite high.” Does Origin deliver that punishing blow worthy of so much expectation? Read on and find out what Kronos has to say.

Die Choking – Die Choking Review

Die Choking – Die Choking Review

“The way Die Choking bursts out of your speakers, gnashing its angry yellow, plaque covered teeth at your throat, they have me wondering whether to skip the intro and dive straight into the heart of the review… well almost. Philadelphia based Die Choking are on the verge of releasing the first vinyl press of their début, 5-track, self-titled EP and with it comes a crust-based grindcore sound that harkens to the very early days of Napalm Death and at the same time worships the sacred ground walked by Nails. ” Madam X delves into some ugly grind in a very…revealing review.

Soulfly – Savages Review

Soulfly – Savages Review

“Alright, full Angry Metal Confession time: back in the day, I actually enjoyed the first Soulfly album. To my drug-addled brain, Max Cavalera and co. had created an interesting blend of exotic world music and utterly shitheaded nu-metal. “Eye For An Eye” and “Fire” still kick ass, and a lot of the record is unintentionally hilarious (sample lyric: “No bullshit/No slave ship/No muthafuckin’ Hootie and the Blowfish!”). Many years and countless lineup changes later, Cavalera remains the creative force behind a heavier, more self-conscious Soulfly. The band’s core sound remains intact — if anything, he’s learned to incorporate other styles as they came into fashion, be it throwback Sepultura-ish thrash (Dark Ages) or pseudo-death metal (Enslaved). This brings us to the current record, Savages, which is thrust into a world dominated by djent and deathcore, where Soulfly’s foundation is seen as hopelessly outdated.” Is this new metal or nü-metal? You have to read to find out because we aren’t giving hints!

Napalm Death – Utilitarian Review

Napalm Death – Utilitarian Review

Napalm Death’s latest album, Utilitarian, certainly gets off to an interesting start. The opening track, “Circumspect,” is a delicate acoustic number about the inhumane treatment of stray puppies and kittens. The next few tracks follow suit, with gently strummed guitars and the surprisingly beautiful crooning of vocalist Mark “Barney” Greenway.

Liberteer – Better to Die on Your Feet than Live on Your Knees Review

Liberteer – Better to Die on Your Feet than Live on Your Knees Review

Liberteer is the brainchild of one Matt Widener, who the more grind-minded among you might remember as the bassist for San Jose sickos Cretin. Cretin’s lone album, 2006’s Freakery, received high praise at the time, but they’ve been laying low since then while their singer goes through some changes.During his new-found free time, Widener has put together Liberteer on his own, playing all instruments on this album, including guitars, drums, and banjo?