Reviews

Execration – Return to the Void Review

Execration – Return to the Void Review

“It’s easy to wonder if death metal is currently in the midst of an existential crisis. In one sense, it perpetually is; its obsession with mortality is such that everyone from Martin Heidegger to Hugh Jackman’s Wolverine would tell the genre to chill out a bit. On the other hand, the acts that find themselves popular with critics wear a different sort of existential crisis on their sleeves, one of existential malaise. As one should always be wary of virtually everything that critics (along with intellectuals and “experts”) tell them, everyone ought to be extremely cautious about the “future” of death metal and the current state of the classic sound. Norway’s Execration is one of the bands in the thick of this existential crisis.” Musical Pokemon.

Cytotoxin -Gammageddon Review

Cytotoxin -Gammageddon Review

Cytotoxin, back five years after 2012’s Radiophobia and thankfully not much altered. The same slammy riffing, the same unsparing vocals, the same troubling nuclear disaster fetishism, and the same hyper-fast sweep picked leads – but this time there’s more of them.” Kronos is back, and so is Cytotoxin. What a day!

Ereb Altor – Ulfven Review

Ereb Altor – Ulfven Review

Ereb Altor is a band I’ve reviewed more than almost any other since joining the AMG metal collective in 2010. They’re a prolific bunch and stick to a regular release schedule despite also releasing albums under the moniker Isole, and their material is consistently good if not great. Ulfven is their newest release, following 2016s Blot Ilt Taut which was a series of Bathory covers. This was appropriate as Quorthon has always been the wellspring from which the band draws their inspiration.” Reforge the sword.

Dzö-nga – The Sachem’s Tales Review

Dzö-nga – The Sachem’s Tales Review

“Sophomore full-length The Sachem’s Tales sees Cryvas crafting a concept album about Native American folklore, aiming to combine Cascadian black metal with classical music. Joined by female vocalist Grushenka Ødegård and session drummer Aaron Maloney (formerly of Pennsylvania metalcore act This or the Apocalypse, oddly enough), has Dzö-nga given us the next Bergtatt or delivered another Bandcamp black metal record whose hype will fizzle faster than you can say “Ghost Bath”? The Great Tree and the Dzö-nga House.

Vesicant – Shadows of Cleansing Iron Review

Vesicant – Shadows of Cleansing Iron Review

“War. Whether for profit, liberation, or for sheer annihilation of your enemies, many bands have scoured the various battles and wars throughout the ages for musical and lyrical inspiration. World War I in particular remains a fertile ground for a variety of metal bands, with depictions of trenches and chemical warfare highlighted in gruesome, vivid detail. New Zealand’s Vesicant, their name derived from the blistering after-effects of mustard gas, attempt to weave their own horrific tales of one of the ugliest wars in history with their debut album, Shadows of Cleansing Blood.” War inside your head.

Eva Can’t – Gravatum Review

Eva Can’t – Gravatum Review

“Despite ostensibly belonging to a melodic death circuit that favors homogeneity, Eva Can’t consistently blow my expectations to smithereens. Precursors Inabisso and Hinthial wowed me with their ability to incorporate melodic fervor and technical precision into a range of influences spanning metalcore – Wait! Don’t go! – to classical music. But as the years have gone by, the Italians have departed from a truly consistent sound, resulting in music that is amorphous and difficult to pin down.” Can’t or won’t?

Gods Forsaken – In a Pitch Black Grave Review

Gods Forsaken – In a Pitch Black Grave Review

“Those familiar with the career of Anders Biazzi, know he’s one of the premier death metal riff maestros active today, and his Blood Mortized and Just Before Dawn material offer ample proof of his mastery. Recently Mr. Biazzi decided to close shop on Blood Mortized and launch a new project called Gods Forsaken.We’re a bit late in covering their debut In a Pitch Black Grave, but don’t take that as apathy or indifference.” Grave new world.

Obscurity – Streitmacht Review

Obscurity – Streitmacht Review

“What’s in a name? For Obscurity, an awful lot. Two decades of hammering away in their Viking forges have produced an armory’s worth of albums, but none particularly sharp. Their Amon Amarth-worship has suffered steep decline since 2010’s Tenkterra, but eighth entry Streitmacht is girding itself for a long raid up the coast.” Gone coasting.