Spectral Wound

Arna – Dragged to a Lunar Grave Review

Arna – Dragged to a Lunar Grave Review

Arna lists Spectral Wound as an influence, and the perfunctory cover art bears an uncanny resemblance to that band’s recent (stellar) album, A Diabolic Thirst. But whereas A Diabolic Thirst featured an image with depth and nuance, Arna’s is flat and more minimal, and this is a helpful metaphor for separating the two bands. Arna plays old school, furious black metal, but with a much grimier, flattened production, and at a far more sedate pace than the relentless fury of Spectral Wound.” Arna you tired of black metal yet?

Ninkharsag – The Dread March of Solemn Gods Review

Ninkharsag – The Dread March of Solemn Gods Review

“Do you like second-wave black metal? Yes? How much are we talking here? On a scale of 1 to 10, with 10 being Emperor, and 1 being Viscount Deathspasm’s underground project, Endless Decembres ov Joyless Apathy, where would you say your enjoyment falls? Go on, close your eyes and come up with a number. I’ll wait. Ok, got it? If it’s between 8 and 10, read on! This sophomore album by the UK’s Ninkharsag is gonna be right up your frigid alley. Between 6 and 7? This might be your thing depending on the strength of the second-wave itch that needs to be scratched. Proceed with caution. 6 or below? Probably not your vibe, I’m afraid.” Dread marches and pedestrian ambitions.

Kvaen – The Funeral Pyre Review

Kvaen – The Funeral Pyre Review

Kvaen is the solo project of Swedish musician Jakob Björnfot (The Duskfall), although he employs a number of guest musicians to flesh out his vision. With The Funeral Pyre, he joins acts like Sun of the Sleepless and Spectral Wound as artists who play throwback melodic black metal with such verve and venom that it sounds as fresh as when it first emerged from the primordial forests.” Higher, higher, feel the pyre!