Slayer

Siniestro – Vortexx Review

Siniestro – Vortexx Review

“Thrash was my first true introduction to all things metal. Like many of the morally derelict denizens who write for this site or haunt the comment section, I dipped my toe in the swamp with Sabbath, but it wasn’t until I took a deep dive into the likes of Testament, Kreator, Slayer and Anthrax that I knew I was more than willing to drown in this sea of riffs n’ roars. Though now I now prefer my metal far more fetid, thrash still holds a special place in my heart. This led me to pluck the latest from blackened thrash outfit Siniestro from the oft-mentioned but rarely-survived primordial promo sump.” Cloudy with a chance of thrash attack.

Monarch – Future Shock Review

Monarch – Future Shock Review

“Another week, another contest contestant, this time in the form of San Diego thrashers Monarch, winners of the 2019 Wacken Metal Battle USA. That’s better than a Participant ribbon! Led by guitarists Casey Trask and Matt Smith (who also serves as vocalist), Monarch’s style harkens back to the early days of thrash, with plenty of punky attitude and silly subject matter yet loads of technical skill. After 2017’s debut Go Forth…Slaughter, the band played a ton of gigs, honed their songwriting skills, and went into the studio (rather than the debut’s DIY approach) to craft Future Shock, an album they hope is a big step forward.” Born to rule?

Cambion – Conflagrate the Celestial Refugium Review

Cambion – Conflagrate the Celestial Refugium Review

“There’s a lot going on in death metal: there’s the swampy, smelly, drag-your-corpse through the mire old school sort; there’s the cosmic, existential, ponder-the-time-signatures-of-the-universe sort; there’s the thrown down, bro town, drag-your-grandma-through-the-pit sort; there’s the corpse riding, shriek gliding, casual-blasphemy-on-a-weekday kind. Then, there’s also death metal – the angry sort that starts angry and stays angry. Cambion’s gimmick is angriness and speed.” Spree-Cambion era.

Enforced – Kill Grid Review

Enforced – Kill Grid Review

“Oh man, have I been excited to get my hands on this one. In 2019, I happened upon the promo for At the Walls, the debut record from Richmond, Virginia crossover thrash act Enforced. The album was a combination of previously-released demo and EP tracks with some newer material, and while this may have resulted in some minor consistency issues, that thing riffed hard, riffed often, and barely missed my 2019 year-end list. The thought of a follow-up record written in one, cohesive go was tantalizing, and my excitement only grew when I heard that Enforced was picked up by Century Media last year. But at the same time, when a raw, passionate band moves to a bigger label, I always get a bit nervous.” Dying on the grid.

Evil – Possessed by Evil Review

Evil – Possessed by Evil Review

“I’ve got a soft spot for Japanese metal, especially the old-school varieties. It should shock absolutely nobody that Evil come directly from the lineage of Abigail and Sabbat thematically, meaning that they take the “evil” schtick of classic Venom and Bulldozer so far that it exceeds parody and lands in a strange realm of charming innocence and naivete. Evil, on their second album Possessed by Evil, lands feet-first in this realm.” Possession is nine-tenths of witchlaw.

Nervosa – Perpetual Chaos Review

Nervosa – Perpetual Chaos Review

“While at one point it certainly seemed like Nervosa would become another bullet point in a long list of last year’s disasters, the Brazilian thrashers successfully survived 2020. They came out of it wounded like most of the world, sure, but still alive and kicking. If anything, the loss of the rest of her band (bassist and vocalist Fernanda Lira and drummer Luana Dametto) due to cryptic “personal reasons” seems to have viciously reinvigorated the group’s founder and frontwoman Prika Amaral.” Reborn in chaos.

Houkago Grind Time – Bakyunsified (Moe to the Gore) [Things You Might Have Missed 2020]

Houkago Grind Time – Bakyunsified (Moe to the Gore) [Things You Might Have Missed 2020]

“Far be it from me to let my shit-tier time management fall on Andrew Lee, the one man behind one-man-band Houkago Grind Time (and 2020 death metal standout Ripped to Shreds). Bakyunsified (Moe to the Gore) may house a whole lot of meta anime piss-takes, but don’t let that fool you: this spin is more grind to the core than it has any right to be.” Anime grind had to happen.

Harlott – Detritus of the Final Age Review

Harlott – Detritus of the Final Age Review

“As I mentioned when I wrote 2017’s Extinction review, Harlott isn’t afraid to show love to their influences. Some might say Harlott isn’t afraid of reaching into that box of thrash classics and taking what they like, as well. At any given time, the riffs transition from Exodus to Slayer to Testament, and the vocals mimic Araya, Petrozza, and Dukes/Souza. The guitars can be acoustic at times but prefer to be heavy. The drums blast and fill with no regard for concrete floors, and the bass rattles hardware off the garage door. Harlott may not have a whole lot in the way of originality, but that doesn’t make their fourth album, Detritus of the Final Age, any less solid and nothing short of nostalgic.” Ramming speed.

Mr Bungle – The Raging Wrath of the Easter Bunny Demo Review

Mr Bungle – The Raging Wrath of the Easter Bunny Demo Review

“In a year of surprises, mostly of the nasty variety, a new album from Californian experimental legends Mr Bungle seemed an unlikely scenario. Yet here we are, but not as many would have expected. As has been well publicized, rather than pen an album of fresh tunes, the band has continued their streak for delivering the unexpected, revisiting their earliest teenage musical roots, and 1986 cult demo, The Raging Wrath of the Easter Bunny.” Bunny or die.

Invincible Force – Decomposed Sacramentum Review

Invincible Force – Decomposed Sacramentum Review

“What happens when an invincible force meets a purely lethal object? I’m not sure, but sit down, and I’ll tell you what happens when an Invincible Force meets a big, cuddly, soft-hearted metal reviewer who wouldn’t hurt a fly. Chile’s Invincible Force formed in 2007, and it should come as no surprise that, as a band that took their name from a Destruction track, they initially modeled their sound after the slightly blackened teutonic thrash sound of their heroes. After releasing a host of demos and splits, 2015’s debut full-length saw the band’s sound taking on a more violent approach that verged on death/thrash. Five years later, the promo materials for sophomore effort Decomposed Sacramentum reveal that the band is “leaving behind their early, more scholarly aspirations in favor of something far more sinister.” Force multiplier.