Rise Above Records

Friends of Hell – God Damned You to Hell Review

Friends of Hell – God Damned You to Hell Review

“Back in 2022, a tongue-in-cheek project by members of Reverend Bizarre and Electric Wizard was introduced to the world. Going by the name Friends of Hell (a not-so-subtle call out to Witchfinder General’s sophomore opus), they played classic 80s doom in the vein of Pentagram, Saint Vitus, and of course, Witchfinder General. It was a loving homage to a specific era and sound and the somewhat goofy, overblown delivery was balanced out by slick riffs and the one-of-a-kind vocals of Albert Witchfinder (Reverend Bizarre). It was entertaining but it wasn’t a must-hear kind of article. 2024 sees Friends of Hell back with a greatly overhauled lineup and without the talents of Albert Witchfinder.” Friends and Hell wishers.

Church of Misery – Born Under a Mad Sign Review

Church of Misery – Born Under a Mad Sign Review

“It has been a tumultuous decade for Church of Misery. The line-up has had a habit of falling to pieces entirely, only for bassist and lynchpin Tatsu Mikami to rake replacements into a pile and keep on trucking. Given the constant state of flux in the line-up, it’s a miracle the sound has remained more or less the same. Few bands worship at the altar of the almighty riff like the Church: huge, crunchy, filthy, straight out of the desert and dripping with distortion.” Altars of radness.

Smokey Mirror – Smokey Mirror Review

Smokey Mirror – Smokey Mirror Review

“Ah, the self-titled debut. Always a good start to your legacy as a new band. Iron Maiden and Black Sabbath are the obvious examples, but it remains a popular choice well into this century as evidenced by the legendary Taylor Swift. It’s not enough to carve out a legacy on its own though. A proper label goes a long way to rise above the middling plebs, and Smokey Mirror comes out strong with the backing of Rise Above Records. All the ducks are in a row for these Texan proto-metal newbies.” Smoke and RAWK.

Friends of Hell – Friends of Hell Review

Friends of Hell – Friends of Hell Review

“80s style doom metal is as rare these days as an honest person in politics. Bands that did it so well back in the day are all but extinct and even promising younger acts like Pallbearer and Khemmis who teased the rebirth of the style sagged under the weight of it all and drifted off to greener pastures. To this dark tableau come Friends of Hell, the classic doom project spearheaded by members of Reverend Bizarre and Electric Wizard.” With friends like this…

Witchskull – A Driftwood Cross Review

Witchskull – A Driftwood Cross Review

“The April 24 release cycle is an interesting one for me: three bands I’ve reviewed before are dropping new albums. Since we usually review bands we’ve reviewed in the past, and we also usually review one release each per week, this is a conundrum. I’m too olde and slow to review three albums in a week, but I think I can pull off two. And that’s good news: it means I can avoid what is likely to be another travesty from Road Warrior. Instead I can focus on local up-and-comers Traveler and Aussie rockers Witchskull.” Witchy business.

Uncle Acid and the Deadbeats – Wasteland Review

Uncle Acid and the Deadbeats – Wasteland Review

“Less is more. That little witticism has become the AMG mantra because it’s so very true. Most 75-minute albums are less enjoyable than a 45 minute version would be. Three Taco Bell Hard Taco Supremes are a better choice than six. It’s just how the world works. When it comes to the creepy stoner rock of Uncle Acid and the Deadbeats, this rule proves especially accurate. Though I loved their second album, Bloodlust and found their whole night stalker shtick endearing, I’ve never felt the same about any of their later releases. Wasteland is their fourth full-length and the recipe remains the same.” Creepy uncles and bad trips.

Axegrinder – Satori Review

Axegrinder – Satori Review

“We’ve seen this scenario before. Bands split up, go on indefinite hiatus or just drop off the face of the Earth, only to re-emerge years and years later with new material and a fresh load of crow’s feet. Axegrinder manage to take this to the next level, however. Their first album, The Rise of the Serpent Men, dropped in 1989, the year the Berlin Wall came down. Satori, released in the summer of the Year of Our Jørn 2018, is the follow-up, if you can still call it that. Twenty-nine years between releases makes the next Tool album feel rushed and might inspire G.R.R. Martin to take it a little easier on releasing the next A Song of Ice and Fire novel.” New olde beginnings.

Age of Taurus – The Colony Slain Review

Age of Taurus – The Colony Slain Review

“One of the most difficult tasks for an established band is following-up a successful debut. The task at hand has resulted in many a failure, as artists choke under pressure and fail to capitalize on their promising foundations, buckling under the increased expectation from the record label and swelling fan-base. A follow-up of any sort didn’t seem a certain prospect for UK’s doomers, Age of Taurus. The band’s 2013 LP Desperate Souls of Tortured Times, was a captivating debut, built on a slightly modernized, traditional doom foundation of robust, ironclad riffage and generous hooks.” Doom call it a comeback.

Septic Tank – Rotting Civilisation Review

Septic Tank – Rotting Civilisation Review

“In the mid-90’s, Cathedral was turning into a household name in the realms of British doom. The steaming, sleazy groove of the quartet was best described as the midway point of Black Sabbath, Clutch and Mötorhead, and has seen its fair share of progeny (like The Necromancers, for instance.) Unbeknownst to many, the band had a side project simmering away in the form of Septic Tank, which was often mentioned between the members but was kicked down the road as much as that novel you intend to write sometime. Five years after Cathedral’s dissolution, the side project has sprung back to life with three of its original four members, including bassist Scott Carlson, guitar player Gaz Jennings and vocalist Lee Dorrian.” We’re getting the cesspool back together!

Octopus – Supernatural Alliance Review

Octopus – Supernatural Alliance Review

“Here we are, once again, gathered together under the metaphoric roof of the Angry Metal Hall. Our ranks comprise fans of all walks of metal, no two tastes are identical and yet we all convene here to bang our heads as one. What joins us disparate degenerates as children of the Jørn? What fantastic force unites the photometers, hamsters, and screaming boxes that plague our comment section? The answer holds as trve now as in those dark days preceding the internet: it’s the riffs, stupid. This obvious answer in turn poses an obvious question: “What does this have to do with Octopus’ Supernatural Alliance?”” What a big tent you have.